An examination of the emergence, reception and legacy of modernism in Ireland. Engaging with the ongoing re-evaluation of regional and national modernisms, the essays collected here reveal both the importance of modernism to Ireland, and that of Ireland to modernism. This collection introduces fresh perspectives on modern Irish culture that reflect new understandings of the contradictory and contested nature of modernism itself.--
"This collection of essays assembles investigations of Brian O'Doherty's/Patrick Ireland's seminal work: his visual art practice, art criticism, institutional leadership and critique, media work, and literary writing. The international authors provide fresh perspective on an oeuvre that has resonance on both sides of the Atlantic."--Back cover.
Focusing on W.B. Yeats's ideal of mutual support between the arts, Karen Brown sheds new light on how collaborations and differences between members of the Yeats family circle contributed to the metamorphosis of the Irish Cultural Revival into Irish Modernism. Making use of primary materials and fresh archival evidence, Brown delves into a variety of media including embroidery, print, illustration, theatre, costume design, poetry, and painting. Tracing the artistic relationships and outcome of W.B. Yeats's vision through five case studies, Brown explores the poet's early engagement with artistic tradition, contributions to the Dun Emer and Cuala Industries, collaboration between W.B. Yeats and Norah McGuinness, analysis of Thomas MacGreevy's pictorial poetry, and a study of literary influence and debt between Jack Yeats and Samuel Beckett. Having undertaken extensive archival research relating to word and image studies, Brown considers her findings in historical context, with particular emphasis on questions of art and gender and art and national identity. Interdisciplinary, this volume is one of the first full-length studies of the fraternit?es arts surrounding W.B. Yeats. It represents an important contribution to word and image studies and to debates surrounding Irish Cultural Revival and the formation of Irish Modernism.
Rediscover the lost words of an ancient land in this new and updated edition of an international bestseller. Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German, and branches spanning the world, from Australia and India to North America. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic. In Thirty-Two Words for Field Manchán Magan explores the enchantment, sublime beauty and sheer oddness of a 3000-year-old lexicon. Imbuing the natural world with meaning and magic, it evokes a time-honoured way of life, from its 32 separate words for a field, to terms like loisideach (a place with a lot of kneading troughs), bróis (whiskey for a horseman at a wedding), and iarmhaireacht (the loneliness you feel when you are the only person awake at cockcrow). Told through stories collected from Magan's own life and travels, Thirty-Two Words for Field is an enthralling celebration of Irish words, and a testament to the indelible relationship between landscape, culture and language.
“Beyond the green land, the pubs and the auburn hair, is a rich culture dating back nine thousand years, including invasions by just about every nation in Northern Europe. The Irish have survived as a people, perhaps because of the genetics of hope, the richness of tale-telling and laughter, and the scent of peat in the air.”—Jay Ben Adlersberg The Emerald Isle is known for its gorgeous countryside, and rightfully so. From the rugged cliffs of the Atlantic coast to the lush meadows and lakes of the interior, Ireland is rich in imagery both awe-inspiring and serene. The vibrant streets of such cities as Dublin and Belfast, where modern architecture rubs shoulders with Georgian townhouses and Norman stonework, testify to the island's 21st century resurgence as the cosmopolitan 'Celtic Tiger.' From the remains of a Bronze Age ring fort to the soaring modern Spire of Dublin to the stallions of the National Stud, Ireland is a land of surprising variety. The rich color images collected here weave together the portrait of a land where Paleolithic monuments, medieval castles, quiet fishing villages, and bustling cities all exist alongside each other. From the eerie, astonishing hexagonal stones of the ‘Giant’s Causeway’ in County Antrim to the cozy atmosphere of the town pub; from breathtaking wild landscapes to the exquisite gardens of stately homes; each page offers a new glimpse of Ireland’s multifarious beauty. The prehistoric tombs of Newgrange, the Gothic peaks of St. Patrick’s Cathedral, the sublime scenery of Connemara National Park, and countless country villages, all are here. With a keen visual sensibility, Jay Ben Adlersberg captures the tiniest details and the most magnificent vistas that are at the island’s heart and that make Ireland one of the world’s loveliest places to travel—or to call home. Here, too, is a journey through Ireland’s history. The soaring modern Spire of Dublin monument, the elegant campus of Trinity College, the ancient seat of Ireland’s kings at Tara—each evokes a different moment in Ireland’s many-layered past. Written in the land itself, Ireland’s history appears here in the slope of a thatched roof, in the grass-grown remains of a Bronze Age ring fort, in a field tilled for centuries. Finally, here is the soul of a land where, out of the hardships of the past, have come arts and culture alive with creativity and resilience, from traditional flute and fiddle music to a diverse literary tradition from which thirty poems and literary excerpts have been chosen to accompany Adlersberg’s images, including the romantic prose of James Joyce; the humorous boyhood memories of Frank McCourt; the celebration of natural beauty in the poetry of W.B. Yeats; and the folk tales of Douglas Hyde; as well as numerous others whose writings capture the unique spirit that is Ireland. Samantha Bowser supplies the rich and nuanced captions for the more than two hundred photographs.
James Charles Roy, a noted authority on Irish history and travel, escorts a disparate group of Americans through the lonely backwaters of ancient Ireland. Visions of a glorious enterprise evaporate as he sees a dejected and weary handful of aged American tourists disembark at Shannon Airport. Fortified by Guinness, Roy hurls himself into sharing with them the joys and wonders of Ireland's twisted byways. Determined to avoid clichéRoy leads his group to obscure Celtic coronation sites, monasteries, and remote abbeys as he spins a narrative that pulls Ireland's chaotic story into coherence. His unsuspecting charges begin to shed their hesitancies, relishing their guide's idiosyncratic approach to Ireland. Black comedy aside, Roy touches an emotional chord: how the economic phenomenon known as the Celtic Tiger has transformed Old Ireland into a high-tech power. At the tour's end, Roy embarks alone for the inaccessible Ardoilean, a seventh-century Celtic hermitage in County Galway. His vision of an Ireland lost forever is an emotional tour de force.
Focusing on W.B. Yeats's ideal of mutual support between the arts and on the cultural production of the Yeats circle members, Karen Brown explores the artistic relationships and outcome of Yeats's vision in five case studies. In so doing, the author makes use of primary materials and fresh archival evidence, and delves into a variety of media, including embroidery, print, illustration, theatre, costume design, poetry, and painting.
NATIONAL BESTSELLER • A book in the best tradition of popular history—the untold story of Ireland's role in maintaining Western culture while the Dark Ages settled on Europe. • The perfect St. Patrick's Day gift! Every year millions of Americans celebrate St. Patrick's Day, but they may not be aware of how great an influence St. Patrick was on the subsequent history of civilization. Not only did he bring Christianity to Ireland, he instilled a sense of literacy and learning that would create the conditions that allowed Ireland to become "the isle of saints and scholars"—and thus preserve Western culture while Europe was being overrun by barbarians. In this entertaining and compelling narrative, Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization -- copying manuscripts of Greek and Latin writers, both pagan and Christian, while libraries and learning on the continent were forever lost—they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated. In the tradition of Barbara Tuchman's A Distant Mirror, How The Irish Saved Civilization reconstructs an era that few know about but which is central to understanding our past and our cultural heritage. But it conveys its knowledge with a winking wit that aptly captures the sensibility of the unsung Irish who relaunched civilization.
Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.
"[The Book of Kells' contains almost 2000 decorated initials, the majority of which are formed by human figures, beasts, birds and fish. This title offers an in-depth examination of the smaller decorated initials, script layout, and marginalia of this book]"--Jacket cover.
