"This book, based upon the correspondence of William Nelson Lovatt, Korea's first commissioner of customs in Pusan, looks at the informal imperialism exercised by China over Korea in the 1880s, as China's increasing interventionism affected Lovatt's hiring, his experiences in Korea, and his eventual termination"--Provided by publisher.
After graduation from Georgetown University in 1896, William Franklin Sands joined the US diplomatic corps as second secretary in Tokyo. His year there sparked his interest in East Asia, so when a position in Korea opened, he took it, with the help of his influential father, an admiral in the US navy. For two years he served under US Minister Horace Allen until a more powerful position opened as chief qdviser to the Korean government in 1900. As the most influential foreign adviser, Sands attempted to convince Emperor Kojong to undertake reforms and to promote Korean neutrality to keep the country independent. The author argues, however, that Sands was hampered by corrucpt officials who had the ear of the emperor, by the Japanese and the Russians who competed for influence and who tried to replace Sands with their own advisers, and, ironically, by Horace Allen. When he lost the confidence of Kojong and when the Russo-Japanese War broke out, Sands was forced out, having failed to maintain Korea's independence as Japan moved to take over. Although his subsequent activities included other diplomatic postings, teaching, and writing, he maintained an interest in Korea and offered his services as World War Two raged.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
