This collection of four prose and four intimately told verse stories was first published in 1977, and the following year Peter Taylor was given the Gold Medal Award for the short story by the American Academy and Institute of Arts and Letters. Set mostly in Nashville and Memphis amid Taylor's fictional genteel Tennessee society, these tales belie serene manners and lovely neighborhoods with undercurrents of irony, violence, disgrace, sexual transgressions, and generational divide. Often shadowing male despair in the modern world, they describe the power of unleashed passion once the restraint of custom has given way.
“Splendid. . . . McAlexander’s biography only makes it clearer than ever that Peter Taylor was our last great southern man of letters.”—Chicago Tribune “For those of us to whom Taylor’s writing is among the chief glories of 20th-century American literature, Peter Taylor: A Writer’s Life has much to tell us about how he emerged from what he called ‘the small old world we knew...in Tennessee’ and explored that world with such acuity, clarity, and unsentimental love.”—Jonathan Yardley, Washington Post Book World “McAlexander has done a splendid job of tracing the progression of Taylor’s writing through the circumstances of a surprisingly frenetic life...Anyone interested in the evolution of fiction writing in the last century will be delighted to come upon this volume...fascinating, sometimes amusing, and often heartbreaking.”—New York Times Book Review Hubert H. McAlexander’s accomplished portrait of Peter Taylor (1917–1994) achieves a remarkable intimacy with this central figure in the history of the American short story and one of the greatest southern writers of his time. McAlexander knits together the facts of Taylor’s life in a compelling, seamless account: his deep and distinguished family roots in Tennessee; his close bonds with writers from three generations, including Allen Tate, Robert Lowell, and James Alan McPherson; his establishment of the dysfunctional family as a force in American literature; and his perseverance as a writer, finally rewarded with the Pulitzer Prize at age seventy. Exhaustively researched and engagingly written, Peter Taylor presents a vivid picture of the man, the artist, and his literary milieu.
Gathers interviews with the Tennessee short story writer in which he discusses his career, writing, character development themes, settings, and growing older
A leading figure in modern southern literature, described by Newsweek as "one of the best American storytellers," Peter Taylor secured a national following through his long relationship with the New Yorker and his widely read volumes from the 1980s, The Old Forest and Other Stories and A Summons to Memphis. The Pulitzer Prize-winning author's portrayals of the battles of strong-willed fathers and mothers with their equally strong-willed sons are at the center of his achievement in fiction. David Robinson presents Taylor as a writer deeply concerned with the interworkings of family relationships, and emphasizes his role as chronicler of the shifts in southern culture in this century. World of Relations provides an important critical assessment of the work of one of the South's greatest writers, and includes the first extensive critical discussion of Taylor's last two works, The Oracle of Stoneleigh Court (1993) and In the Tennessee Country (1994).
Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.
Biographical sketches of 378 writers associated with the American South are included in this important new reference work. Compiled by 172 scholars, these summaries--many of which are not readily available elsewhere--provide in their total effect a brief history of southern literature from colonial times to the present.The volume is, in part, a companion to A Bibliographical Guide to the Study of Southern Literature (Louis D. Rubin, Jr., ed.), a work that has become a standard reference for anyone seriously interested in the literature of the South. With its wealth of essential biographical information on the region's writers, both major and minor, this new guide will take its place alongside that earlier volume as an invaluable aid to the study of southern writing. Especially useful will be complete listings of the first printings of the books by each writer provided after the respective summaries.Included as contributors of the individual biographical summaries are most of the better-known scholars of southern literature, plus a number of promising young scholars. The editors, each of whom is an outstanding scholar in southern literary studies, are:
Survey of twentieth century English-language writers and writing from around the world, celebrating all major genres, with entries on literary movements, periodicals, more than 400 individual works, and articles on approximately 2,400 authors.
Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.
“Lively literary profiles” of famous Tennessee writers in a book with “a user-friendly approach to learning more about a mighty impressive roster” (The Dispatch). The Volunteer State has been a pioneer in southern literature for generations, giving us such literary stars as Robert Penn Warren and Cormac McCarthy. But Tennessee’s literary legacy also involves authors such as Peter Matthew Hillsman Taylor, who delayed writing his first novel but won the Pulitzer Prize upon completing it. Join author Sue Freeman Culverhouse as she explores the rich literary heritage of Tennessee through engaging profiles of its most revered citizens of letters. Includes photos “The extensively researched book is both readable and informative.” —Clarksville Online
