For thousands of years, the Indians of Florida created exquisite objects from the natural materials available to them - wood, bone, stone, clay, and shell. This stunning full-color book, the first devoted exclusively to the artistic achievements of the Florida aborigines, describes and pictures 116 of these masterpieces. A brief history of the consequences of European infiltration and later investigations by explorers and archaeologists sets the stage for consideration of the works themselves. They date from the Paleoindian period (ca. 9500-8000 B.C.) to the mid-sixteenth century and include utilitarian creations, instruments of personal adornment and magic, and objects indicating status, paying homage to ancestors, or aiding the dead in their journey into the next world.
"An exceptional book for popular consumption. . . . It is a wonderful synthesis, and will be avidly read by both professional archaeologists and the general public."--Marvin T. Smith, Valdosta State University Florida's Indians tells the story of the native societies that have lived in Florida for twelve millennia, from the early hunters at the end of the Ice Age to the modern Seminole, Miccosukee, and Creeks. When the first Indians arrived in what is now Florida, they wrested their livelihood from a land far different from the modern countryside, one that was cooler, drier, and almost twice the size. Thousands of years later European explorers encountered literally hundreds of different Indian groups living in every part of the state. (Today every Florida county contains an Indian archaeological site.) The arrival of colonists brought the native peoples a new world and great changes took place--by the mid-1700s, through warfare, slave raids, and especially epidemics, the population was almost annihilated. Other Indians soon moved into the state, including Creeks from Georgia and Alabama, who were the ancestors of the modern Seminole and Miccosukee Indians. Written for a general audience, this book is lavishly illustrated with full-color drawings and photographs. It skillfully integrates the latest archaeological and historical information about the Sunshine State's Native Americans, connecting the past and present with modern place-names, and it gives a proud voice to Florida's rich Indian heritage. Jerald T. Milanich, curator in archaeology at the Florida Museum of Natural History in Gainesville, is the author of Florida Indians and the Invasion from Europe (UPF, 1995) and Archaeology of Precolumbian Florida (UPF, 1994), among numerous other books.
Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.
Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
Along the Ohio, Tennessee, and Mississippi Rivers, the archaeological remains of earthen pyramids, plazas, large communities, and works of art and artifacts testify to Native American civilizations that thrived there between 3000 B.C. and A.D. 1500. This fascinating book presents exciting new information on the art and cultures of these ancient peoples and features hundreds of gorgeous photographs of important artworks, artifacts, and ritual objects excavated from Amerindian archaeological sites. Drawing on excavation findings and extensive research, the contributors to the book document a succession of distinct ancient populations in the pre-Columbian world of the American Midwest and Southeast. A team of interdisciplinary scholars examines the connections between archaeological remains of different regions and the themes, forms, and rituals that continue in specific tribes of today. The book also includes the personal reflections of contemporary Native Americans who discuss their perspectives on the significance of the fascinating and beautiful prehistoric artifacts as well as their own cultural practices today.
"Based on thorough archival research combined with stunning visual analysis, Maya Stanfield-Mazzi demonstrates that Andeans were active agents in Catholic image-making and created a particularly Andean version of Catholicism. Object and Apparition describes the unique features of Andean Catholicism while illustrating its connections to both Spanish and Andean cultural traditions"--Provided by publisher.
Over the past three decades, Ralph T. Coe has traveled extensively throughout the United States and Canada to assemble this collection of Native American art, one of the finest in private hands today. Immersed in the cultures of Native America, he has come to know artists and artisans, traders, dealers, and shop proprietors, selecting the very best they have to offer. The Ralph T. Coe Collection includes representative pieces from most Native American geographic regions and historical periods, beginning with objects dating back to the fourth millennium B.C. Many examples-men's shirts with ermine fringe, weapons, and button blankets-evoke the heroic lifestyle of the past, while small objects, such as tipi and kayak models, dolls, and tiny moccasins, speak to a more intimate significance. Ritual objects imbued with spiritual meaning-masks and katsinas, tablitas and medicine bundles-as well as utilitarian objects, such as pottery and baskets, also have a strong presence. This catalogue tells the stories of nearly two hundred of these objects, combining art history with personal reminiscence, and reveals the role Coe has played in bringing about awareness of the artistic heritage of Native America.-- Metropolitan Museum of Art website.
When the conquistadors arrived in Florida as many as 350,000 native Americans lived there. Two and a half centuries later, Florida's Indians were gone. This text focuses on these native peoples and their lives, and attempts to explain what happened to them.
Beginning with Frank Hamilton Cushing’s famous excavations at Key Marco in 1896, a large and diverse collection of animal carvings, dugout canoes, and other wooden objects has been uncovered from Florida’s watery landscapes. Iconography and Wetsite Archaeology of Florida’s Watery Realms explores new discoveries and reexamines existing artifacts to reveal the influential role of water in the daily lives of Florida’s early inhabitants. Contributors compare anthropomorphic wooden carvings such as the Key Marco cat statuette to figures found elsewhere in the Southeast, connecting Floridians with the Mississippian world. They use ethnographic data to argue that Newnans Lake was once an intersection between major watersheds and that the more than 100 canoes unearthed there likely facilitated travel throughout the peninsula. A second look at artifacts from the Fort Center pond reveals mortuary figurines were deposited intentionally and over the course of several centuries. Other sites discussed include Chassahowitzka Springs, Weedon Island Preserve, Pineland, and Hontoon Island. Essays address the challenges of excavating and preserving perishable artifacts from waterlogged sites, especially those in saltwater environments, highlight the value of revisiting museum collections to ask new questions and employ new analytical techniques, and emphasize the important role of the public in the discovery of wetland sites. This volume demonstrates that, despite the difficulties faced by archaeologists working with saturated deposits, these sites are vital for understanding Florida’s prehistory. Contributors: Ryan J. Wheeler | Joanna Ostapkowicz | Michael A. Arbuthnot | Merald R. Clark | Julia B. Duggins | Michael Faught | Vernon James Knight | Phyllis Kolianos | William H. Marquardt | Lee A. Newsom | Daniel M. Seinfeld | S. Margaret Spivey-Faulkner | Karen Walker A volume in the Florida Museum of Natural History: Ripley P. Bullen Series
