Very seldom does one come across so inspiring a volume. . . . It belongs in every Irish-American library. . . . Anyone with an interest in the Civil War and/or the history of the Irish in America should own a copy of this very fine work.
"Very seldom does one come across so inspiring a volume. . . . It belongs in every Irish-American library. . . . Anyone with an interest in the Civil War and/or the history of the Irish in America should own a copy of this very fine work." -Irish Edition
When President Lincoln issued his 1861 call to arms, the 63rd, 69th and 88th New York Volunteers were among the first to step forward. Comprised primarily of first and second generation Irish immigrants, these three regiments were later joined by the 28th Massachusetts and the 116th Pennsylvania. Suffering heavy casualties, this Irish Brigade, commanded by Thomas Francis Meagher, was one of the most famous fighting groups of the Civil War. This work provides a balanced, historically factual picture of the Irish Brigade and its commander, focusing on their role in the Seven Days' battles and at Sharpsburg, Fredericksburg and Chancellorsville. Primary sources range from veterans' memoirs published just after the war to letters and memoirs published as recently as 1996.
The Civil War Soldier and the Press examines how the press powerfully shaped the nation’s understanding and memory of the common soldier, setting the stage for today’s continuing debates about the Civil War and its legacy. The history of the Civil War is typically one of military strategies, famous generals, and bloody battles, but to Americans of the era, the most important story of the war was the fate of the soldier. In this edited collection, new research in journalism history and archival images provide an interdisciplinary study of citizenship, representation, race and ethnicity, gender, disability, death, and national identity. Together, these chapters follow the story of Civil War soldiers, from enlistment through battle and beyond, as they were represented in hometown and national newspapers of the time. In discussing the same pages that were read by soldiers’ families, friends, and loved ones during America’s greatest conflict, the book provides a window into the experience of historical readers as they grappled with the meaning and cost of patriotism and shared sacrifice. Both scholarly and approachable, this book is an enriching resource for undergraduate and graduate courses in Civil War history, American history, journalism, and mass communication history.
“Concise, engaging . . . [A] superb study of the US Catholic community in the Civil War era.” —Civil War Book Review Anti-Catholicism has had a long presence in American history. When the Civil War broke out in 1861, many Catholic Americans considered it a chance to prove their patriotism once and for all. Exploring how Catholics sought to use their participation in the war to counteract religious and political nativism in the United States, Excommunicated from the Union reveals that while the war was an alienating experience for many of the 200,000 Catholics who served, they still strove to construct a positive memory of their experiences—in order to show that their religion was no barrier to their being loyal American citizens. “[A] masterful interrogation of the fusion of faith, national crisis, and ethnic identity at a critical moment in American history. This is a notable and welcome contribution to Catholic, Civil War, and immigrant history.”? Journal of Southern History
Just under 200,000 Irishmen took part in the American Civil War, making it one of the most significant conflicts in Irish history. Hundreds of thousands more were affected away from the battlefield, both in the US and in Ireland itself. The Irish contribution, however, is often only viewed through the lens of famous units such as the Irish Brigade, but the real story is much more complex and fascinating. From the Tipperary man who was the first man to die in the war, to the Corkman who was the last General mortally wounded in action; from the flag bearer who saved his regimental colours at the cost of his arms, to the Roscommon man who led the hunt for Abraham Lincoln's assassin, what emerges in this book is a catalogue of gallantry, sacrifice and bravery.
A sweeping history of American Catholicism from the arrival of the first Spanish missionaries to the present "Tentler does justice to James Joyce's quip that Catholicism means 'here comes everybody.' This is the story of everybody--lay people, sisters, priests--who was part of the church in the United States, a story insightfully analyzed and admirably told. A definitive synthesis." --James M. O'Toole, author of The Faithful This comprehensive survey of Catholic history in what became the United States spans nearly five hundred years, from the arrival of the first Spanish missionaries to the present. Distinguished historian Leslie Tentler explores lay religious practice and the impact of clergy on Catholic life and culture as she seeks to answer the question, What did it mean to be a "good Catholic" at particular times and in particular places? In its focus on Catholics' participation in American politics and Catholic intellectual life, this book includes in-depth discussions of Catholics, race, and the Civil War; Catholics and public life in the twentieth century; and Catholic education and intellectual life. Shedding light on topics of recent interest such as the role of Catholic women in parish and community life, Catholic reproductive ethics regarding birth control, and the Catholic church sex-abuse crisis, this engaging history provides an up-to-date account of the history of American Catholicism.
In the mid-nineteenth century the United States was musically vibrant. Rising industrialization, a growing middle class, and increasing concern for the founding of American centers of art created a culture that was rich in musical capital. Beyond its importance to the people who created and played it is the fact that this music still influences our culture today. Although numerous academic resources examine the music and musicians of the Civil War era, the research is spread across a variety of disciplines and is found in a wide array of scholarly journals, books, and papers. It is difficult to assimilate this diverse body of research, and few sources are dedicated solely to a rigorous and comprehensive investigation of the music and the musicians of this era. This anthology, which grew out of the first two National Conferences on Music of the Civil War Era, is an initial attempt to address that need. Those conferences established the first academic setting solely devoted to exploring the effects of the Civil War on music and musicians. Bridging musicology and history, these essays represent the forefront of scholarship in music of the Civil War era. Each one makes a significant contribution to research in the music of this era and will ultimately encourage more interdisciplinary research on a subject that has relevance both for its own time and for ours. The result is a readable, understandable volume on one of the few understudied—yet fascinating—aspects of the Civil War era.