Selina Guinness (Dun Laoghaire) Ireland through the stereoscope: reading the cultural politics of theosophy in the Irish Literary Revival Leeann Lane DCU) 'There are compensations in the congested districts for their poverty': � and the idealized peasant of the agricultural co-operative movement Liam MacMath�na (DCU) From manuscripts to street signs via S�adna: the Gaelic League and the changing role of literacy in Irish, 1875-1915 "na N� Bhroim�il (Mary Immac.) American influence on the Gaelic League: inspiration or control? Mary Stakelum (UL) A song to sweeten Ireland's wrong: music education and the Celtic Revival Elizabeth Crooke (UU) Revivalist archaeology and museum politics during the Irish Revival Janice Helland (Queen's, King.) Embroidered spectacle: Celtic Revival as aristocratic display Elaine Cheasley Paterson (QUB) Crafting a national identity: the Dun Emer Guild, 1902-8 Marnie Hay (UCD) Explaining Uladh: cultural nationalism in Ulster Lucy McDiarmid (Villanova U) Revivalist belligerence: three controversies Alex Davis (UCC) Whoops from the peat-bog?: Joseph Campbell and the London avant-garde Maria O'Brien (UU) Thomas William Rolleston: the forgotten man G.K. Peatling (Guelph U) Robert Lynd, paradox and the Irish revival: 'Acting-out' or 'Working-through'? Brian Griffin (Bath Spa) The Revival at local level: Katherine Frances Purdon's portrayal of rural Ireland Michael McAteer A currency crisis: modernist dialectics in The Countess Cathleen Mary Burke (QUB) Eighteenth-century European scholarship and nineteenth-century Irish literature: Synge's Tinker's Wedding and the orientalizing of 'Irish Gypsies' Patrick Lonergan (NUIG) 'The sneering, lofty conception of what they call culture': O'Casey, popular culture and the Literary Revival
First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O’Casey, documents the complex spectrum of political, social and other pressures that helped fashion modern Ireland. At least three sets of cultural assumptions coexisted in Ireland during the years between 1890 and 1930, -- English, Irish and Anglo-Irish, each united by a common language but divided by considerable tensions and strain. The question of Irish identity forms the central theme of the study, and illustrates how it was a major, even obsessive concern for these writers. Subsidiary and interwoven themes constantly recur. Themes such as the concepts of the peasant and the hero, political nationalism, the meaning of Ireland’s history and the validity of her cultural traditions. Rather than use the literature concerned as merely endorsing evidence for a sociological or political thesis, this study allows its major themes and issues to emerge and develop from direct and close study of the work of the writers. This book will be of interest to students of literature and history.
This collection charts the vital contextual backgrounds to James Joyce's life and writing. The essays collectively show how Joyce was rooted in his times, how he is both a product and a critic of his multiple contexts, and how important he remains to the world of literature, criticism and culture.
This book reconsiders the Celtic Revival by examining appropriations of Shakespeare, using close readings of works by Arnold, Dowden, Yeats and Joyce to reveal the pernicious manner in which the discourse of Anglo-Irish cultural politics informed the critical paradigms that mediated the reading of Shakespeare in Ireland for a generation.
In Modernism and the Celtic Revival, Gregory Castle examines the impact of anthropology on the work of Irish Revivalists such as W. B. Yeats, John M. Synge and James Joyce. Castle argues that anthropology enabled Irish Revivalists to confront and combat British imperialism, even as these Irish writers remained ambivalently dependent on the cultural and political discourses they sought to undermine. Castle shows how Irish Modernists employed textual and rhetorical strategies first developed in anthropology to translate, reassemble and edit oral and folk-cultural material. In doing so, he claims, they confronted and undermined inherited notions of identity which Ireland, often a site of ethnographic curiosity throughout the nineteenth-century, had been subject to. Drawing on a wide range of post-colonial theory, this book should be of interest to scholars in Irish studies, post-colonial studies and Modernism.
Celtic Revival? explores what happens when a society loses its wealth, its faith in government, and its trust in its Church. The glorious rise of the Celtic Tiger in Ireland was thought by many to be a model for future economic growth for countries around the world; its dramatic crash in 2008 resonated equally widely. Yet despite the magnitude of the ongoing collapse, Sean Kay shows that seen in historical perspective, the crisis is part of a much larger pattern of generations of progress and change. Kay draws on a rich blend of research, interviews with a broad spectrum of Irish society, and his own decades of personal experience to tell the story of Ireland today. He guides the reader through the country's major economic challenges, political transformation, social change, the crisis in the Irish Catholic Church, and the rise of gay rights and multiculturalism. He takes us through the streets of Derry and Belfast to understand the Northern Ireland peace process and the daunting task of peace building that has only just begun. Finally, we see how Irish foreign policy has long been a model for balancing competing interests and values. Kay concludes by highlighting Ireland's lessons for the world and mapping a vital path for twenty-first-century challenges and opportunities for the coming generations in Ireland and beyond.