This thematic travel guide contains ten itineraries for exploring Islamic Portugal, each taking a different geographical area and lasting 1-2 days. It is an exhibition' not of artefacts, but of landscapes, sites and monuments across central and southern Portugal which explores the art and history of more than five centuries of Muslim presence. It is filled throughout with colour photographs and includes three introductory essays on Islamic art in the Mediterranean', Gharb al-Andalus: a brief history' and The far west of Iberia'.
In The Lands Of The Enchanted Moorish Maiden: Islamic Art in Portugal uncovers five inspired centuries of Islamic civilisation that shaped the people of the former Gharb al-Andalus. From Coimbra to the furthest reaches of the Algarve there are palaces, Christianised mosques, fortifications and urban centres, all of which bear witness to the splendour of a glorious past. This artistic recollection is the expression of a very delicate symbiosis that determined the particularities of vernacular architecture and still permeates the cultural identity of Portugal. Ten itineraries invite you to discover 76 museums, monuments and sites in Lisbon, Sintra, Coimbra, Evora, Mertola, Faro and Sesimbra (among others).
This fascinating new series will present 12 Exhibition Trails in 11 countries, which follow the chronology of the spread of Islamic art in that area. The Museum With No Frontiers programme is based on the novel idea of organising exhibitions without transporting the works of art, instead allowing the visitor to discover the artefacts, architecture and museums in their original environment and within their historical and cultural context. This concept makes it possible for the Islamic art academic or enthusiast to experience art as a living illustration of social history. Each Exhibition Trail is divided into a number of itineraries that provide detailed information on the history and significance of each structure or work and offer practical information on guided tours, transportation and cultural activities. The beautifully illustrated descriptions of the archaeological sites, artworks and architecture are written by experts in the field who live in the specified area itself. Visit the virtual gallery www.mwnf.org for further information. The exhibition is devoted to significant monuments from the reign of the Umayyad caliphs (660-750 AD) in an area that stretched from Amman to Mo
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
This travel guide and survey to Islamic art, architecture and culture in Tunisia shows the country's treasures displayed within their historical and cultural context. It includes up-to-date information, detailed descriptions of the items on display, an exhaustive historic and artistic introduction, a number of itineraries, practical information (distances, opening hours etc), and tips for appreciating the natural environment surrounding the sites. The descriptions of monuments, archaeological sites, artefacts and architecture are written by local academics and specialists.
This thematic travel guide explores the intellectual, scientific and cultural heritage seen in Mamluk architecture and decorative arts through eight suggested travel itineraries. Seven of these are one-day trips, one being two-days, around Cairo and the northern cities of Alexandria, Rosetta and Fuwa in Lower Egypt. Maps, plans and colour photographs feature prominently and the itineraries are preceded by three thematic essays providing the historical background.
MUDÉJAR ART: Islamic Aesthetics in Christian Art reveals the fascinating exuberance of a unique cultural and artistic symbiosis that characterises Christian Spain after the Reconquista. The Mudéjars were Muslims allowed to stay in the reconquered territories. Their artists and artisans strongly influenced the culture and art of the new Christian kingdoms. In Aragon, Castille, Extremadura and Andalucía sumptuously decorated brick churches, monasteries and palaces illustrate perfectly the creative endurance of Islamic forms in Christian art between the 11th and 16th centuries in Spain. Thirteen Itineraries invite to discover 124 museums, monuments and sites in Madrid, Guadalajara, Saragossa, Tordesillas, Toledo, Guadalupe and Seville (among others). 236 colour illustrations - 28 plans of monuments - 318 pages. This title is part of the series "Islamic Art in the Mediterranean". Each title in this series starts with a general introduction to the series, followed by an introduction to the particular title. For the eBook / Kindle version the "Look Inside" link gives access to the table of contents of this title and to a part of its particular introduction. For the paperback version: the "Look Inside" link provides access to the general introduction. Note: the eBook includes an index of locations.
Five nuanced and powerful historical novels depicting the clashes among Muslims, Christians, and Jews from the Crusades to twenty-first-century London. Celebrated British-Pakistani journalist and author Tariq Ali takes a mind-expanding journey through the ages with these five acclaimed works of fiction, available now in one collection. Shadows of the Pomegranate Tree: “Ali captures the humanity and splendor of Muslim Spain” in “an enthralling story, unraveled with thrift and verve” (The Independent). For the doomed Moors, the fall of Granada and the approaching forces of Christendom bring not peace but the sword. The Book of Saladin: After Saladin reclaims the holy city of Jerusalem from the Crusaders, he turns to a Jewish scribe to record his story, which Edward Said calls “a narrative for our time, haunted by distant events and characters who are closer to us than we had dreamed.” The Stone Woman: “Ali paints a vivid picture of a fading world,” proclaims the New York Times Book Review, as a distant descendant of an exiled Ottoman courtier suffers a stroke in Istanbul, and his family rushes to his side to hear his last stories. A Sultan in Palermo: In “a marvelously paced and boisterously told novel of intrigue, love, insurrection and manipulation,” cartographer Muhammad al-Idrisi is caught between his friendship with King Roger of Sicily and the resentments of his fellow Muslims (The Guardian). Night of the Golden Butterfly: A Lahore-born writer living in London is called back to his homeland by an old friend who, at seventy-five, has finally fallen in love. “If Pakistan is a land of untold stories,” writes the New Statesman, Ali is “the country’s finest historian and critic.”
