This volume is pivotal reading for laypersons looking for an accurate understanding of the private life and public career of A.E. Housman. Furthermore, it is also essential for any reader seeking to recover a truer image of the Victorian man who, during his lifetime, issued two collections of Romantic poems, A Shropshire Lad and Last Poems. It will be of particular interest to history buffs, poets, professors and students of classical studies, and instructors in literary criticism, given that it sketches Housman’s biography and examines in detail his scholarship.
A.E. Housman (1859-1936) was a man of many apparent contradictions, most of which remain unresolved 150 years after his birth. At once a deeply emotive lyric poet and a precise and dedicated classical scholar, he achieved fame in both of these diverse disciplines. Although his poetic legacy has received much scholarly analysis, and yet more attention has been devoted to reconstructing his private life, no previous work has focused on Housman the classical scholar; yet it is upon scholarship that Housman most wished to leave his mark. This timely collection of papers by leading scholars reassesses the breadth and significance of Housman's contribution to classical scholarship in both his published and unpublished writings, and discusses how his mantle has been passed on to later generations of classicists.
“Parker’s beautiful Housman Country tells you everything you want to know about the life and influence of England’s most satirised but inimitable poets.” —Evening Standard A New York Times Book Review Editor’s Choice Nominated for the 2017 PEN/Bograd Weld Prize for Biography A. E. Housman’s A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influenced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey. Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical. “[A] rich blend of literary criticism and cultural history.” —The Spectator
In this series a contemporary poet selects and introduces another poet of a different generation whom they have particularly admired. This selection of A.E. Housman poems are selected by Alan Hollinghurst.
A. E. Housman was one of the best-loved poets of his day, whose poems conjure up a potent and idyllic rural world imbued with a poignant sense of loss. They are expressed in simple rhythms, yet show a fine ear for the subtleties of metre and alliteration. His scope is wide - ranging from religious doubt to intense nostalgia for the countryside. This volume brings together 'A Shropshire Lad' (1896) and 'Last Poems' (1922), along with the posthumous selections 'More Poems' and 'Additional Poems', and three translations of extracts from Aeschylus, Sophocles and Euripides that display his mastery of Classical literature.
Compact anthology features many of the best works by 59 poets writing in English, among them Edmund Spenser, Christina Rossetti, John Milton, Robert Burns, and William Blake.
Designed for courses taught at the introductory level in Canadian universities and colleges, this new anthology provides a rich selection of literary texts. In each genre the anthology includes a vibrant mix of classic and contemporary works. Each work is accompanied by an author biography and by explanatory notes, and each genre is prefaced by a substantial introduction. Pedagogically current and uncommon in its breadth of representation, The Broadview Introduction to Literature invites students into the world of literary study in a truly distinctive way. The Broadview Introduction to Literature: Poetry includes a broad range of both canonical authors and important but less-widely-known poets, and the poems are diverse in form, subject matter, and geographical and linguistic origin. Poems in translation from languages other than English are included with the original language text in facing page format.
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.
