Inanna, in heaven, gazes happily down at the city of Uruk. Inanna: How they sing praises to me! How the people of Uruk worship me, the Queen of Heaven and Earth! They make sacrifices to me! They pray to me! Day and night, the people of Uruk show how much they love the Queen of Heaven and— Mamtar, an angel, enters. She stands before Inanna and bows her head...
In this book, Nadia Salem expands the standardized mythic quest of the hero’s journey for storytellers to include the heroine’s journey. By arguing that the former reflects coming of age while the latter coming of middle-age, Salem reveals how both are integral to depictions of fully developed characters.
A comprehensive, scholarly accessible study, in which the authors draw upon poetry and mythology, art and literature, archaeology and psychology to show how the myth of the goddess has been lost from our formal Judeo-Christian images of the divine. They explain what happened to the goddess, when, and how she was excluded from western culture, and the implications of this loss.
Accurate and reliable biographical information essential to anyone interested in the world of literature TheInternational Who's Who of Authors and Writersoffers invaluable information on the personalities and organizations of the literary world, including many up-and-coming writers as well as established names. With over 8,000 entries, this updated edition features: * Concise biographical information on novelists, authors, playwrights, columnists, journalists, editors, and critics * Biographical details of established writers as well as those who have recently risen to prominence * Entries detailing career, works published, literary awards and prizes, membership, and contact addresses where available * An extensive listing of major international literary awards and prizes, and winners of those prizes * A directory of major literary organizations and literary agents * A listing of members of the American Academy of Arts and Letters
Sumerians were the ?rst people to write. Using a sharp three-cornered stylus, they wrote on claysmall wedge-shapes called cuneiform. With writing, Sumerians turned the corner from prehistory to history! After at least two million years of humans telling stories, the Sumerians introduced literacy. Most civilizations passed down their heritage through orally recited traditionsstories were passed from one generation to another by word of mouth. The Sumerians were the ?rst to write down their oral traditions. To make the historical record easier, the Sumerians invented calendars with exact dates of events and contracts often corroborated by astronomy. Since Sumerian farmers invented irrigation and created a surplus, other Sumerians could choose to specialize in law, education, architecture, engineering, marketing, and politicsall of which were accompanied by written records. Using the writings of the Sumerians and modern archaeology, this book will trace the story of the Sumerians, the worlds ?rst writers.
When stars were many and people few, a great story was told everywhere. The first storytellers were women. Their story was so large it filled the universe it told of a Great Mother encompassing life, death and return of everything. When Neolithic farming people settled, and depended on plentiful crops and herds, a goddess of fertility stepped into stardom. Inanna is the Sumerian goddess of love, crescent moon, evening star, fertility and renewal. She is the longest lasting supreme goddess of the Ancient Near East. Inannas biography includes her rise to supreme holder of almost all the powers of culture and civilization. 5000 year old poems bring Inanna to life. She sings to her miraculous vulva and to her consort-lover; she struggles to keep her powers and complains of her losses and demotions. Inanna represents lifes powerful contradictions. She changes peace to war and back again; she causes strife and brings love; she turns women into men and men into women. Inanna loves all her people, every one. A biography must have adversity and Inanna has plenty; she must always conquer of the ever-rising tide of patriarchal domination in all its forms. Buried and forgotten for two millennia, she now steps from the dust, ties up her sandals, applies her kohl, adjusts her tiara, summons her lions, and returns. Her story is also womans story. Let me introduce you to Inanna, Queen of Heaven, Earth, and almost everything
The Clitoral Truth goes beyond all other sexuality self-help guides by providing a surprising “inside” look at women’s genital anatomy, and revealing that what is almost universally thought of as a sensitive pea-sized nubbin is, in reality, a powerful, responsive organ system. The Clitoral Truth reveals every aspect of this multifaceted organ and how the parts work together to produce pleasure and orgasm. This frank, frisky, user-friendly guide also delves into the controversy over female ejaculation and explores why so few women have discovered their potential to experience multiple orgasms. It also reports on why so many women of all ages fake orgasms, and it settles the controversy over the G-Spot once and for all. Can’t find your G-Spot? Hey, you’ve got something better! Here are vivid personal accounts, a savvy, in-depth survey of female sexuality resources, and the bold and explicit illustrations of San Francisco artist Fish. The Clitoral Truth surveys the numerous ways that women have begun to transform the deeply entrenched male-centered model of sexuality to actively redefine it by emphasizing full-body pleasure. And, likely, better orgasms!
Part I of this book begins with a scriptural study of all Sheba references, particularly the origins and genealogy of the name and its connections with Hebrew patriarchs such as Abraham and kings Saul and David; it later explores the literature and legends surrounding king Solomon and his trade negotiations with Sheba. The text analyzes theories and links between the Queen of Sheba and Pharaoh Hatshepsut, and concludes that Sheba may well be the Pharaoh based upon linguistic associations and the related stories from a multitude of regions and countries. Part II travels into ancient Arabian, Yemeni, Ethiopian, and Eritrean tales of the Queen of Sheba, and examines the mention of Sheba in an array of Jewish, Christian, and Muslim texts. It scrutinizes associations between ancient gods and pharaohs, particularly the similarity of their iconographic representations, the meaning of their symbols and signs that connect with Sheba legends and Hatshepsut's history, the real extent and location of her vast empire.
