Indian Miniature Painting

Indian Miniature Painting

Author: Anjan Chakraverty

Publisher: Roli Books Private Limited

Published: 2005

Total Pages: 156

ISBN-13: 9788174363343

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This book journeys through the development and decline of the schools of Indian miniature painting. The represented masterpieces bear testimony to the genius of the painters. Of special interest is the context, portrayed through contemporary literature and chronicles that throw light on the lives of these master artists.


Mughal Miniatures

Mughal Miniatures

Author: J. M. Rogers

Publisher: Interlink Books

Published: 2006-01-01

Total Pages: 0

ISBN-13: 9781566566582

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The Mughal school of miniature painting flourished in northern India in the sixteenth and seventeenth centuries, chiefly under the patronage of the emperors Akbar, Jahangir and Shah Jahan. Rooted in a diversity of cultural, religious and artistic traditions, it became one of the richest and most productive schools in the whole history of Islamic art. In this beautifully illustrated book the author surveys the development of Mughal painting, from its early beginnings to the masterpieces created by the court studios for the books and albums of their demanding imperial patrons. He describes the historical setting in which the Mughal artists worked and the materials and techniques they used to create their brilliant effects. The paintings reproduced here cover the whole range of Mughal miniature art, from manuscript illustrations of biographical, historical or mythological works to courtly portrait albums, with both human and animal subject.


The Emperors' Album

The Emperors' Album

Author: Stuart Cary Welch

Publisher: Metropolitan Museum of Art

Published: 1987

Total Pages: 320

ISBN-13: 0870994999

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Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.


Real Birds in Imagined Gardens

Real Birds in Imagined Gardens

Author: Kavita Singh

Publisher: Getty Publications

Published: 2017-03-07

Total Pages: 120

ISBN-13: 1606065181

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Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.


Rembrandt and the Inspiration of India

Rembrandt and the Inspiration of India

Author: Stephanie Schrader

Publisher: Getty Publications

Published: 2018-03-20

Total Pages: 162

ISBN-13: 1606065521

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This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.


Mughal and Deccani Paintings

Mughal and Deccani Paintings

Author: John William Seyller

Publisher: Paul Holberton Publishing

Published: 2010

Total Pages: 0

ISBN-13: 9783907077481

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Accompanying an exhibition at the Museum Rietberg, this catalogue of 60 works drawn from one of the most important private collections in Europe provides an excellent survey of Indian painting from 1575-1850 from two of the most important sources: the court of the north Indian Mughal rulers and the ateliers in the Deccan farther south. The works present a wide variety of styles and themes and invite close examination. Mughal culture was one of the richest the world has ever seen. The magnificence of the Mughal palaces and tombs, the pomp of the court, the lavish ceremonies and feasts, the fame of the court poets, intellectuals, painters and musicians, the sumptuousness of the courtiers' attire--all these came together to create an aristocratic culture of extraordinary wealth and grandeur. Books--and above all books lavishly decorated with exquisite miniatures--had a role and a status in Mughal culture which is almost unimaginable today. They were among the most valuable and certainly the most prized objects in the imperial treasury and were used systematically and effectively to propagate the political goals of the ruler. Whereas Mughal artists depict the real world, record historical events, and portray their patrons in realistic likenesses, Deccanni painters, instead, aim at evoking lyrical moods. They invent paradisal dreamworlds bathed in fantastic, flamboyant colors, sparkling with gold. When they represent their rulers, they create idealized, introspective figures lost in the quiet enchantment of love, or music, or merely the perfume of a beautiful flower.


Indian Court Painting, 16th-19th Century

Indian Court Painting, 16th-19th Century

Author: Steven Kossak

Publisher: Metropolitan Museum of Art

Published: 1997

Total Pages: 154

ISBN-13: 0870997823

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A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR


Court & Courtship

Court & Courtship

Author: Jeremiah P. Losty

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9789389136630

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Features in-depth commentary on 90 superb paintings by the eminent art historian J.P. Losty - Many of the paintings offer fascinating insights into Indian attire and fabrics, as they were acquired for the textiles and costumes they illustrate - Showcasing a curated selection of Indian miniature paintings, this book is a feast for the eye for lovers of Indian painting Court & Courtship: Indian Miniatures in the TAPI Collection is a study of Indian paintings in which the author J.P. Losty explores the well-trod highways and the lesser-known byways of miniature paintings, put together by the well-known textile collectors, Praful and Shilpa Shah. Starting with a splendid 16th-century painting from the early Rajput Bhagvata Purana, readers will savor the variety of Mughal and other portraits of emperors, princes, courtiers, and of royal elephants and horses. Courtly pictures include several from the Deccan, Rajasthan, Central India, and the northern hills. Resplendent ladies in 18th and 19th-century attire adorn the pages, as do paintings acquired for the textiles and costumes they illustrate - jamas, paijamas, angarkhas, turbans, odhnis, patkas, canopies, and qanats. Representing the classic texts of Sanskrit and Hindi literature are stunning examples from a 17th-century ragamala, the Shangri Ramayana, the Gita Govinda, Harivamsha, and Rasikapriya. Two of the most impressive paintings ever to come out of Nathdwara are featured here, from the hands of master artists Sukhdev Gaur and Ghasiram Sharma. Showcasing 90 superb images, this collection is sure to be of interest to lovers of Indian art.