In this final issue, Scorn makes his final move to destroy justice in Gotham City! Injured and alone against an army of chaos, Batman has one chance to save the city: his ability to think like the victim. But the victim is always dead. The Batman can only win by using the approach of his own death.
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
Bobby Cinema has written seven detective stories in one book about each different character going through solving a difficult case, being in the action and deal with real intensive stuff they had to go through from solving cases. For these seven ordinary detectives and their team, their work usually ends up in a library, which is their sanctuary and a place to read and relax at the same time. The first detective series is called Raymond: Librarian PI. Ray Levenstein, a former FBI agent, took over the head librarian job from his friend Jerry who helped him get in the LAPD police academy and became his mentor when he grew up. He was forced into retirement when he was shot in the line of fire when he was a FBI agent. Ray was well respected and highly decorated as an FBI agent, but he decided to retire at a young age of thirty-five. He took over Jerrys job as a head librarian in the Los Angeles Public Library and decided to run a detective agency in his library since he has a PI license. He hires Kevin Sandler, Nick Arbuckle, and Alyson Harris who joined the PI team. Thank you for reading the Seven Librarian Detective series. I hope you enjoy reading them. Who knows, maybe I can come up with another princess story in another time. This is my seventh book that I turn my seven librarian detective stories in one book. See you next time, and the library is now closed. Good-bye!
This collection establishes new perspectives on the idea of mystery, as it is enacted and encoded in the genre of detective fiction. Essays reclaim detective fiction as an object of critical inquiry, examining the ways it shapes issues of social destabilization, moral ambiguity, reader complicity, intertextuality, and metafiction. Breaking new ground by moving beyond the critical preoccupation with classification of historical types and generic determinants, contributors examine the effect of mystery on literary forms and on readers, who experience the provocative, complex process of coming to grips with the unknown and the unknowable. This volume opens up discussion on publically acclaimed, modern works of mystery and on classic pieces, addressing a variety of forms including novels, plays, graphic novels, television series, films, and ipad games. Re-examining the interpretive potential of a genre that seems easily defined yet has endless permutations, the book closely analyzes the cultural function of mystery, the way it intervenes in social and political problems, as well as the literary properties that give the genre its particular shape. The volume treats various texts as meaningful subjects for critical analysis and sheds new light on the interpretive potential for a genre that creates as much ambiguity as it does clarity. Scholars of mystery and detective fiction, crime fiction, genre studies, and cultural studies will find this volume invaluable.
Most of us would recognize a star leader by their charisma, emotional intelligence and public communication prowess. What is truly impressive but often overlooked is the silent work of leadership that garners real results. Exercising influence in a complex and global organization – whilst also shaping and executing strategies across borders in a disruptive age – is the true mark of success as a leader. Backstage Leadership takes a comprehensive look at the background processes that leaders must master in order to shape the culture, direction and capability of a successful company. With an emphasis on strategy, the author provides an integrated toolkit for developing your knowledge and skills as a 'backstage leader.' You will learn how to: Mobilize people towards new strategic directions Scan your business environment for threats and disruptive forces Diagnose and help to shape the culture of your organization Develop talent and capabilities towards a specific goal. Focusing on the key and consistent underlying processes of leadership, this book is essential reading for managers who wish to bring focus and coherence to their leadership role and integrate themselves within the engine of the organization.
“I love everything about this hilarious book except the font size.” —Jon Stewart Although his career as a bestselling author and on The Daily Show With Jon Stewart was founded on fake news and invented facts, in 2016 that routine didn’t seem as funny to John Hodgman anymore. Everyone is doing it now. Disarmed of falsehood, he was left only with the awful truth: John Hodgman is an older white male monster with bad facial hair, wandering like a privileged Sasquatch through three wildernesses: the hills of Western Massachusetts where he spent much of his youth; the painful beaches of Maine that want to kill him (and some day will); and the metaphoric haunted forest of middle age that connects them. Vacationland collects these real life wanderings, and through them you learn of the horror of freshwater clams, the evolutionary purpose of the mustache, and which animals to keep as pets and which to kill with traps and poison. There is also some advice on how to react when the people of coastal Maine try to sacrifice you to their strange god. Though wildly, Hodgmaniacally funny as usual, it is also a poignant and sincere account of one human facing his forties, those years when men in particular must stop pretending to be the children of bright potential they were and settle into the failing bodies of the wiser, weird dads that they are.
Jessica Jones barged onto our screens in November 2015, courtesy of Marvel and Netflix, presenting a hard-drinking protagonist who wrestles with her own inner (and outer) demons. Gaining enhanced abilities as a teenager, she eschews the "super costume" and is far more concerned with the problems of daily life. But when Jessica falls under the control of a villain, her life changes forever. Based on the comic book Alias, the show won a large following and critical acclaim for its unflinching look at subjects like abuse, trauma, PTSD, rape culture, alcoholism, drug addiction, victims' plight and family conflicts. This collection of new essays offers insight into the show's complex themes and story lines.
Collects Marvel Team-Up (1972) #65-77; material from Marvel Tales (1966) #255, 262-263; Marvel Treasury Edition (1974) #18. It's prime time in the Marvel Universe with Chris Claremont, John Byrne and the amazing Spider-Man! That's right, before they created the definitive X-Men, Claremont and Byrne were spinning tales with the web-slinger. And the historic Spidey exploits they have in store include Captain Britain's introduction to the Marvel U. proper, the first appearance of Arcade, adventures alongside the scintillating Tigra and the malodorous Man-Thing, a two-part tale that revives the Living Monolith and co-stars X-Men Havok and Polaris, and an encounter with Luke Cage and New York's Bravest! Also featured are a mystic turn with Doctor Strange and Clea that features the return of the Silver Dagger; adventures with Cap, Iron Man and Daredevil - and a bevy of bonus material including cover art from MARVEL TALES!
The face, being prominent and visible, is the foremost marker of a person’s identity as well as their major tool of communication. Facial disfigurements, congenital or acquired, not only erase these significant capacities, but since ancient times, they have been conjured up as outrageous and terrifying, often connoting evil or criminality in their associations – a dark secret being suggested "behind the mask," the disfigurement indicating punishment for sin. Complemented by an original poem by Kenneth Sherman and a plastic surgeon’s perspective on facial disfigurement, this book investigates the exploitation of these and further stereotypical tropes by literary authors, filmmakers, and showrunners, considering also the ways in which film, television, and the publishing industry have more recently tried to overcome negative codifications of facial disfigurement, in the search for an authentic self behind the veil of facial disfigurement. An exploration of fictional representations of the disfigured face, this book will appeal to scholars of sociology, cultural and media studies, American studies and literary studies with interests in representations of disfigurement and the Other.