As seen on The TODAY Show! Moms are amazing! The care, support, and love they give make us stronger, smarter, kinder, and happier. Every mom is unique and special, so celebrate them with this beautiful picture book written by the married team of Sarah Kate Ellis, the president and CEO of GLAAD, and musician Kristen Ellis-Henderson. "All Moms is such a special and important book for young readers, because more than ever, it's key that we teach our children to have love and compassion for others. This book reminds kids and families that all moms are superheroes, no matter how they look, what they do for work, or where they come from." -Melissa Etheridge, GRAMMY and Academy Award-winning singer-songwriter "Married coauthors Ellis, a GLAAD executive, and Ellis-Henderson, a musician, offer an expansive view of motherhood in this stylish homage. Matching the energy of the text's rhyming prose, Rambaldi's hip illustrations busily burst with life, depicting parents and children with varying abilities, gender expressions, skin tones, and body types... With their inclusive focus, this well-matched trio show that above all, it's kindness and care that define 'mom.'" -Publishers Weekly All Moms is a love letter to mommies. Moms make us laugh. Moms read us stories. Moms snuggle us when we're sad, and help us grow. Some moms are silly, some are sporty or crafty, but all moms are incredible. Moms can do anything! Created in partnership with GLAAD, this inclusive picture book features and celebrates all different types of mommies and the amazing things they do.
THE INSTANT NEW YORK TIMES BESTSELLER The alternate history first contact adventure Axiom's End is an extraordinary debut from Hugo finalist and video essayist Lindsay Ellis. Truth is a human right. It’s fall 2007. A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn’t spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government—and with him in hiding, that attention is on her. She neither knows nor cares whether her father’s leaks are a hoax, and wants nothing to do with him—until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades. Realizing the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to uncover the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. Their otherworldly connection will change everything she thought she knew about being human—and could unleash a force more sinister than she ever imagined.
With The Respondent: Exposing the Cartel of Family Law, Hollywood veteran Greg Ellis delivers a gripping, unvarnished first-person account of family breakdown and the social, political, and legal forces that are fueling this national health emergency. It further exposes and condemns a gender bias that presumes that fathers are less effective caregivers. Family breakdown is the single greatest threat to American society. Every day, more than 4,000 children lose a parent because of our archaic and inhumane family-court system. Every day, ten divorced men commit suicide. And now, one in three children in our country are without their father. The Respondent is Ellis's personal story about a Hollywood dream razed by internal and external forces. Part memoir, part meditation, and part manifesto, it's a timely and heartrending portrait of perhaps the most misunderstood aspect of the American legal system. Through its candor and moral strength, The Respondent offers guidance and hope. As such, it's an indispensable read for not only parents enduring the grief of child separation, but all interested in learning about the gross overreach and unrelenting brutality of family law.
Celebrated accounts of lawless towns that relied on the extra-legal justice of armed citizens and hired gunmen are part of the enduring cultural legacy of the American West. This work presents a case study of law and legal culture in Lincoln County, Nebraska, during the nineteenth century. It also examines legal institutions on the Great Plains.
Infused with real-life examples, self-analysis exercises, and advice from an industry professional, Rip the Resume is more than a "how to write a better resume" book; it's a proven system designed to challenge job seekers to take complete control and responsibility during a job search. Follow a ground-breaking roadmap on your journey to becoming the candidate that employers are seeking-whether you are a millennial looking to launch an exciting and fulfilling career or an experienced individual exploring greater career opportunities. Rip the Resume provides the tools you need to transform yourself into the candidate that employers are searching for: Cutting-edge guidance for job seekers in any field Vital resume deconstruction techniques to highlight important areas and downplay others to render a stronger document Winning conversation strategies to make a lasting impression during the interview Practical advice for using social media wisely, both in the job search and in building your personal brand. Rip the Resume is based on best practices and concepts that strengthen ANY job search.
Own it, snowflakes: you've lost everything you claim to hold dear. White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art—or his life, for that matter—is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."—Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."—Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."—Bari Weiss, The New York Times
On a sunny fall afternoon in 1988, Jon Sarkin was playing golf when, without a whisper of warning, his life changed forever. As he bent down to pick up his golf ball, something strange and massive happened inside his head; part of his brain seemed to unhinge, to split apart and float away. For an utterly inexplicable reason, a tiny blood vessel, thin as a thread, deep inside the folds of his gray matter had suddenly shifted ever so slightly, rubbing up against his acoustic nerve. Any noise now caused him excruciating pain. After months of seeking treatment to no avail, in desperation Sarkin resorted to radical deep-brain surgery, which seemed to go well until during recovery his brain began to bleed and he suffered a major stroke. When he awoke, he was a different man. Before the stroke, he was a calm, disciplined chiropractor, a happily married husband and father of a newborn son. Now he was transformed into a volatile and wildly exuberant obsessive, seized by a manic desire to create art, devoting virtually all his waking hours to furiously drawing, painting, and writing poems and letters to himself, strangely detached from his wife and child, and unable to return to his normal working life. His sense of self had been shattered, his intellect intact but his way of being drastically altered. His art became a relentless quest for the right words and pictures to unlock the secrets of how to live this strange new life. And what was even stranger was that he remembered his former self. In a beautifully crafted narrative, award-winning journalist and Pulitzer Prize finalist Amy Ellis Nutt interweaves Sarkin’s remarkable story with a fascinating tour of the history of and latest findings in neuroscience and evolution that illuminate how the brain produces, from its web of billions of neurons and chaos of liquid electrical pulses, the richness of human experience that makes us who we are. Nutt brings vividly to life pivotal moments of discovery in neuroscience, from the shocking “rebirth” of a young girl hanged in 1650 to the first autopsy of an autistic savant’s brain, and the extraordinary true stories of people whose personalities and cognitive abilities were dramatically altered by brain trauma, often in shocking ways. Probing recent revelations about the workings of creativity in the brain and the role of art in the evolution of human intelligence, she reveals how Jon Sarkin’s obsessive need to create mirrors the earliest function of art in the brain. Introducing major findings about how our sense of self transcends the bounds of our own bodies, she explores how it is that the brain generates an individual “self” and how, if damage to our brains can so alter who we are, we can nonetheless be said to have a soul. For Jon Sarkin, with his personality and sense of self permanently altered, making art became his bridge back to life, a means of reassembling from the shards of his former self a new man who could rejoin his family and fashion a viable life. He is now an acclaimed artist who exhibits at some of the country’s most prestigious venues, as well as a devoted husband to his wife, Kim, and father to their three children. At once wrenching and inspiring, this is a story of the remarkable human capacity to overcome the most daunting obstacles and of the extraordinary workings of the human mind.
INTERNATIONAL BESTSELLER • The New York Times bestselling author of American Psycho delivers a riveting, tour-de-force sequel to Less Than Zero, set on the seedy side of Los Angeles. • "A haunting vision of disillusionment, twenty-first-century style" (People). Returning to Los Angeles from New York, Clay, now a successful screenwriter, is casting his new movie. Soon he is running with his old circle of friends through L.A.’s seedy side. His ex-girlfriend, Blair, is married to Trent, a bisexual philanderer and influential manager. Then there's Julian, a recovering addict, and Rip, a former dealer. Then when Clay meets a gorgeous young actress who will stop at nothing to be in his movie, his own dark past begins to shine through, and he has no choice but to dive into the recesses of his character and come to terms with his proclivity for betrayal. Look for Bret Easton Ellis’s new novel, The Shards!
Through the Self-Help Glass -- Very Darkly Meet Ashton Robinson, a dashing playboy whose suave charm, worldly pretensions, and ecstatic seminars have made him one of the most successful motivational speakers in the country. After an encounter with the synergistic effects of marijuana and expired cough syrup, Robinson renounces his life as a self-help icon and pronounces himself a spiritually enlightened master. Overnight he invents the world's newest religion, based on meditation, bungee-cord jumping, tantric sex, and The Gap. Has he stumbled upon one of the great truths of the universe? Or has the same outsized ego that fueled his success as a motivational speaker driven him over the edge? With surgical wit and acuity, Trey Ellis has written a titillating and trenchant tale about the revivalist fervor of the American self-help industry. Right Here, Right Now is a corrosively funny and provocative exploration of the impulse to self-improvement -- one of the most salient features of American popular culture at the close of the twentieth century.
