Winner of the 2022 British Association of Irish Studies (BAIS) Book Prize In the years following the Irish Famine (1845–52), London became one of the cities of Ireland. The number of Irish in London swelled to over 100,000 and from this mass migration emerged a distinctive and vibrant culture based on a shared sense of history, identity and experience. In this book, Richard Kirkland brings together elements in Irish London's culture and history that had previously only been understood separately or indeed largely overlooked (as in the case of women's' contributions to London Irish politics and culture). In particular, Kirkland makes resonant cultural connections between Irish and cockney performers in the music halls, Irish trade fairs, temperance marches, the Fenian dynamite war of the 1880s, St Patrick's Day events, and the later cultural agitation of revivalists such as W.B. Yeats and Katharine Tynan. Irish London: A Cultural History 1850–1916 is both a significant contribution to our understanding of Irish emigrant communities in London at this time and an insightful case study for the comparative fields of cultural history and urban migration studies.
New updated edition of the seminal work by Catherine Dunne, which charted the lives of the London Irish, in all their variety and color, now with a brand new foreword by Diarmaid Ferriter. Half a million Irish people left Ireland in the nineteen-fifties, forced by decades of economic stagnation. For many, Britain was their only hope of survival.
WINNER OF THE WH SMITH'S PEOPLE'S CHOICE AWARD [New Talent] There are 750,000 Irish living in London. One of them has to get out. For good... It is the summer of 1999. Bic (half-Irish, half-Scots) is eking out a living selling crêpes to the hordes descending on Greenwich market. With one severed ear, two bizarre deaths and the arrest of his dog for civil disobedience, Bic's year hasn't exactly been going to plan. But when raven-haired Roisin takes the stall opposite his, things seem to be looking up - if Bic can just get past her over-protective brothers. That is, until Bic wakes up the-morning-after-the-night-before, in his clothes, in Edinburgh, to find he's the UK's Most Wanted Man - on the run and with fourteen murders to his name... 'Very fresh, very funny' COLIN BATEMAN 'A huge and exciting plot...I loved the twist at the end' Goodreads 'Great story and full of humour' Goodreads
For fans of The Holiday & Letters to Juliet. Remember what it was like to feel twenty-one again . . . but with all the wisdom of thirty-five. Book 2 of The Irish Heart Series Original Trilogy. Elizabeth Lara has just finished her tour of Ireland. She’s moved on to London, but the dashing Connor Bannon isn’t far from her thoughts as she searches for Mags’ lost love. From dinner with the Queen, to an unexpected encounter with someone from her past, to the tabloids—London proves to be more excitement than she expected. Will she find Mags’ Matthieu? Will Connor be able to win her back or will she choose her gorgeous friend Wes? Both men will take her to exclusively exotic locations and bring her face to face with royalty. Find out what happens next in Beth’s life as she travels, experiences more romance, makes her way through the box of seventeen letters—and continues to find the missing pieces to her life. Come journey with Elizabeth in a story that explores the twists and turns of life and the magic of reconnection. This is more than a romantic story—it’s an invitation to rediscover life’s possibilities. Lose your way and find your life in The Irish Heart Series. READING ORDER: The Irish Heart Series Original Trilogy: The Irish Cottage: Finding Elizabeth (Book 1) The London Flat: Second Chances (Book 2) The Paris Apartment: Fated Journey (Book 3) . . . and for the readers who wanted more . . . 5 years later . . . The Irish Heart Series Continuing Trilogy: The Irish Castle: Keeping Elizabeth (Book 4) The Irish Secret: Wild Fire (Book 5) The Irish Wedding: A Novel Romance (Book 6) Juliet Gauvin’s books are feel-good romantic women’s fiction. They include international travel, holidays, contemporary women, and epic love. INTERVIEW WITH THE AUTHOR Q: How did you come up with The Irish Cottage? Juliet: Well the story came together in pieces. I love Ireland, I've always been attracted to the country, the people, the music, the dancing. I've spent time traveling the country so I knew I wanted to set the book there. And then the character of Elizabeth was based on a lot of the experiences I had when I was in law in San Francisco. When I was immersed in that world--it was a very dark time, and I really did lose my way--like Elizabeth. I even let long-time relationships die because I was in such a dark place, it was difficult to see anything past my own nose. So yeah, I knew I wanted my heroine to be a "recovering attorney" and I knew that I wanted her to have this great love affair in Ireland that would open her up to the truly great possibilities life has to offer. Q: And what about Connor Bannon? Is he based on anyone? Juliet: Ummm...he might be an amalgamation of several people, but I think I'll refrain from commenting further--have to keep some of it to myself, don't I? Q: Why did you elect to write romantic women's fiction as opposed to traditional contemporary romance? Juliet: I knew I wanted to write in the romantic women's fiction space because writing a story where the heroine's evolution is paramount--not just her relationship with Connor--is what really gets me, drives me--I love those types of stories. I like writing herstory--women's lives and journeys are so complex--I wanted to write a series that included a great love story, but didn't sacrifice the heroine's journey in any way. It's about Elizabeth finding her way--we all need to find our way. Sometimes people help with that, but ultimately each of us has to find our own path...and we all need love too. Q: Why London and then Paris? Juliet: I lived in London for a time--I love it so much. It's one of the best cities on the planet, really. When I closed my eyes and thought about where Elizabeth's journey would take her I knew London would be next. And Paris--I lived in Lyon for a time as well and I've spent a lot of time in Paris so it seemed only natural for the final book to be set there. I also set certain things in motion in The Irish Cottage that make it impossible to end anywhere else--I knew I wanted to end it in France. Plus, Elizabeth has a major sweet tooth, like me, and Paris has the most amazing dessert masters in the world. I spent many hours pouring over the websites of my favorites and discovering some new ones. Those were the hardest and best research nights--I'm nocturnal, I write at night--and pouring over the websites of my favorite masters was heaven and hell. I wanted to get on a plane already. My sugar intake definitely went up while I was writing The Paris Apartment--and my waistline with it.
London-born and reared, Art O'Brien's journey from wealthy electrical engineer to leader of Irish militant nationalism in London was, by any measure, quite extraordinary. This book uses the life of O'Brien (1872-1949) as a central axis on which to construct an analysis of Irish nationalism in London from 1900 to 1925. O'Brien was a member of the Gaelic League, Sinn Féin, the Irish Volunteers, the Irish Republican Brotherhood, and the Irish Self-Determination League of Great Britain. He also established a prisoner relief organization and had significant involvement in gun-running for the 1916 rising and the War of Independence. Appointed London envoy of Dáil Éireann in 1919, he was a close confidant of Michael Collins, Arthur Griffith, and Éamon de Valera, and was a mediator in various peace initiatives between the British and Sinn Féin during 1920 and 1921. Yet, despite his extensive contribution to the Irish revolution, little is known of O'Brien's activities. Based on rigorous research in British and Irish archives, this book recounts the vital contribution O'Brien made to the prosecution of the Irish revolution. It also recounts the hitherto little-known story of Irish cultural, political, and militant nationalism in London between 1900 and 1925.
In the years following the Irish Famine (1845–52), London became one of the cities of Ireland. The number of Irish in London swelled to over 100,000 and from this mass migration emerged a distinctive and vibrant culture based on a shared sense of history, identity and experience. In this book, Richard Kirkland brings together elements in Irish London's culture and history that had previously only been understood separately or indeed largely overlooked (as in the case of women's' contributions to London Irish politics and culture). In particular, Kirkland makes resonant cultural connections between Irish and cockney performers in the music halls, Irish trade fairs, temperance marches, the Fenian dynamite war of the 1880s, St Patrick's Day events, and the later cultural agitation of revivalists such as W.B. Yeats and Katharine Tynan. Irish London: A Cultural History 1850–1916 is both a significant contribution to our understanding of Irish emigrant communities in London at this time and an insightful case study for the comparative fields of cultural history and urban migration studies.
This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies. This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors’ adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminating the fertile intersections of the two.
A unique combination of the activist and the academic, Feminist Reviewhas an acclaimed place within women's studies courses and the women's movement. Feminist Reviewis produced by a London based editorial colective and publishes and reviews work by women; featuring articles on feminist theory, race, class and sexuality, women's history, cultural studies, black and third world feminism, poetry, photography, letters and much more. Feminist Reviewis available both on subscription and from bookstores. For a Free Sample Copy or further subscription details please contact Trevina Johnson, Routledge Subscriptions, ITPS Ltd., Cheriton House, North Way, Andover SP10 5BE, UK.
Explains how the leadership of the IPP operated, taking the concepts of oligarchy and collegiate governance and applying them to the Home Rule case more comprehensively than ever before
