"Since the revelation of Iris Murdoch's (1919-1999) affair with Elias Canetti (1905-1994), scholarship on their relationship has been largely biographical, focusing in particular on Canetti's alleged role as the real-life model for some of Murdoch's most invidious protagonists. Little research, however, has been done on the extensive common ground between the two writers' literary projects. In this groundbreaking comparative study, Elaine Morley conducts a careful philological comparison of Murdoch's and Canetti's works, from their literary themes and theories to their idiosyncratic stylistic practices. Morley demonstrates that these authors were preoccupied with a common philosophical problem, and that they were in fact not only personally close, but also more intellectually allied than has been previously thought. Elaine Morley is Lecturer in German and Comparative Literature at Queen Mary, University of London where she convenes the MA in Anglo-German Cultural Relations."
For the first time, novelist Iris Murdoch's life in her own words, from girlhood to her last years Iris Murdoch was an acclaimed novelist and groundbreaking philosopher whose life reflected her unconventional beliefs and values. But what has been missing from biographical accounts has been Murdoch's own voice—her life in her own words. Living on Paper—the first major collection of Murdoch's most compelling and interesting personal letters—gives, for the first time, a rounded self-portrait of one of the twentieth century's greatest writers and thinkers. With more than 760 letters, fewer than forty of which have been published before, the book provides a unique chronicle of Murdoch's life from her days as a schoolgirl to her last years. The result is the most important book about Murdoch in more than a decade. The letters show a great mind at work—struggling with philosophical problems, trying to bring a difficult novel together, exploring spirituality, and responding pointedly to world events. They also reveal her personal life, the subject of much speculation, in all its complexity, especially in letters to lovers or close friends, such as the writers Brigid Brophy, Elias Canetti, and Raymond Queneau, philosophers Michael Oakeshott and Philippa Foot, and mathematician Georg Kreisel. We witness Murdoch's emotional hunger, her tendency to live on the edge of what was socially acceptable, and her irreverence and sharp sense of humor. We also learn how her private life fed into the plots and characters of her novels, despite her claims that they were not drawn from reality. Direct and intimate, these letters bring us closer than ever before to Iris Murdoch as a person, making for an extraordinary reading experience.
Agony of Flies: Notes and Notations presents brief aphorisms selected from the German Nobel laureate Elias Canetti's writings. These short writings collected in this bilingual edition offer remarkable insight into the life and thinking of "one of our great imaginers and solitary men of genius" (Iris Murdoch).
Edward Baltram is overwhelmed with guilt. His nasty little prank has gone horribly wrong: He has fed his closest friend a sandwich laced with a hallucinogenic drug and the young man has fallen out of a window to his death. Edward searches for redemption through a reunion with his famous father, the reclusive painter Jesse Baltram. Funny and compelling, The Good Apprentice is at once a supremely sophisticated entertainment and an inquiry into the spiritual crises that afflict the modern world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Best known as the author of twenty-six novels, Iris Murdoch has also made significant contributions to the fields of ethics and aesthetics. Collected here for the first time in one volume are her most influential literary and philosophical essays. Tracing Murdoch's journey to a modern Platonism, this volume includes incisive evaluations of the thought and writings of T. S. Eliot, Jean-Paul Sartre, Albert Camus, Simone de Beauvior, and Elias Canetti, as well as key texts on the continuing importance of the sublime, on the concept of love, and the role great literature can play in curing the ills of philosophy.Existentialists and Mystics not only illuminates the mysticism and intellectual underpinnings of Murdoch's novels, but confirms her major contributions to twentieth-century thought.
Conradi assesses the intellectual and cultural legacy of the celebrated philosopher and writer. In addition to details of her personal life, he details her philosophical works and 26 novels. 50 photos.
In The Art of Distances, Corina Stan identifies an insistent preoccupation with interpersonal distance in a strand of twentieth-century European and Anglophone literature that includes the work of George Orwell, Paul Morand, Elias Canetti, Iris Murdoch, Walter Benjamin, Annie Ernaux, Günter Grass, and Damon Galgut. Specifically, Stan shows that these authors all engage in philosophical meditations, in the realm of literary writing, on the ethical question of how to live with others and how to find an ideal interpersonal distance at historical moments when there are no obviously agreed-upon social norms for ethical behavior. Bringing these authors into dialogue with philosophers such as Michel de Montaigne, Ralph Waldo Emerson, Friedrich Nietzsche, Sigmund Freud, Helmuth Plessner, Martin Heidegger, Jean-Luc Nancy, Emmanuel Levinas, Peter Sloterdijk, Guillaume le Blanc, and Pierre Zaoui, Stan shows how the question of the right interpersonal distance became a fundamental one for the literary authors under consideration and explores what forms and genres they proposed in order to convey the complexity of this question. Albeit unknowingly, she suggests, they are engaged in fleshing out what Roland Barthes called “a science, or perhaps an art, of distances.”
"A brilliant selection . . . Canetti's range astonishes." —Claire Messud, Harper's A career-spanning collection of writings by the Nobel laureate Elias Canetti, edited and introduced by Pulitzer Prize winner Joshua Cohen. He embarked on no adventures, he was in no war. He was never in prison, he never killed anyone. He neither won nor lost a fortune. All he ever did was live in this century. But that alone was enough to give his life dimension, both of feeling and of thought. Here, in his own words, is one of the twentieth century’s foremost chroniclers: a dizzyingly inventive, formally unplaceable, unstoppably peripatetic writer named Elias Canetti, who was awarded the Nobel Prize in Literature in 1981. I Want to Keep Smashing Myself Until I Am Whole is a summa of Canetti’s life and thought, and the definitive introduction to a writer whose genius for interpreting world-historical changes was matched by a keen sense of wonder and an abiding skepticism about the knowability of the self. Born into a Sephardi Jewish family in Bulgaria, Canetti later lived in Austria, England, and Switzerland while traversing, in writing, the great thematic provinces of his time: politics, identity, mortality, and more. Sourced from Canetti’s landmark texts, including Crowds and Power, an analysis of authoritarianism and mobs; Auto-da-Fé, a darkly comic, daringly modernist novel about the fate of European literature; the famous sequence of sensory-titled memoirs, including The Tongue Set Free and The Torch in My Ear; and never-before-translated writings such as the posthumous The Book Against Death, this collection assembles its luminous shards into the fullest portrait yet of Canetti’s remarkable achievement. Edited and introduced by Pulitzer Prize winner Joshua Cohen (Book of Numbers, The Netanyahus), I Want to Keep Smashing Myself Until I Am Whole leads us from Canetti’s polyglot childhood to his mature preoccupations, and his friendships and rivalries with Hermann Broch, James Joyce, Karl Kraus, Thomas Mann, Robert Musil, and others. This collection is also interspersed with aphorisms and diary entries, revealing Canetti’s formal range and stylistic versatility in flashes of erudition and introspective humor. Throughout, we come to see Canetti’s restless fascination with the instability of identity as one of the keys to his thought—as he reminds us, It all depends on this: with whom we confuse ourselves.
A charismatic businessman casts a dark spell over others in this psychologically suspenseful novel by the Man Booker Prize–winning author of The Black Prince. Mischa Fox’s name is known throughout London, though he himself is rarely seen. Enigmatic and desired, vicious yet sympathetic, he is a model of success, wealth, and charisma. When Fox turns his entrepreneurial gaze on a small feminist magazine known as the Artemis, his intoxicating influence quickly begins to affect the lives of those involved with the paper: the fragile editor, Hunter; generous Rosa, who splits her time and affections between her brother and two other men; innocent Annette, whose journey from school to the real world ends up being more fraught than she could have foreseen; and their circle of friends and acquaintances, all of whom find themselves both drawn to and repulsed by Fox. Told with dark humor, keen wit, and intense insight into the seductive nature of power, The Flight from the Enchanter is an intricate and dazzling work of fiction from the author of The Sea, The Sea and Under the Net, “one of the most significant novelists of her generation” (The Guardian).
