'In The Carnival of Breathin' g is a poetry chapbook comprised of eighteen lyric poems that search for humor and hope in loss and degradation. It won the Fall 2009 Black River Chapbook Competition.
As kids they steered clear of one another--but now a beautiful, well-connected reporter and a sexy, driven detective are all grown-up and on the job. . . Moira O'Leary's work as a reporter gives her access to some of Chicago's swankiest soirées. She knows how to navigate the jet-set crowd, and her style and confidence help her blend right in. But when her childhood crush starts popping up at posh events, her poise begins to falter--until she realizes she has the upper hand in a high-stakes game of secrets and seduction. . . Jimmy O'Malley has always tried to avoid his friend Liam's little sister. Something about Moira spelled trouble. But he's out of his element working undercover in Chicago's high society, and Moira is his ticket to the inner circle. As sparks begin to fly--and their chemistry heats up--Moira gets dangerously close to his investigation. Will Jimmy be forced to push her away to keep her safe--or will they surrender to a desire that could leave them breathless? 100,897 Words
"Lydia Peelle has given us a collection of stories so artfully constructed and deeply imagined they read like classics. It marks the beginning of what will surely be a long and beautiful career." —Ann Patchett In Reasons for and Advantages of Breathing, Lydia Peelle brings together eight brilliant stories—two of which won Pushcart Prizes and one of which won an O. Henry Prize—that peer straight into the human heart. In startling and original prose, she examines lives derailed by the loss of a vital connection to the land and to the natural world of which they are a part. Reasons for and Advantages of Breathing conveys an almost Faulknerian ache for the pre-modern South, for a landscape and a way of life lost to the ravages of money and technology.
This book is an informal autobiography by John West MD PhD. He obtained his medical degree in Adelaide, Australia and then spent 15 years mainly at the Royal Postgraduate Medical School, Hammersmith Hospital in London where he, with others, used radioactive oxygen-15 to make the first description of the uneven regional distribution of blood flow in the lung. In 1960-1961, he was a member of the Himalayan Scientific and Mountaineering Expedition led by Sir Edmund Hillary who had made the first ascent of Mt Everest 7 years before. During the expedition about 6 scientists spent up to three months at an altitude of 5800 m studying the effects of this very high altitude on human physiology. Because of his interests in the effects of gravity on the lung, Dr. West spent a year at the NASA Ames Research Center in Mountain View, California in 1967-1968. While there he submitted a proposal to NASA to measure pulmonary function of astronauts in space, and this was funded. Later, in 1981 he organized the American Medical Research Expedition to Everest during which the first measurements of human physiology on the summit, altitude 8848 m, were obtained. In the 1990’s, Dr. West’s team made the first comprehensive measurements of pulmonary function of astronauts in space using SpaceLab which was taken up in the Shuttle.
The author, Helen M. Morris, was raised in a thriving ethnic neighborhood of northeast Philadelphia, PA. In this autobiography published in her 94th year, she shares her tales of childhood, family, school, romance, marriage and faith with love, understanding and humor. The story is sprinkled with her poetry, verses which seem to appear for every occasion. It is a personal history, but much shared by many of today?s "greatest generation". Many additional poems, spanning nearly ninety years of inspiration, are included following the text. We may find ourselves figuratively bumping into the author as she walks the streets of every decade of the twentieth century, and beyond.
breathing room was a two year project embarked upon by buffalo essayist, columnist and radio host tom waters. he wanted to give the poems 'some room to breath on their own' to see if they'd flourish if given their own headspace. his resume isn't really important right now, but you can read more about his other 444 projects at: www.tomfoolery4.wordpress.com
In the fourth and final volume of the Riders of Apocalypse series, high school senior Xander Atwood has a secret. Death, the Pale Rider, has lost his way. What happens when the two meet will change the fate of the world.
THE NECTAR OF THIS BREATH - explores the liminal space between poetry and meditation. Many of the poems are prompts for contemplative practice, either by individuals or groups. They unite the mind with the heart, reaching even into our cell physiology to refresh the weary body with "the nectar of this breath." Without using esoteric or religious terminology, these poems probe the most subtle science of breathing, a spiritual practice handed down through wisdom traditions of both East and West. There are also longer poems, full of humor and rebellion, breaking into ecstatic incantation in the tradition of Walt Whitman and the Beats. The book gently reminds us that the same power who spins the galaxies and sings the stars comes to indwell us as our very breath, "and the dignity of this inhalation, how it softly places the spirit in each cell of your flesh, is your Lover's secret name."
Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered in his lifetime. With the collapse of the Soviet system, a truer sense of Bakhtin's contribution may now be judged in the context of its origins and its contemporary Russian "reclamation." A foremost Bakhtin authority, Caryl Emerson mines extensive Russian sources to explore Bakhtin's reception in Russia, from his earliest publication in 1929 until his death, and his posthumous rediscovery. After a reception-history of Bakhtin's published work, she examines the role of his ideas in the post-Stalinist revival of the Russian literary profession, concentrating on the most provocative rethinkings of three major concepts in his world: dialogue and polyphony; carnival; and "outsideness," a position Bakhtin considered essential to both ethics and aesthetics. Finally, she speculates on the future of Bakhtin's method, which was much more than a tool of criticism: it will "tell you how to teach, write, live, talk, think."