This brilliant new verse translation by Allen Mandelbaum captures the consummate beauty of the third and last part of Dante's Divine Comedy. The Paradiso is a luminous poem of love and light, of optics, angelology, polemics, prayer, prophecy, and transcendent experience. As Dante ascends to the Celestial Rose, in the tenth and final heaven, all the spectacle and splendor of a great poet's vision now becomes accessible to the modern reader in this highly acclaimed, superb dual language edition. With extensive notes and commentary.
A stunning 3-in-1 deluxe edition of one of the great works of Western literature An epic masterpiece and a foundational work of the Western canon, The Divine Comedy describes Dante's descent into Hell with Virgil as his guide; his ascent of Mount Purgatory and reunion with his dead love, Beatrice; and, finally, his arrival in Heaven. Examining questions of faith, desire, and enlightenment and furnished with semiautobiographical details, Dante's poem is a brilliantly nuanced and moving allegory of human redemption. This acclaimed blank verse translation is published here for the first time in a one-volume edition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Dante's Divine Comedy in Early Renaissance England compares the intellectual, emotional, and religious world of Dante in 13th-century Florence with that of a group of English intellectuals gathered around Humphrey, Duke of Gloucester, uncle of the King, Henry VI. Here, Jonathan Hughes establishes that there was a Renaissance in 15th-century England, encouraged by the discovery and translations of works of Greek philosophers and developments in science and medicine; and that vernacular writers in Gloucester's circle, such as John Lydgate and Robert Hoccleve, were of fundamental importance in exploring the meaning of the self and man's relationship with the natural world and the classical past. However, the appearance in 15th-century England of Dante's 'Commedia', the most popular work of the Middle Ages, served to remind writers and readers of the cost of intellectual enquiry: the loss of faith in a harmonious and beautiful world; the redemptive power of the love of a woman; and the tangible presence of an afterlife. Engagingly written and meticulously researched, this innovative study shines a new perspective on Dante scholarship as well as offering a unique anaylsis of intellectual thought and culture in 15th-century England.
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
This sea story from the bottom of the earth takes the reader on a philosophical voyage through many realms, religious and secular, mathematical and poetic, natural and mechanical. Something akin to a Scottish Bill Bryson, Amy Kernahan, who was born and grew up on the Isle of Lewis, the largest of the chain of islands off the northwest coast of Scotland, sets out with her travelling companion, her father, to journey in the Antarctic and follow her dreams of seeing, and even standing in, the places where Sir Ernest Shackleton had been. Casting Shackleton in the role of Virgil to her Dante, she follows his trail through the ice fields around the Antarctic Peninsula, a vision here on earth as hellish as the frozen Lake Cocytus at the centre of Dante's Inferno. Along the way, the might of the sea, and the glories of the Antarctic set Amy pondering themes of Judeo-Christianity, seeing Antarctica as a remnant of Eden, unpopulated by both mankind and sin. The mathematics of nature reveals itself to her, and she is awed by the prophetic soul of Coleridge and his Ancient Mariner. Amy has set out on her journey believing it to be a pilgrimage to Shackleton's grave, but as she sojourns beneath striking southern skies where even the familiar is alien, she realises that she is on another more spiritual pilgrimage, called by the ancient Christians of her homeland peregrinatio, the search for what they called 'the place of one's resurrection' or true home. The outcome, although perhaps not surprising, is not quite as clear cut as it might have been.
"The Guide offers both an essential reference work for students of English and comparative literature and a stimulating overview of literary translation in English."--BOOK JACKET.
