The Man Who Invented Motion Pictures

The Man Who Invented Motion Pictures

Author: Paul Fischer

Publisher: Simon and Schuster

Published: 2022-04-19

Total Pages: 416

ISBN-13: 1982114851

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One of the New York Times Best True Crime of 2022 A “spellbinding, thriller-like” (Shelf Awareness) history about the invention of the motion picture and the mysterious, forgotten man behind it—detailing his life, work, disappearance, and legacy. The year is 1888, and Louis Le Prince is finally testing his “taker” or “receiver” device for his family on the front lawn. The device is meant to capture ten to twelve images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. No human experience—from the most mundane to the most momentous—would need to be lost to history. In 1890, Le Prince was granted patents in four countries ahead of other inventors who were rushing to accomplish the same task. But just weeks before unveiling his invention to the world, he mysteriously disappeared and was never seen or heard from again. Three and half years later, Thomas Edison, Le Prince’s rival, made the device public, claiming to have invented it himself. And the man who had dedicated his life to preserving memories was himself lost to history—until now. The Man Who Invented Motion Pictures pulls back the curtain and presents a “passionate, detailed defense of Louis Le Prince…unfurled with all the cliffhangers and red herrings of a scripted melodrama” (The New York Times Book Review). This “fascinating, informative, skillfully articulated narrative” (Kirkus Reviews, starred review) presents the never-before-told history of the motion picture and sheds light on the unsolved mystery of Le Prince’s disappearance.


The Man Who Invented Motion Pictures

The Man Who Invented Motion Pictures

Author: Paul Fischer

Publisher: Simon and Schuster

Published: 2022-04-19

Total Pages: 416

ISBN-13: 1982114827

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In 1888 Louis Le Prince shot the world's first motion picture. In 1890, weeks before the public unveiling of his camera and projector - a year before Thomas Edison announced that he had invented a motion picture camera - Le Prince stepped on a train in France - and disappeared without a trace. He was never seen or heard from again, and his body never found


The Crayon Man

The Crayon Man

Author: Natascha Biebow

Publisher: Clarion Books

Published: 2019

Total Pages: 45

ISBN-13: 132886684X

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Celebrating the inventor of the Crayola crayon This gloriously illustrated picture book biography tells the inspiring story of Edwin Binney, the inventor of one of the world's most beloved toys. A perfect fit among favorites like The Day the Crayons Quit and Balloons Over Broadway. purple mountains' majesty, mauvelous, jungle green, razzmatazz... What child doesn't love to hold a crayon in their hands? But children didn't always have such magical boxes of crayons. Before Edwin Binney set out to change things, children couldn't really even draw in color. Here's the true story of an inventor who so loved nature's vibrant colors that he found a way to bring the outside world to children - in a bright green box for only a nickel With experimentation, and a special knack for listening, Edwin Binney and his dynamic team at Crayola created one of the world's most enduring, best-loved childhood toys - empowering children to dream in COLOR


EDISON MOTION PICTURES

EDISON MOTION PICTURES

Author: MUSSER CHARLES

Publisher: Smithsonian Books (DC)

Published: 1997

Total Pages: 730

ISBN-13:

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"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Images, Idolatry, and Iconoclasm in Late Medieval England

Images, Idolatry, and Iconoclasm in Late Medieval England

Author: Jeremy Dimmick

Publisher: OUP Oxford

Published: 2002-02-14

Total Pages: 264

ISBN-13: 0191541966

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This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.


Reading in the Wilderness

Reading in the Wilderness

Author: Jessica Brantley

Publisher: University of Chicago Press

Published: 2008-09-15

Total Pages: 491

ISBN-13: 0226071340

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Just as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.


Power in the Telling

Power in the Telling

Author: Brook Colley

Publisher: University of Washington Press

Published: 2018-05-01

Total Pages: 225

ISBN-13: 0295743379

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From 1998 through 2013, the Confederated Tribes of Warm Springs sought to develop a casino in Cascade Locks, Oregon. This prompted objections from the Confederated Tribes of Grand Ronde, who already operated a lucrative casino in the region. Brook Colley’s in-depth case study unravels the history of this disagreement and challenges the way conventional media characterizes intertribal casino disputes in terms of corruption and greed. Instead, she locates these conflicts within historical, social, and political contexts of colonization. Through extensive interviews, Colley brings to the forefront Indigenous perspectives on intertribal conflict related to tribal gaming. She reveals how casino economies affect the relationship between gaming tribes and federal and state governments, and the repercussions for the tribes themselves. Ultimately, Colley’s engaging examination explores strategies for reconciliation and cooperation, emphasizing narratives of resilience and tribal sovereignty.


Narrating the Nation

Narrating the Nation

Author: Stefan Berger

Publisher: Berghahn Books

Published: 2008

Total Pages: 368

ISBN-13: 9781845454241

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A sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the European experience in a more global framework by providing comparative perspectives on the national histories in the Far East and North America. As such, they expose the complex variables and diverse actors that lie behind the narration of a nation.