This book offers an introduction to medieval English book-history through a sequence of exemplary analyses of commonplace book-historical problems. Rather than focus on bibliographical particulars, the volume considers a variety of ways in which scholars use manuscripts to discuss book culture, and it provides a wide-ranging introductory bibliography to aid in the study. All the essays try to suggest how the study of surviving medieval books might be useful in considering medieval literary culture more generally. Subjects covered include authorship, genre, discontinuous production, scribal individuality and community, the history of libraries and the history of book provenance.
First published as part of the best-selling The Oxford Illustrated History of Britain, John Gillingham and Ralph A. Griffiths' Very Short Introduction to Medieval Britain covers the establishment of the Anglo-Norman monarchy in the early Middle Ages, through to England's failure to dominate the British Isles and France in the later Middle Ages. Out of the turbulence came stronger senses of identity in Scotland, Wales, and Ireland. Yet this was an age, too, of growing definition of Englishness and of a distinctive English cultural tradition. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Surveying English urban life from the fifth to the early sixteenth centuries, this book traces the stages by which towns attained their varying measures of independence. The internal disputes they suffered and the degree to which they declined in the later Middle Ages are also studied.
Arnold, Martin. 2018. The Dragon. Fear and Power. London: Reaktion Books. My book is much shorter and focusses on the medieval (European) dragon, while Martin’s book covers all centuries and also the Asian tradition.
This was the first full-scale history of medieval English literature for nearly a century. Thirty-three distinguished contributors offer a collaborative account of literature composed or transmitted in England, Wales, Ireland and Scotland between the Norman conquest and the death of Henry VIII in 1547. The volume has five sections: 'After the Norman Conquest'; 'Writing in the British Isles'; 'Institutional Productions'; 'After the Black Death' and 'Before the Reformation'. It provides information on a vast range of literary texts and the conditions of their production and reception, which will serve both specialists and general readers, and also contains a chronology, full bibliography and a detailed index. This book offers an extensive and vibrant account of the medieval literatures so drastically reconfigured in Tudor England. It will thus prove essential reading for scholars of the Renaissance as well as medievalists, and for historians as well as literary specialists.
Introduction to the use of runes as a practical script for a variety of purposes in Anglo-Saxon England. Runes are quite frequently mentioned in modern writings, usually imprecisely as a source of mystic knowledge, power or insight. This book sets the record straight. It shows runes working as a practical script for a variety of purposes in early English times, among both indigenous Anglo-Saxons and incoming Vikings. In a scholarly yet readable way it examines the introduction of the runic alphabet (the futhorc) to England in the fifth and sixth centuries, the forms and values of its letters, and the ways in which it developed, up until its decline at the end of the Anglo-Saxon period. It discusses how runes were used for informal and day-to-day purposes, on formal monuments, as decorative letters in prestigious manuscripts, for owners' or makers' names on everyday objects, perhaps even in private letters. For the first time, the book presents, together with earlier finds, the many runic objects discovered over the last twenty years, with a range of inscriptions on bone, metal and stone, even including tourists' scratched signatures found on the pilgrimage routes through Italy. It gives an idea of the immense range of informationon language and social history contained in these unique documents. The late R.I. PAGE was former Professor of Anglo-Saxon in the University of Cambridge.
Book history has emerged in the last twenty years as one of the most important new fields of interdisciplinary study. It has produced new interpretations of major historical events, has made possible new approaches to history, literature, media, and culture, and presents a distinctive historical perspective on current debates about the future of the book. The Broadview Introduction to Book History provides the most comprehensive and up-to-date introduction to this field. Written in a lively, accessible style, chapters on materiality, textuality, printing and reading, intermediality, and remediation guide readers through numerous key concepts, illustrated with examples from literary texts and historical documents produced across a wide historical range. An ideal text for undergraduate and graduate courses in book history, it offers a road map to this dynamic inter-disciplinary field.
In Medieval English Manuscripts and Literary Forms, Jessica Brantley offers an innovative introduction to manuscript culture that uses the artifacts themselves to open some of the most vital theoretical questions in medieval literary studies. With nearly 200 illustrations, many of them in color, the book offers both a broad survey of the physical forms and cultural histories of manuscripts and a dozen case studies of particularly significant literary witnesses, including the Beowulf manuscript, the St. Albans Psalter, the Ellesmere manuscript of the Canterbury Tales, and The Book of Margery Kempe. Practical discussions of parchment, scripts, decoration, illustration, and bindings mix with consideration of such conceptual categories as ownership, authorship, language, miscellaneity, geography, writing, editing, mediation, illustration, and performance—as well as of the status of the literary itself. Each case study includes an essay orienting the reader to particularly productive categories of analysis and a selected bibliography for further research. Because a high-quality digital surrogate exists for each of the selected manuscripts, fully and freely available online, readers can gain access to the artifacts in their entirety, enabling further individual exploration and facilitating the book’s classroom use. Medieval English Manuscripts and Literary Forms aims to inspire a broad group of readers with some of the excitement of literary manuscript studies in the twenty-first century. The interpretative frameworks surrounding each object will assist everyone in thinking through the implications of manuscript culture more generally, not only for the deeper study of the literature of the Middle Ages, but also for a better understanding of book cultures of any era, including our own.
This Very Short Introduction provides a compelling account of the emergence of the earliest literature in Britain and Ireland, including English, Welsh, Scottish, Irish, Anglo-Latin and Anglo-Norman. Introducing the reader to some of the greatest poetry, prose and drama ever written, Elaine Treharne discusses the historical and intellectual background to these works, and considers the physical production of the manuscripts and the earliest beginnings of print culture. Covering both well-known texts, such as Beowulf, The Canterbury Tales and the Mabinogion, as well as texts that are much less familiar, such as sermons, saints' lives, lyrics and histories, Treharne discusses major themes such as sin and salvation, kingship and authority, myth and the monstrous, and provides a full, but brief, account of one of the major periods in literary history. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
