Medieval Manuscripts for Mass and Office

Medieval Manuscripts for Mass and Office

Author: Andrew Hughes

Publisher: University of Toronto Press

Published: 1995-01-01

Total Pages: 514

ISBN-13: 9780802076694

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Many books discuss the theology and doctrine of the medieval liturgy: there is no dearth of information on the history of the liturgy, the structure and development of individual services, and there is much discussion of specific texts, chants, and services. No book, at least in English, has struggled with the difficulties of finding texts, chants, or other material in the liturgical manuscripts themselves, until the publication of Medieval Manuscripts for Mass and Office in 1982. Encompassing a period of several centuries, ca 1200-1500, this book provides solutions for such endeavours. Although by this period the basic order and content of liturgical books were more or less standardized, there existed hundreds of different methods of dealing with the internal organisation and the actual writing of the texts and chants on the page. Generalization becomes problematic; the use of any single source as a typical example for more than local detail is impossible. Taking for granted the user's ability to read medieval scripts, and some codicological knowledge, Hughes begins with the elementary material without which the user could not proceed. He describes the liturgical year, season, day, service, and the form of individual items such as responsory or lesson, and mentions the many variants in terminology that are to be found in the sources. The presentation of individual text and chant is discussed, with an emphasis on the organisation of the individual column, line, and letter. Hughes examines the hitherto unexplored means by which a hierarchy of initial and capital letters and their colours are used by the scribes and how this hierarchy can provide a means by which the modern researcher can navigate through the manuscripts. Also described in great detail are the structure and contents of Breviaries, Missals, and the corresponding books with music. This new edition updates the bibliography and the new preface by Hughes presents his recent thoughts about terminology and methods of liturgical abbreviation.


Studies in Manuscript Illumination, 1200-1400

Studies in Manuscript Illumination, 1200-1400

Author: Lucy Freeman Sandler

Publisher: Pindar Press

Published: 2007-12-31

Total Pages: 813

ISBN-13: 1915837243

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The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.


Matins, Lauds, and Vespers for St. David's Day

Matins, Lauds, and Vespers for St. David's Day

Author: Owain Tudor Edwards

Publisher: Boydell & Brewer

Published: 1990

Total Pages: 248

ISBN-13: 9780859912938

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This book looks at the only Welsh antiphonal known and discusses in particular the material for services celebrating the memory of the Welsh patron saint. The book has a full listing and description of the contents of the Penpont Antiphonal, National Library of Wales MS. 20541 E, and discusses the significance of the Office of St David. The chants and the literary text are described and discussed, supported by full transcriptions of the musical and literary texts, and by facsimile reproduction of the manuscript folios. The office is considered in its historical perspective, as evidence of the active cultivation of music in Wales during the Middle Ages, and for its relationship to other similar late medieval offices and to Rhigyfarch's Life of St David.


Early Medieval Text and Image Volume 1

Early Medieval Text and Image Volume 1

Author: Jennifer O'Reilly

Publisher: Routledge

Published: 2019-06-17

Total Pages: 396

ISBN-13: 1000008711

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When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together nine studies of the Insular Gospel Books. One of them, on the iconography of the St Gall Gospels (Essay 9), was left completed, but unpublished, on the author’s death. It appears here for the first time. The remaining studies, published between 1987 and 2013, examine certain themes and motifs that inform the Gospel Books: their implicit Christology, their harmonisation of the four Gospel accounts, the depiction of Christ crucified, and the portrayal of St John the Evangelist. Two of the Books, the Durham Gospels and the Gospels of Mael Brigte, receive particular attention. (CS1079).


The Sounds and Sights of Performance in Early Music

The Sounds and Sights of Performance in Early Music

Author: Maureen Epp

Publisher: Routledge

Published: 2017-07-05

Total Pages: 310

ISBN-13: 1351540467

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The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.


Middle English Texts in Transition

Middle English Texts in Transition

Author: Simon Horobin

Publisher: Boydell & Brewer Ltd

Published: 2014

Total Pages: 362

ISBN-13: 1903153530

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Chaucer, Gower and Langland -- Lyrics and romances -- Devotional writings -- Owners and users of medieval books -- A tribute to Professor Takamiya


Shaping a Monastic Identity

Shaping a Monastic Identity

Author: Susan Boynton

Publisher: Cornell University Press

Published: 2006

Total Pages: 324

ISBN-13: 9780801443817

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During the eleventh and early twelfth centuries, the imperial abbey of Farfa was one of the most powerful institutions on the Italian peninsula. In this period many of the lands of central Italy fell under its sway, and it enjoyed the protection of the emperor until the 1120s, when it passed gradually into the control of the papacy. At the same time, the monastery was an influential religious center, and the monks of Farfa filled their days with the celebration of the liturgy through prayers, processions, sermons, chants, and hymns.Susan Boynton, a historian of medieval music, addresses several of the major themes of present-day medieval historiography through a close study of the liturgical practices of the abbey of Farfa. Boynton's findings are a striking demonstration of the local nature of liturgical practices in the centuries before church ritual was controlled and codified by the papacy. Boynton shows that the liturgy was highly flexible, continually adapting to the monastery's changing circumstances. The monks regularly modified traditional forms to reflect new realities, often in the service of Farfa's power and prestige. Equally fascinating is Boynton's examination of the process by which Farfa, like other monasteries, cathedral chapters, and royal houses, constantly rewrote its history--particularly the stories of its founding--as part of the continuous negotiation of power that was central to medieval politics and culture.


Medieval Literature

Medieval Literature

Author: Tim William Machan

Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)

Published: 1991

Total Pages: 216

ISBN-13:

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