Promoting cultural understanding in a globalized world, this collection provides a concise and unique introduction to Western culture, through the voices of Chinese scholars. Written by a team of experts in their fields, the book provides insights into Western history and culture, covering an interdisciplinary range of topics across literature, language, music, art and religion. It addresses such issues as tourism and etiquette, as well as the key differences of distinct cultures, providing readers with a succinct yet effective way to master a basic understanding of Western culture.
This classic Pulitzer Prize-winning book depicts the various ways the Old and the New Worlds responded to the intrinsic contradictions of slavery from antiquity to the early 1770s, and considers the religious, literary, and philosophical justifications and condemnations current in the abolition controversy.
Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
The Reformation was the single most important event of the early modern period of Western civilization. What started out as a pastoral conflict about the sale of grace for money ultimately became a catalyst for the transformation of Western culture. In Reformation in the Western World, Paul Silas Peterson shows how the retrieval of the ancient Christian teachings about God's grace and the authority of Scripture influenced culture, society, and the political order. The emphasis on an egalitarian church--the priesthood of all believers--led to a more egalitarian society. In the long run, the Reformation encouraged the emergence of modern freedoms, religious tolerance, capitalism, democracy, the natural sciences, and the disenchantment of the papacy and worldly means of grace. Yet the egalitarian fruit of the Reformation was not uniform, as is seen in the persecution of detractors and Jews, and in the marginalization of women. In all its triumphs and innovations, evils and errors, the Reformation left a lasting double legacy--a divided church in need of unity and the possibilities of a liberated world.
Promoting cultural understanding in a globalized world, this collection provides a concise and unique introduction to Western culture, through the voices of Chinese scholars. Written by a team of experts in their fields, the book provides insights into Western history and culture, covering an interdisciplinary range of topics across literature, language, music, art and religion. It addresses such issues as tourism and etiquette, as well as the key differences of distinct cultures, providing readers with a succinct yet effective way to master a basic understanding of Western culture.
Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.
Sports are the most popular spectator events in the history of the world. This volume demonstrates how sports shape societies and individuals. The essays offer critical new insights and historical case studies from historians, theorists, literature scholars, and athletes.
Greeks and Barbarians examines ancient Greek conceptions of the "other." The attitudes of Greeks to foreigners and there religions, and cultures, and politics reveals as much about the Greeks as it does the world they inhabited. Despite occasional interest in particular aspects of foreign customs, the Greeks were largely hostile and dismissive viewing foreigners as at best inferior, but more often as candidates for conquest and enslavement.
This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.
