These five astonishing stories, along with two compelling essays, show Bolano as a magician, pulling bloodthirsty rabbits out of his hat. The stories in The Insufferable Gaucho — unpredictable and daring, highly controlled yet somehow haywire — might concern a stalwart rat police detective investigating terrible rodent crimes, or an elusive plagiarist, or an elderly Argentine lawyer giving up city life for an improbable return to the familye state on the Pampas, now gone to wrack and ruin. These five astonishing stories, along with two compelling essays, show Bolano as a magician, pulling bloodthirsty rabbits out of his hat.
Jim Morris has been responsible for some of the most memorable ad campaigns in history. He knows best that bad ads don’t just create themselves. Part indictment on the advertising industry, part cautionary tale on what not to do with your ads, Jim pulls no punches to better ad people everywhere. “How many ads have you seen that made you question the intelligence of whomever designed it? Probably too many. If every ad person read Badvertising, the world would be a more intelligent and prosperous place.” —Jonah Berger, New York Times bestselling author of Contagious and The Catalyst “Incisive and daring, Badvertising is the only book you need to truly understand both the inner workings of America’s ad agencies, and the minds of those who never cease to astound us with both their creative genius and profound stupidity. After just one reading, you’ll never see advertising the same way again.” —Drew Eric Whitman, bestselling author of Cashvertising How can the ad industry even exist when almost all of the products that it produces fall on a continuum from flawed to failed? What is it about this industry and the process of creating, selling, and producing ads that causes so much advertising to be so bad? These are the questions answered in Badvertising. A provocative, truth-to-power exposé of ad agencies’ flaws, foibles, and failings—and why they matter to the consumer and to those in the business. Morris, an advertising legend known as “Tagline Jim,” surveys myriad advertising “agents of stupidity.” Hilarious, horrifying, and insightful, each chapter is a grenade lobbed into America’s ad bunkers. Badvertising is a candid, never-seen-before accumulation of real-world don’ts and more don’ts, providing valuable cautionary tales of advertising’s stupid side.
Welcome to Downtrodden Abbey, where a battle for the deed to the property is waged between legitimate aristocrats and literal pretenders to the throne. The Crawfish family—Marry, Supple, Enid, Lady Flora, and Lord Roderick—are content wiling their days away with naughty charades and twenty-two course dinners until the sinking of the Gigantic takes down the next in line to inherit Downtrodden. Soon, cousin Isabich and her son, Atchew, the rightful heir to the Abbey, arrive to claim what's theirs. Downstairs, the servants are running amok, as crippled weakling Brace is aggressively courted by teen hottie Nana, and lady's maid "Potatoes" O'Grotten and her flamboyant sidekick, Tomaine, cause trouble at every turn. The ensuing, insufferably overwrought melodrama takes the reader upstairs and downstairs, into parlours and drawing rooms, boudoirs and bathrooms, and across every class—from the classiest to the classless—in the social pecking order of Edwardian England. Uproariously funny, with a wicked sense of humor that Downton Abbey diehards will enjoy, Gillians Fetlocks skewers your favorite characters with panache in this winning parody
Peter Sagal, the host of NPR’s Wait Wait...Don’t Tell Me! and a popular columnist for Runner’s World, shares “commentary and reflection about running with a deeply felt personal story, this book is winning, smart, honest, and affecting. Whether you are a runner or not, it will move you” (Susan Orlean). On the verge of turning forty, Peter Sagal—brainiac Harvard grad, short bald Jew with a disposition towards heft, and a sedentary star of public radio—started running seriously. And much to his own surprise, he kept going, faster and further, running fourteen marathons and logging tens of thousands of miles on roads, sidewalks, paths, and trails all over the United States and the world, including the 2013 Boston Marathon, where he crossed the finish line moments before the bombings. In The Incomplete Book of Running, Sagal reflects on the trails, tracks, and routes he’s traveled, from the humorous absurdity of running charity races in his underwear—in St. Louis, in February—or attempting to “quiet his colon” on runs around his neighborhood—to the experience of running as a guide to visually impaired runners, and the triumphant post-bombing running of the Boston Marathon in 2014. With humor and humanity, Sagal also writes about the emotional experience of running, body image, the similarities between endurance sports and sadomasochism, the legacy of running as passed down from parent to child, and the odd but extraordinary bonds created between strangers and friends. The result is “a brilliant book about running…What Peter runs toward is strength, understanding, endurance, acceptance, faith, hope, and charity” (P.J. O’Rourke).
Meet Roxy. For fans of Where’d You Go, Bernadette and Bridget Jones’s Diary comes “just the kind of comic novel we need right now” (The Washington Post) about an Austin artist trying to figure out her life one letter to her ex-boyfriend at a time. Bridget Jones penned a diary; Roxy writes letters. Specifically: she writes letters to her hapless, rent-avoidant ex-boyfriend—and current roommate—Everett. This charming and funny twenty-something is under-employed (and under-romanced), and she’s decidedly fed up with the indignities she endures as a deli maid at Whole Foods (the original), and the dismaying speed at which her beloved Austin is becoming corporatized. When a new Lululemon pops up at the intersection of Sixth and Lamar where the old Waterloo Video used to be, Roxy can stay silent no longer. As her letters to Everett become less about overdue rent and more about the state of her life, Roxy realizes she’s ready to be the heroine of her own story. She decides to team up with her two best friends to save Austin—and rescue Roxy’s love life—in whatever way they can. But can this spunky, unforgettable millennial keep Austin weird, avoid arrest, and find romance—and even creative inspiration—in the process?
In the eyes of society, I'm the perfect man. Charitable, kind hearted...a role model to all. For the ones seeking death, I'm their salvation. They think when they come to my door that I'll assist with the one thing they're afraid to do alone. Die. Little do they know, I have a lot more in store than a one way ticket to heaven or hell. Four weeks of being my slave and I'll grant their suicidal wish...or so they think. When Death sought Diane, I wasn't leaving her a choice to seek out my help. Her pain and determination was more than I'd ever seen and I knew I was the only one who could save her. Even if it meant becoming the hell she was so desperate to escape. But will it be enough to make her choose life? Will I be able to let her go when she gets better? Or will the Master in me deny freedom to the perfect slave?WARNING: THIS IS A DARK EROTIC ROMANCE AND CONTAINS DISTURBING SITUATIONS, DUBIOUS CONSENT, EXPLICIT SEXUAL CONTENT, AND VERY GRAPHIC LANGUAGE. (Also includes knife play/blood play, consensual cutting, and breath play. If you are not comfortable with these situations, DO NOT read this book!
Winner of the 2023 PEN/E.O. Wilson Literary Science Writing Award A Five Books "Best Literary Science Writing" Book of 2023 • A Smithsonian Best Science Book of 2022 • A Prospect Magazine Top Memoir of 2022 • A KCRW Life Examined Best Book of 2022 "Keen observer [and] deft writer" (David Quammen) Florence Williams explores the fascinating, cutting-edge science of heartbreak while seeking creative ways to mend her own. When her twenty-five-year marriage suddenly falls apart, journalist Florence Williams expects the loss to hurt. But when she starts feeling physically sick, losing weight and sleep, she sets out in pursuit of rational explanation. She travels to the frontiers of the science of "social pain" to learn why heartbreak hurts so much—and why so much of the conventional wisdom about it is wrong. Soon Williams finds herself on a surprising path that leads her from neurogenomic research laboratories to trying MDMA in a Portland therapist’s living room, from divorce workshops to the mountains and rivers that restore her. She tests her blood for genetic markers of grief, undergoes electrical shocks while looking at pictures of her ex, and discovers that our immune cells listen to loneliness. Searching for insight as well as personal strategies to game her way back to health, she seeks out new relationships and ventures into the wilderness in search of an extraordinary antidote: awe. With warmth, daring, wit, and candor, Williams offers a gripping account of grief and healing. Heartbreak is a remarkable merging of science and self-discovery that will change the way we think about loneliness, health, and what it means to fall in and out of love.
In this acclaimed collaboration, iconic comic book creators Grant Morrison (MULTIVERSITY) and Mark Millar (THE AUTHORITY) conspire to put the Scarlet Speedster through the most grueling and life-changing challenges they can conjure up! First, the Flash must battle against every hero’s nightmare-a sentient super-costume that consumes the life force of anyone who wears it. Then, the Fastest Man Alive must find a way to counter his old foe the Mirror Master before everyone he cares about is reverse-aged out of existence. After that, Wally West barely has time to breathe before he’s forced to enter a race spanning all of time and space against an unbeatable opponent-with the loser’s world to be erased from existence! Of course, with friends like Jay Garrick, Max Mercury, and Jesse Quick by his side, the Keystone Comet can face down nearly any threat imaginable-but not even an entire team of speedsters can outrun death itself. And when the Black Flash comes for him, Wally will have to go deeper into the Speed Force than he’s ever dared-or lose everything he holds dear! Morrison and Millar are joined by artists Paul Ryan, John Nyberg, Ron Wagner, Pop Mhan and many more for a celebrated run with comics’ most celebrated runner in THE FLASH BY GRANT MORRISON & MARK MILLAR-collecting THE FLASH #130-141, GREEN LANTERN #96 and GREEN ARROW #130.
