The beautiful, true story of the 12-year-old girl who in 1902 died a martyr to preserve her purity. Describes her virtuous life, poverty, holiness, valiant resistance, heroic and lingering death, conversion of her murderer and canonization in 1950 with her mother, her murderer and over 500,000 present. This is the famous, popular, classic biography! This is a good book to read to children, so they have someone worthwhile to imitate. By having Maria put before them as a model, they will learn to appreciate the virtue of purity. For a child to imitate the saints, he or she must first love them -- which in turn requires knowing them. Get your children acquainted with one of the greatest saints of the twentieth century!
St. Maria Goretti was only a child when she died a martyr’s death. Yet today, she inspires millions who find in her a perfect model of purity and holiness. Read here about her great holiness in the midst of tremendous suffering , how she died at the hands of a vicious murderer who tried to defile her purity, and how she visited this very same murderer years later in his jail cell to forgive him. Fr. Jeffrey Kirby examines the life of this little saint as he reflects on the Beatitudes and how she, along with her family, lived them each day. In a world where purity is corrupted in the darkness of the night and mercy is abandoned in the name of vengeance, let us turn to St. Maria Goretti and see her as the dawn of a new day, where the light of Christ shines on each of us and guides us into His Kingdom.
“Maria Goretti, now a Saint, was my good Angel, sent to me through Providence to guide and save me. I still have impressed upon my heart her words of rebuke and pardon. She prayed for me, she interceded for her murderer.” — Alessandro Serenelli Many people are familiar with the story of Saint Maria Goretti and her grisly murder at the age of eleven. On her deathbed, she said of her killer, “I forgive him, and I want him to be with me in heaven.” But how did her incredible forgiveness affect her murderer? While it took years, Maria’s offer of mercy eventually transformed Alessandro’s life. Alessandro’s story has never been fully told — until now. Alessandro Serenelli: A Story of Forgiveness is a captivating story of mercy and forgiveness, both given and accepted. Learn about Alessandro’s difficult childhood, the murder of Maria, his prison sentence, his conversion as a result of Maria’s intercession, and the final years of his life with a Capuchin community. Through his life story, you’ll gain a new understanding of the nature of repentance and of God’s patience and unfailing love.
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.
'Captivates, inspires and ultimately enriches' Heather Morris, author of The Tattooist of Auschwitz Nominated for the CILIP CARNEGIE MEDAL 2019 As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients. Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival. Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive? Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose? One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.
"I remember the day I lost my spirit." So begins the story of Gertrude Simmons, also known as Zitkala-Ša, which means Red Bird. Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Ša willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds—white and Native American. At school she missed her mother and her traditional life, but Zitkala-Ša found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Ša found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Ša’s life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Ša, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."
A NEW YORKER BEST BOOK OF THE YEAR • A sweeping and captivatingly told history of clothing and the stuff it is made of—an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet. “We learn that, if we were a bit more curious about our clothes, they would offer us rich, interesting and often surprising insights into human history...a deep and sustained inquiry into the origins of what we wear, and what we have worn for the past 500 years." —The Washington Post In this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and where they come from, illuminating our world in unexpected ways. She takes us from the opulent court of Louis XIV to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed with lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast-fashion brands. Thanhauser makes clear how the clothing industry has become one of the planet’s worst polluters and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear. Drawn from years of intensive research and reporting from around the world, and brimming with fascinating stories, Worn reveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories. It comes, as well, from deep in our histories.
