Early modern England had a distinctive preoccupation with the social responsibilities of private businesses. Koji Yamamoto explores for the first time how promises of public service in the economic sphere came to be abused, and how statesmen, playwrights, petitioners, and merchants responded to such perversions of promised public service.
At the start of the Industrial Revolution, it appeared that most scientific instruments were made and sold in London, but by the time of the Great Exhibition in 1851, a number of provincial firms had the self-confidence to exhibit their products in London to an international audience. How had this change come about, and why? This book looks at the four main, and two lesser, English centres known for instrument production outside the capital: Birmingham, Liverpool, Manchester and Sheffield, along with the older population centres in Bristol and York. Making wide use of new sources, Dr Morrison-Low, curator of history of science at the National Museums of Scotland, charts the growth of these centres and provides a characterisation of their products. New information is provided on aspects of the trade, especially marketing techniques, sources of materials, tools and customer relationships. From contemporary evidence, she argues that the principal output of the provincial trade (with some notable exceptions) must have been into the London marketplace, anonymously, and at the cheaper end of the market. She also discusses the structure and organization of the provincial trade, and looks at the impact of new technology imported from other closely-allied trades. By virtue of its approach and subject matter the book considers aspects of economic and business history, gender and the family, the history of science and technology, material culture, and patterns of migration. It contains a myriad of stories of families and firms, of entrepreneurs and customers, and of organizations and arms of government. In bringing together this wide range of interests, Dr Morrison-Low enables us to appreciate how central the making, selling and distribution of scientific instruments was for the Industrial Revolution.
Written in a lively and engaging style, this concise text helps students of all disciplines to structure their thesis in a clear, coherent and persuasive manner. It focuses on three core aspects of thesis structure and gives readers helpful guidance on ordering their ideas, making effective use of emphasis and achieving coherence in their writing. Enriched with insights from students and examiners, it shows students how to structure their thesis in a way that foregrounds the significance of their research. Packed with ideas for structuring theses effectively, this practical guide will be invaluable to thesis writers of all disciplines.
Reference Sources for Canadian Literary Studies offers the first full-scale bibliography of writing on and in the field of Canadian literary studies. Approximately one thousand annotated entries are arranged by reference genre, with sub-groupings related to literary genre.
This book examines the coming of age experiences of young men and women who became active in radical Left circles in 1960s England. Based on a rich collection of oral history interviews, the book follows in depth the stories of approximately twenty individuals to offer a unique perspective of what it meant to be young and on the Left in the post-war landscape. The book will be essential reading for researchers of twentieth-century British social, cultural and political history. However, it will be of interest to a general readership interested in the social protest movements of the long 1960s.
In most studies of British decolonisation, the world of labour is neglected, the key roles being allocated to metropolitan statesmen and native elites. Instead this volume focuses on the role played by working people, their experiences, initiatives and organisations, in the dissolution of the British Empire, both in the metropole and in the colonies. How central was the intervention of the metropolitan Left in the liquidation of the British Empire? Were labour mobilisations in the colonies only stepping stones for bourgeois nationalists? To what extent were British labour activists willing and able to form connections with colonial workers, and vice versa? Here are some of the complex questions on which this volume sheds new light. Though convergences were fragile and temporary, this book recapture the sense of uncertainty that accompanied the final decades of the British Empire, a period when radical minorities hoped that coordinated efforts across borders might lead not only to the destruction of the British Empire but to that of capitalism and imperialism in general. Exploiting rare primary sources and adopting a resolutely transnational approach, our collection makes an original contribution to both labour history and imperial studies.
Dwight Hamilton Diller is a musician from West Virginia devoted to traditional Appalachian fiddle and banjo music, and a seminary-trained minister steeped in local Christian traditions. For the past 40 years, he has worked to preserve archaic fiddle and banjo tunes, teaching his percussive, primitively rhythmic style to small groups in marathon banjo workshops. This book tells of Diller's life and music, his personal challenges and his decades of teaching an elusive musical form.
This work is a systematic study of Bal Gangadhar Tilak's thought, focusing on his views on 'communal' relations within the Indian polity, on caste and reform in Hindu society, and on political ethics regarding violence and non-cooperation. The Thought of Bal Gangadhar Tilak adopts a contextualist approach, situating his ideas in local Maharashtrian as well as pan-Indian and global cultural-intellectual contexts. The approach blends Tilak's quotidian journalism and speeches alongside his canonical texts on Aryan history and on the Bhagavad Gita. The work marks a departure from current interpretations, emphatically arguing that he is misappropriated and/or misunderstood as a proto-Hindutva thinker. Instead, he is revealed to be a radical liberal who supports counter-autocratic violence, a majoritarian pluralist in terms of intercommunity relations, a self-strengthening reformer who focuses on masculinity, and a Brahmin supremacist who is committed to reshaping India for the challenges of modernity. This book lays emphasis on his remarkable recognition as the nation's 'founding father' and particularly demonstrates how this later appropriation by Gandhi was contested by those celebrating Tilak's approach to contest him during the crucial mid-1920s period when he was indelibly linked to re-emerging Hindutva. More recently, growing ahistorical demi-official insistence on his social progressivism illustrates a change in India's public culture, as does the use of popular or even legal pressure to de-legitimize perennial criticism of Tilak's socio-political positions.
