From the author of the Chanters of Tremaris series comes a contemporary time travel fantasy, grounded in the landscape of Australia Beginning and ending, always the same, always now. The game, the story, the riddle, hiding and seeking. Crow comes from this place; this place comes from Crow. And Crow has work for you. Sadie isn't thrilled when her mother drags her from the city to live in the country town of Boort. But soon she starts making connections--with the country, with the past, with two boys, Lachie and Walter, and, most surprisingly, with the ever-present crows. When Sadie is tumbled ba.
When Mike Wakefield's business partner absconded with their printing firm's money, Mike and his wife Stephanie feared bankruptcy. Detective Inspector Sloan is at first tasked with what appears to be a cut-and-dry case of embezzlement, but that is before unsettling events - tyres slashed, bricks through windows - make it clear that someone is really gunning for him. However, Mike Wakefield was determined to finish a print job that had been in hand for a while in time for a launch party at the grand setting of Ornum House. All goes according to plan until one of Mike's employees was found dead . And he wasn't the only casualty. DI Sloan and DC Crosby have a tangled set of motives and some devious chicanery to unpick to discover a killer.
In 1912 the average Irish Constable was a generally useful member of society, filling in numerous forms in the role of minor bureaucrat, and pursuing petty criminals. He had little to do with firearms. By 1922 he had become an outcast to many and a friend to few. Those who thought his treatment unjust were generally unwilling to take the risk of saying so. This is the story of how an average country policeman was caught up in the swirl of political movements which led to murderous violence. I look at the social and political contexts of historical events. Caught between the hammer of IRA violence and the anvil of government obduracy, the regular constables became sacrifices to political expediency. Using the police career of John Hennigan as a framework, this book follows public events in chronological order while bringing to mind the little details of everyday live.
Police Matters moves beyond the city to examine the intertwined nature of police and caste in the Tamil countryside. Radha Kumar argues that the colonial police deployed rigid notions of caste in their everyday tasks, refashioning rural identities in a process that has cast long postcolonial shadows. Kumar draws on previously unexplored police archives to enter the dusty streets and market squares where local constables walked, following their gaze and observing their actions towards potential subversives. Station records present a textured view of ordinary interactions between police and society, showing that state coercion was not only exceptional and spectacular; it was also subtle and continuous, woven into everyday life. The colonial police categorized Indian subjects based on caste to ensure the security of agriculture and trade, and thus the smooth running of the economy. Among policemen and among the objects of their coercive gaze, caste became a particularly salient form of identity in the politics of public spaces. Police Matters demonstrates that, without doubt, modern caste politics have both been shaped by, and shaped, state policing. Thanks to generous funding from the Andrew W. Mellon Foundation, through The Sustainable History Monograph Pilot, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
The first comprehensive guide to Constable's lesser-known but significant works inspired by the bustling Regency resort of Brighton. There was more to John Constable's art than the great rural landscapes for which he is famous. This lavishly illustrated book focuses on a largely overlooked element in his life - his close and artistically rewarding relationship with the boisterous resort of Brighton during the years 1824-28. He went in search of healthy air for his ailing wife Maria and the peace to help him clear a backlog of commissions, and became accustomed to painting on the beach or up by the windmills that dotted the Sussex Downs. More than 100 small, vivid studies from these walks exist, most dashed off outside in all weathers, some that are almost abstract responses to storms or the light on the sea. This book assembles the most complete collection of these Brighton sketches ever published, some of them only recently discovered. Regency Brighton - what was then the largest and most fashionable resort in Europe - is also explored through maps and prints, tracing the routes Constable took through the developing town. His great contemporary, Turner, was also active there in the mid-1820s, and a range of contrasting views by both artists is featured here. AUTHOR: Shan Lancaster is a writer, editor and researcher. As a freelance journalist she has written for most national newspaper titles and as a researcher she has collaborated on numerous book developments, and television and film scripts, including the BBC Four television documentary Constable: A Country Rebel, first aired in 2014. Her research originally identified the exact location of Constable's lodgings at 9 Sober's Gardens, now 11 Sillwood Road, Brighton, and marked with a Blue Plaque. SELLING POINTS: * Features the most comprehensive selection of Constable's Brighton studies ever assembled, including works from private collections never published before * Contains an exquisite bonus selection of Turner's marine studies of Brighton from the same period, alongside authoritative texts on both artists * A beautifully illustrated book written to accompany a major exhibition, Constable and Brighton, at Brighton Museum and Art Gallery in 2017 150 colour
A coming-of-age story for younger teens, set in New Guinea around the time of independence. Julie's grown up not knowing her father. When she comes to stay with him one long summer, she learns to appreciate not only her long-lost father and his love of flying, but also New Guinea itself and the people she meets.
