Art in California

Art in California

Author: Jenni Sorkin

Publisher: Thames & Hudson

Published: 2021-09-16

Total Pages: 475

ISBN-13: 050077613X

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An introduction to the rich and diverse art of California, this book highlights its distinctive role in the history of American art, from early-20th-century photography to Chicanx mural painting, the Fiber Art Movement and beyond. Shaped by a compelling network of geopolitical influences including waves of migration and exchange from the Pacific Rim and Mexico, the influx of African Americans immediately after World War II, and global immigration after quotas were lifted in the 1960s, California is a centre of artistic activity whose influence extends far beyond its physical boundaries. Furthermore, California was at the forefront of radical developments in artistic culture, most notably conceptual art and feminism, and its education system continues to nurture and encourage avant-garde creativity. Organized chronologically and thematically with illustrations throughout, this attractive study stands as an important reassessment of Californias contribution to modern and contemporary art in the United States and globally.


Aesop in California

Aesop in California

Author: Doug Hansen

Publisher: Heyday Books

Published: 2013

Total Pages: 37

ISBN-13: 9781597142359

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A collection of Aesop's fables, retold and illustrated to feature places and creatures in California. Includes historical notes about Aesop and the tales, and facts about the animals and locations photographed.


The Religion of the Indians of California

The Religion of the Indians of California

Author: A. L. Kroeber

Publisher: DigiCat

Published: 2022-08-10

Total Pages: 46

ISBN-13:

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This book gives an account of the religion of the Indians of California. It describes the religion as very similar to that of savage and uncivilized races the world over. Like all such peoples, the California Indians were in an animistic state of mind, in which they attributed life, intelligence, and especially supernatural power, to virtually all living and lifeless things. They lacked no less the ideas and practices of shamanism, the universal accompaniment of animism: namely, the belief that certain men, through communication with the animate supernatural world, had the power to accomplish what was contrary to, or rather above, the events of daily ordinary experience, which latter in so far as they were distinguished from the happenings caused by supernatural agencies, were of natural, meaningless, and, as it were, accidental origin. As in most parts of the world, belief in shamanistic power was centered most strongly on disease and death, which among most tribes were not only believed to be dispellable but to be entirely caused by shamans. In common with the other American Indians, those of California made dancing, and with it always singing, a conspicuous part of nearly all their ceremonies that were of a public or tribal nature. They differed from almost all other tribes of North America by showing a much weaker development of ritualism, and symbolism shading into pictography, which constitute perhaps the most distinctive feature of the religion of the Americans as a whole.