This first book on the interior designs of San Francisco–based Paul Vincent Wiseman and The Wiseman Group showcases distinctive homes where clients find themselves at peace in a profound way. The hallmarks of Wiseman interiors are superb details executed in custom furniture and furnishings. The homes range from a Victorian update on San Francisco’s Russian Hill to an Art Deco apartment on Manhattan’s Upper West Side; from a sleek urban high-rise in Chicago to a tropical sanctuary in Ka’upulehu, Hawaii. Each project is unique and each is distinct. Brian D. Colema n is the author of Fortuny, Barry Dixon Interiors, Farrow & Ball: The Art of Color, and Scalamandré, among other home design books. He writes for Old House Interiors and other magazines. He divides his time between New York and Seattle.
An investigation into experiences of other realms of existence and contact with otherworldly beings • Examines how contact with alien life-forms can be obtained through the “inner space” dimensions of our minds • Presents evidence that other worlds experienced through consciousness-altering technologies are often as real as those perceived with our five senses • Correlates science fiction’s imaginal realms with psychedelic research For thousands of years, voyagers of inner space--spiritual seekers, shamans, and psychoactive drug users--have returned from their inner imaginal travels reporting encounters with alien intelligences. Inner Paths to Outer Space presents an innovative examination of how we can reach these other dimensions of existence and contact otherworldly beings. Based on their more than 60 combined years of research into the function of the brain, the authors reveal how psychoactive substances such as DMT allow the brain to bypass our five basic senses to unlock a multidimensional realm of existence where otherworldly communication occurs. They contend that our centuries-old search for alien life-forms has been misdirected and that the alien worlds reflected in visionary science fiction actually mirror the inner space world of our minds. The authors show that these “alien” worlds encountered through altered states of human awareness, either through the use of psychedelics or other methods, possess a sense of reality as great as, or greater than, those of the ordinary awareness perceived by our five senses.
Every mathematician working in Banaeh spaee geometry or Approximation theory knows, from his own experienee, that most "natural" geometrie properties may faH to hold in a generalnormed spaee unless the spaee is an inner produet spaee. To reeall the weIl known definitions, this means IIx 11 = *, where is an inner (or: scalar) product on E, Le. a function from ExE to the underlying (real or eomplex) field satisfying: (i) O for x o. (ii) is linear in x. (iii) = (intherealease, thisisjust =
Inner Space' is part of an ongoing research project into the construction of the architectural imagination, which the authors have pursued in the last decade through an online visual atlas an architectural practice and teaching activity. This essay investigates the space between inner and outer reality, looking for those moments in which the two realms interact most vividly. It defines imagination as the capacity to organise, structure and translate into other forms our own experience of the world. Such an experience may be direct, or it can be mediated by the encounter of a subject with imagery.0Inner Space looks freely into cognitive science and typology, atlases and digital culture, drawings and collections to expand ?an unlinear journey through far away territories of human imagination?.00Exhibition: Lisbon Architecture Triennale, Portugal (03.10.-02.12.2019).
Partial Inner Product (PIP) Spaces are ubiquitous, e.g. Rigged Hilbert spaces, chains of Hilbert or Banach spaces (such as the Lebesgue spaces Lp over the real line), etc. In fact, most functional spaces used in (quantum) physics and in signal processing are of this type. The book contains a systematic analysis of PIP spaces and operators defined on them. Numerous examples are described in detail and a large bibliography is provided. Finally, the last chapters cover the many applications of PIP spaces in physics and in signal/image processing, respectively. As such, the book will be useful both for researchers in mathematics and practitioners of these disciplines.
The study of human body measurements on a comparative basis is known as anthropometrics. Its applicability to the design process is seen in the physical fit, or interface, between the human body and the various components of interior space. Human Dimension and Interior Space is the first major anthropometrically based reference book of design standards for use by all those involved with the physical planning and detailing of interiors, including interior designers, architects, furniture designers, builders, industrial designers, and students of design. The use of anthropometric data, although no substitute for good design or sound professional judgment should be viewed as one of the many tools required in the design process. This comprehensive overview of anthropometrics consists of three parts. The first part deals with the theory and application of anthropometrics and includes a special section dealing with physically disabled and elderly people. It provides the designer with the fundamentals of anthropometrics and a basic understanding of how interior design standards are established. The second part contains easy-to-read, illustrated anthropometric tables, which provide the most current data available on human body size, organized by age and percentile groupings. Also included is data relative to the range of joint motion and body sizes of children. The third part contains hundreds of dimensioned drawings, illustrating in plan and section the proper anthropometrically based relationship between user and space. The types of spaces range from residential and commercial to recreational and institutional, and all dimensions include metric conversions. In the Epilogue, the authors challenge the interior design profession, the building industry, and the furniture manufacturer to seriously explore the problem of adjustability in design. They expose the fallacy of designing to accommodate the so-called average man, who, in fact, does not exist. Using government data, including studies prepared by Dr. Howard Stoudt, Dr. Albert Damon, and Dr. Ross McFarland, formerly of the Harvard School of Public Health, and Jean Roberts of the U.S. Public Health Service, Panero and Zelnik have devised a system of interior design reference standards, easily understood through a series of charts and situation drawings. With Human Dimension and Interior Space, these standards are now accessible to all designers of interior environments.
By definition, an indefinite inner product space is a real or complex vector space together with a symmetric (in the complex case: hermi tian) bilinear form prescribed on it so that the corresponding quadratic form assumes both positive and negative values. The most important special case arises when a Hilbert space is considered as an orthogonal direct sum of two subspaces, one equipped with the original inner prod uct, and the other with -1 times the original inner product. The subject first appeared thirty years ago in a paper of Dirac [1] on quantum field theory (d. also Pauli [lJ). Soon afterwards, Pontrja gin [1] gave the first mathematical treatment of an indefinite inner prod uct space. Pontrjagin was unaware of the investigations of Dirac and Pauli; on the other hand, he was inspired by a work of Sobolev [lJ, unpublished up to 1960, concerning a problem of mechanics. The attempts of Dirac and Pauli to apply the concept and elemen tary properties of indefinite inner product spaces to field theory have been renewed by several authors. At present it is not easy to judge which of their results will contribute to the final form of this part of physics. The following list of references should serve as a guide to the extensive literature: Bleuler [1], Gupta [lJ, Kallen and Pauli [lJ, Heisen berg [lJ-[4J, Bogoljubov, Medvedev and Polivanov [lJ, K.L. Nagy [lJ-[3], Berezin [lJ, Arons, Han and Sudarshan [1], Lee and Wick [1J.
Inner Space Philosophy is both a work of original philosophy and an entertainment package, since Tartaglia believes imaginative presentation to be a crucial feature of our philosophical traditions, one which has been neglected to our detriment in the drive to model philosophy on science. Arguing for the utmost importance of philosophy to the human future, such that we must eventually become 'a philosophical people', Tartaglia discusses topics such as the meaning of life, idealism, materialism, determinism, video games and existential threats. These discussions transpire through ethereal encounters with philosophers from throughout world history, some from the distant future and prehistoric past, as well as a cosmic battle between 'Lady Luck', 'Fate' and 'Philosophy', and a biography of Gambo Lai Lai the Cynic, a philosopher from Trinidad who flourished during the golden age of calypso music. This is a book which amazes, challenges and provokes deep reflection in equal measure.
Who are we and how do we define our inner selves? In his last work, Professor Stephen Prickett presents a literary and cultural exploration of our inner selves – and how we have created and written about them – from the Old Testament to social media. What he finds is that although our secret, inner, sense of self – what we feel makes us distinctively 'us' – seems a natural and permanent part of being human, it is in fact surprisingly new. Whilst confessional religious writings, from Augustine to Jane Austen, or even diaries of 20th-century Holocaust victims, have explored inwards as part of a path to self-discovery, our inner space has expanded beyond any possible personal experience. This development has enhanced our capacity not merely to write about what we have never seen, but even to create fantasies and impossible fictions around them. Yet our secret selves can also be a source of terror. The fringes of our inner worlds are often porous, ill-defined and susceptible to frightening forms of external control. Mystics and poets, from Dante to John Henry Newman or Gerard Manley Hopkins, sought God in their secret spaces not least because they feared the 'abyss beneath.' From the origin of human consciousness through modern history and into the future, Secret Selves uses literature to consider the profound possibilities and ramifications of our evolving ideas of self.
