Pioneer Photographers of the Far West
Pioneer Photographers of the Far West

Author: Peter E. Palmquist

Publisher: Stanford University Press

Published: 2000

Total Pages: 716

ISBN-13: 9780804738835

DOWNLOAD EBOOK

This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.

John Lloyd Stephens and Frederick Catherwood
John Lloyd Stephens and Frederick Catherwood

Author: Peter O. Koch

Publisher: McFarland

Published: 2013-01-16

Total Pages: 303

ISBN-13: 0786471077

DOWNLOAD EBOOK

Daring exploits and astounding achievements were common for two 19th century adventurers--John Lloyd Stephens, a New York lawyer and best-selling author, and Frederick Catherwood, a London architect and renowned topographical artist. Separately, these explorers covered much of the same ground, touring Italy, Greece, Egypt, Arabia, and the Holy Land in search of ancient sites that were of historical significance. Jointly, these adventurers endured many life-threatening obstacles in a determined effort that led to the discovery of nearly fifty forgotten Mayan cities buried deep in the jungles of Central America and Mexico. The vivid accounts penned by Stephens coupled with the magnificent drawings of ruins by Catherwood brought back to life a vanished civilization that both considered equal to the greatness of ancient Egypt, Greece, and Rome. The story concludes with the premature and tragic deaths of the two.

Destroyed—Disappeared—Lost—Never Were
Destroyed—Disappeared—Lost—Never Were

Author: Beate Fricke

Publisher: Penn State Press

Published: 2022-05-20

Total Pages: 167

ISBN-13: 0271093757

DOWNLOAD EBOOK

To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place. The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian’s present tense. Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures. In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jaś Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy.