Simone Weil is one of the greatest philosophical and spiritual writers of the 20th century and was hailed by Albert Camus as 'the only great spirit of our times' This book is a classic - and controversial - for the way Weil argues that key themes that later defined Christian belief are first found in ancient Greek writers and philosophers Waiting for God, also by Weil and published in Routledge Classics in 2021, has sold almost 1,000 copies in just over a year Includes a new foreword by Christopher Hamilton
This book is a collection of Simone Weil's writings, which reflect her intellectual and spiritual concerns, on Greek thought. It discusses how precursors to Christian religious ideas can be found in ancient Greek mythology, literature and philosophy.
The commentary draws on recent interpretations of the Iliad and examines the parallels between Weil's version of Homer's warriors and the experiences of modern soldiers."--Jacket.
Although trained as a philosopher, Simone Weil (1909–43) contributed to a wide range of subjects, resulting in a rich field of interdisciplinary Weil studies. Yet those coming to her work from such disciplines as sociology, history, political science, religious studies, French studies, and women’s studies are often ignorant of or baffled by her philosophical investigations. In Simone Weil: Late Philosophical Writings, Eric O. Springsted presents a unique collection of Weil’s writings, one concentrating on her explicitly philosophical thinking. The essays are drawn chiefly from the time Weil spent in Marseille in 1940-42, as well as one written from London; most have been out of print for some time; three appear for the first time; all are newly translated. Beyond making important texts available, this selection provides the context for understanding Weil's thought as a whole. This volume is important not only for those with a general interest in Weil; it also specifically presents Weil as a philosopher, chiefly one interested in questions of the nature of value, moral thought, and the relation of faith and reason. What also appears through this judicious selection is an important confirmation that on many issues respecting the nature of philosophy, Weil, Wittgenstein, and Kierkegaard shared a great deal.
After an unexpected mystical experience, the philosopher Simone Weil (1909-43) read the Greek classics from a Christian perspective, as this original study shows. To the intellectual agnostics of her day she wanted to show that the classics they loved could only be fully understood in light of Christ. To the Catholics she wanted to demonstrate that Christianity is much more universal than they thought, since Greek culture already embodied the Christian spirit before the incarnation of Christ.
This handbook offers both students and teachers of ancient Greek religion a comprehensive overview of the current state of scholarship in the subject, from the Archaic to the Hellenistic periods. It not only presents key information, but also explores the ways in which such information is gathered and the different approaches that have shaped the area. In doing so, the volume provides a crucial research and orientation tool for students of the ancient world, and also makes a vital contribution to the key debates surrounding the conceptualization of ancient Greek religion. The handbook's initial chapters lay out the key dimensions of ancient Greek religion, approaches to evidence, and the representations of myths. The following chapters discuss the continuities and differences between religious practices in different cultures, including Egypt, the Near East, the Black Sea, and Bactria and India. The range of contributions emphasizes the diversity of relationships between mortals and the supernatural - in all their manifestations, across, between, and beyond ancient Greek cultures - and draws attention to religious activities as dynamic, highlighting how they changed over time, place, and context.
In the 1930s, Georges Bataille proclaimed a ferociously religioussensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred.Bataille enacts a monstrousmode of reading and writing in his approaches to other thinkers and artists-a mode at once agonistic and intimate. Ecce Monstrum examines this mode through investigations of Bataille's sacrificialinterpretations of Kojve's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist Andr Breton and his attempt to displace surrealism with hyperchristianity; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's religious sensibility
This autobiographical work is the story of several women. Deploying a variety of texts, documents and imagery, these women are united by suffering and the transcendance of suffering.
The new and revolutionizing ideas which the early Greek thinkers developed about the nature of the universe had a direct impact upon their conception of what they called, in a new sense, 'God' or 'the Divine.' The history of the philosophical theology of the Greeks is thus the history of their rational approach to the nature of reality itself in its successive phases. The late Professor Jaeger's classic book traces this development from the first intimations in Hesiod of the theology that was to come, through the heroic age of Greek cosmological thought, down to the time of the Sophists of the fifth century B.C.
