Inlets of the Soul

Inlets of the Soul

Author: Pierre François

Publisher: BRILL

Published: 2021-11-01

Total Pages: 331

ISBN-13: 9004484949

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The relationship of myth to literature has largely been overshadowed in contemporary theory by perspectives of a linguistic or sociological orientation and by relativist, sometimes negatory, stances on all searches for meaning. This book attempts to show that myth criticism and critical theories of more recent provenance are not irreconcilable. While taking into consideration some of the more influential tenets of structuralist, post-structuralist, Marxist and feminist theory, it applies a post-Jungian ('archetypal') approach to illustrating the perennial nature of a particular myth (the Fall of Man) in two main traditions (Mesopotamian and Christian) and in the contemporary novel in English. The discussions of five major novels by William Golding, Patrick White, Martin Amis, Salman Rushdie, and Wilson Harris not only serve to expand the mythological insights achieved in the first part of the book; they also suggest the incommensurability of imaginal, novelistic life with mythology's age-old intuitions about the human condition. Myth criticism emerges from this book as an irreplaceable vantage-point from which man's lapsarian predicament can be scrutinized synchronically as archaic wisdom, contemporary anxiety, and post-colonial commitment to the building of a new human city.


Complete Works

Complete Works

Author: Thomas Brookes (Preacher at Margaret's, New Fish Street.)

Publisher:

Published: 1866

Total Pages: 558

ISBN-13:

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George Berkeley and Romanticism

George Berkeley and Romanticism

Author: Chris Townsend

Publisher: Oxford University Press

Published: 2022-04-07

Total Pages: 239

ISBN-13: 019266221X

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George Berkeley's mainstream legacy amongst critics and philosophers, from Samuel Johnson to Bertrand Russell, has tended to concern his claim that the objects of perception are in fact nothing more than our ideas. Yet there's more to Berkeley than idealism alone, and the poets now grouped under the label 'Romanticism' took up Berkeley's ideas in especially strange and surprising ways. As this book shows, the poets Blake, Wordsworth, Coleridge, and Shelley focused less on Berkeley's arguments for idealism than they did on his larger, empirically-derived claim that nature constitutes a kind of linguistic system. It is through that 'ghostly language' that we might come to know ourselves, each other, and even God. This book is a reappraisal of the role that Berkeley's ideas played in Romanticism, and it pursues his spiritualized philosophy across a range of key Romantic-period poems. But it is also a re-reading of Berkeley himself, as a thinker who was deeply concerned with language and with written—even literary—style. In that sense, it offers an incisive case study into the reception of philosophical ideas into the workings of poetry, and of the role of poetics within the history of ideas more broadly.