"DECREAZIONE" is a book collecting Joseph Koudelka's images exhibited at the fifty-firth Venice Biennale, at the Vatican Pavilion. With his suggestive black-and-white images and his moving, desolated landscapes, Koudelka tells stories of destruction, declined in three different forms: time, violence, and contrast between nature and uncontrolled industrial development. Josef Koudelka was born in Moravia in 1938. He published numerous photographic books on the relationship between man and landscape, about gypsy life, and on the invasion of Prague in 1968. Significant exhibitions of his works have been held at international museums and galleries and he received numerous major awards.
The essays of a dozen leading European and American Cold War historians analyze the 'Prague Spring' and the Warsaw Pact invasion of Czechoslovakia in light of new documentary evidence from the archives of two dozen countries and explain what happened behind the scenes. They al...
"In addition to revealing the events surrounding the invasion of Czechoslovakia in 1968, this is the first book to document a Cold War crisis from both sides of the Iron Curtain. It is based on unprecedented access to the previously closed archives of each member of the Warsaw Pact, as well as once highly classified American documents from the National Security Council, CIA, and other intelligence agencies." "Presented in a highly readable volume, the book offers top-level documents from Kremlin Politburo meetings, multilateral sessions of the Warsaw Pact leading up to the decision to invade, transcripts of KGB-recorded telephone conversations between Leonid Brezhnev and Alexander Dubcek." "To provide a historical and political context, the editors have prepared essays to introduce each section of the volume. A chronology, glossary and bibliography offer further background information for the reader." "The editors have a unique perspective to offer to foreign audiences since they are members of the commission appointed by Vaclav Havel to investigate the events of 1967-1970."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This collection of interviews, diaries, and scholarly analyses is the first comprehensive look at Russian sentiments in the wake of the Warsaw Pact occupation of Czechoslovakia in August 1968. It features the reflections of Russian soldiers, dissidents, and journalists.
The Prague Spring of 1968 was among the most important episodes in post-war European politics. In this book Kieran Williams analyses the attempt at reform socialism under Alexander Dubcek using materials and sources which have become available in the wake of the 1989 revolution. Drawing on declassified documents from party archives, the author readdresses important questions surrounding the Prague Spring: Why did liberalization occur? What was it intended to achieve? Why did the Soviet Union intervene with force? What was the political outcome of the invasion? What part did the reformers play in ending the experiment in reform socialism? What was the role of the security police under Dubcek? The book will provide new information for specialists as well as introductory analysis and narrative for students of East European politics and history and Soviet foreign policy.
The 1968 Soviet invasion of Czechoslovakia brought an end to the Prague Spring and its promise of "socialism with a human face." Before the invasion, Czech reformers had made unexpected use of television to advance political and social change. In its aftermath, Communist Party leaders employed the medium to achieve "normalization," pitching television stars against political dissidents in a televised spectacle that defined the times. The Greengrocer and His TV offers a new cultural history of communism from the Prague Spring to the Velvet Revolution that reveals how state-endorsed ideologies were played out on television, particularly through soap opera-like serials. In focusing on the small screen, Paulina Bren looks to the "normal" of normalization, to the everyday experience of late communism. The figure central to this book is the greengrocer who, in a seminal essay by Václav Havel, symbolized the ordinary citizen who acquiesced to the communist regime out of fear. Bren challenges simplistic dichotomies of fearful acquiescence and courageous dissent to dramatically reconfigure what we know, or think we know, about everyday life under communism in the 1970s and 1980s. Deftly moving between the small screen, the street, and the Central Committee (and imaginatively drawing on a wide range of sources that include television shows, TV viewers' letters, newspapers, radio programs, the underground press, and the Communist Party archives), Bren shows how Havel's greengrocer actually experienced "normalization" and the ways in which popular television serials framed this experience. Now back by popular demand, socialist-era serials, such as The Woman Behind the Counter and The Thirty Adventures of Major Zeman, provide, Bren contends, a way of seeing—literally and figuratively—Czechoslovakia's normalization and Eastern Europe's real socialism.
New York Times bestselling author of The Glass Room Simon Mawer returns to Czechoslovakia, this time during the turbulent 1960s, with a suspenseful story that mixes sex, politics, and betrayal. In the summer of 1968--a year of love and hate, of Prague Spring and Cold War winter--Oxford students James Borthwick and Eleanor Pike set out to hitchhike across Europe, complicating a budding friendship that could be something more. Having reached southern Germany, they decide on a whim to visit Czechoslovakia, where Alexander Dubček's "socialism with a human face" is smiling on the world. Meanwhile, Sam Wareham, First Secretary at the British embassy in Prague, is observing developments in the country with both a diplomat's cynicism and a young man's passion. In the company of Czech student Lenka Konečková, he finds a way into the world of Czechoslovak youth, its hopes and its ideas. For the first time, nothing seems off limits behind the Iron Curtain. Yet the wheels of politics are grinding in the background. The Soviet leader Leonid Brezhnev is making demands of Dubček, and the Red Army is amassed on the borders. How will the looming disaster affect those fragile lives caught up in the invasion? With this shrewd, engrossing, and sensual novel, Simon Mawer cements his status as one of the most talented writers of historical spy fiction today.
This collection of thirteen essays examines reactions in Eastern Europe to the Prague Spring and Warsaw Pact invasion of Czechoslovakia in 1968. Countries covered include the Soviet Union and specific Soviet republics (Ukraine, Moldavia, the Baltic States), together with two chapters on Czechoslovakia and one each on East Germany, Poland, Hungary, Bulgaria, Romania, Yugoslavia and Albania. The individual contributions explain why most of these communist regimes opposed Alexander Dubček’s reforms and supported the Soviet-led military intervention in August 1968, and why some stood apart. They also explore public reactions in Eastern Europe to the events of 1968, including instances of popular opposition to the crushing of the Prague Spring, expressions of loyalty to Soviet-style socialism, and cases of indifference or uncertainty. Among the many complex legacies of the East European ‘1968’ was the development of new ways of thinking about regional identity, state borders, de-Stalinisation and the burdens of the past.
1968: The World Transformed presents a global perspective on the tumultuous events of the most crucial year in the era of the Cold War. By interpreting 1968 as a transnational phenomenon, authors from Europe and the United States explain why the crises of 1968 erupted almost simultaneously throughout the world. Together, the eighteen chapters provide an interdisciplinary and comparative approach to the rise and fall of protest movements worldwide. The book represents an effort to integrate international relations, the role of media, and the cross-cultural exchange of people and ideas into the history of that year. 1968 emerges as a global phenomenon because of the linkages between domestic and international affairs, the powerful influence of the media, the networks of communication among activists, and the shared opposition to the domestic and international status quo in the name of freedom and self-determination.
