The inhabitants of Pororan Island, a small group of 'saltwater people' in Papua New Guinea, are intensely interested in the movements of persons across the island and across the sea, both in their everyday lives as fishing people and on ritual occasions. From their observations of human movements, they take their cues about the current state of social relations. Based on detailed ethnography, this study engages current Melanesian anthropological theory and argues that movements are the Pororans' predominant mode of objectifying relations. Movements on Pororan Island are to its inhabitants what roads are to 'mainlanders' on the nearby larger island, and what material objects and images are to others elsewhere in Melanesia.
‘The island world of Melanesia—ranging from New Guinea and the Bismarcks through the Solomons, Vanuatu, and New Caledonia—is characterised more than anything by its boundless diversity in geography, language and culture. The deep historical roots of this diversity are only beginning to be uncovered by archaeological investigations, but as the contributions to this volume demonstrate, the exciting discoveries being made across this region are opening windows to our understanding of the historical processes that contributed to such remarkably varied cultures. Archaeologies of Island Melanesia offers a sampling of some of the recent and ongoing research that spans such topics as landscape, exchange systems, culture contact and archaeological practice, authored by some of the leading scholars in Oceanic archaeology.’ — Professor Patrick Vinton Kirch Professor of Anthropology, University of Hawai‘i Island Melanesia is a remarkable region in many respects, from its great ecological and linguistic diversity, to the complex histories of settlement and interaction spanning from the Pleistocene to the present. Archaeological research in Island Melanesia is currently going through a vibrant phase of exciting new discoveries and challenging debates about questions that apply far beyond the region. This volume draws together a variety of current perspectives in regional archaeology for Island Melanesia, focusing on Vanuatu, the Solomon Islands, New Caledonia and Papua New Guinea. It features both high-level theoretical approaches and rigorous data-driven case studies covering recent research in landscape archaeology, exchange and material culture, and cultural practices.
Collects forty-three historical or traditional stories from the Pacific Islands, including creation myths and stories of gods, heroes, and ordinary people. --amazon.com.
This book explores what it means to be Lihirian through an analysis of everyday life in the Lihir Islands, Papua New Guinea. Atop four volcanic islands in the Pacific Ocean east of New Ireland, Lihirians are living in a world that has rapidly changed in the last century through the work of Christian missions, government administration and the development of a large gold mine (Lihir Gold Ltd). Being Lihirian in the context of these changes is challenging, yet Lihirians retain a strong sense of themselves and their islands as distinctive. This book aims to reconcile what has been termed the 'root metaphor' of Melanesian sociality as based on relational or composite personhood with the strong individualist tendencies and sense of self that are found in everyday practice in Lihir. In looking beyond the ideals of moral conduct to the practice of relations and emotion, it can be seen that the symbolism of Melanesian sociality does not encompass the practical reality of what it means to be Lihirian. Emotion is a ubiquitous part of life in Lihir. Emotions are motivations, reactions and remarks on the state of self and other; in short, emotions are integral to relations and persons in Lihir. This book considers emotions both through their performative contexts as well as the more usual lexical analyses of emotion terms and commentaries. In moving beyond lexical analyses, Hemer argues that the strong focus on the semantics of emotion in anthropology has been at the expense of the embodied practice of emotion that was apparent in Lihir. Through this engaging ethnographic account of connections, conflicts and loss in Lihir, Hemer's own fieldwork journey of making relationships, experiencing disputes and finally leaving the field, is mirrored. Structured into three parts, the book works through the complexities of creating and sustaining relationships, the evaluation of conduct as moral and the practices of conflict, and the experiences and transformations of death and grief. Throughout these parts various emotions are highlighted and interrogated for their relationship to psychological understandings and definitions: love, anger, jealousy, sadness. Emotions are also understood in a historical context and as connected to social changes wrought by interactions with global phenomena such as religion.
Who is not captivated by tales of Islanders earnestly scanning their watery horizons for great fleets of cargo ships bringing rice, radios and refrigerators - ships that will never arrive? Of all the stories spun about the island peoples of Melanesia, tales of cargo cult are among the most fascinating. The term cargo cult, Lamont Lindstrom contends, is one of anthropology's most successful conceptual offspring. Like culture, worldview and ethnicity, its usage has steadily proliferated, migrating into popular culture where today it is used to describe an astonishing roll-call of people. It's history makes for lively and compelling reading. The cargo cult story, Lindstrom shows, is more significant than it at first appears, for it recapitulates in summary form three generations of anthropological theory and Pacific studies. Although anthropologists' enthusiasm for the notion of cargo cult has waned, it now colors outsiders' understanding of Melanesian culture, and even Melanesians' perceptions of themselves. The repercussions for contemporary Islanders are significant: leaders of more than one political movement have felt the need to deny that they are any kind of cargo cultist. Of particular interest to this history is Lindstom's argument that accounts of cargo cult are at heart tragedies of thwarted desire, melancholy anticipation and crazy unrequited love. He makes a convincing case that these stories expose powerful Western scenarios of desire itself—giving cargo cult its combined titillation of the fascinating exotic and the comfortably familiar.
