Improvisation the Michael Chekhov Way
Improvisation the Michael Chekhov Way

Author: Wil Kilroy

Publisher: Taylor & Francis

Published: 2023-11-27

Total Pages: 195

ISBN-13: 1000985067

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Improvisation the Michael Chekhov Way: Active Exploration of Acting Techniques provides readers with dozens of improvisational exercises based on the acting techniques of Michael Chekhov. The book features key exercises that will help the actor explore improvisation and expand their imagination through the technique. Exercises that have been successfully taught for decades via the intensive trainings from the National Michael Chekhov Association are now clearly laid out in this book, along with information on how these performance-based techniques can be applied to a script and even provide life benefits. Guidance on how to use the exercises both in a group setting and as an individual is provided, as well as tools for lesson plans for up to a year of actor training. These step-by-step exercises will allow readers to expand their range of expression, discover the joy of creating unique characters, improve stage presence and presentation skills, and find new, creative ways to look at life. Improvisation the Michael Chekhov Way is written to be used by individual actors and practitioners and in group settings such as acting or improvisation courses, and to benefit anyone wishing to enhance their creativity and imagination.

Improvisation the Michael Chekhov Way
Improvisation the Michael Chekhov Way

Author: Wil Kilroy

Publisher:

Published: 2023-10

Total Pages: 0

ISBN-13: 9781003362098

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"Improvisation the Michael Chekhov Way: Active Exploration of Acting Techniques provides readers with dozens of improvisational exercises based on the acting techniques of Michael Chekhov. The book features key exercises that will help the actor explore improvisation and expand their imagination through the technique. Exercises that have been successfully taught for decades via the intensive trainings from the National Michael Chekhov Association are now clearly laid out in this book, along with information on how these performance-based techniques can be applied to a script and even provide life benefits. Guidance on how to use the exercises both in a group setting and as an individual is provided, as well as tools for lesson plans for up to a year of actor training. These step-by-step exercises will allow readers to expand their range of expression, discover the joy of creating unique characters, improve stage presence and presentation skills, and find new, creative ways to look at life. Improvisation the Michael Chekhov Way is written to be used both by individual actor practitioners and in group settings, such as Acting or Improvisation courses"--

To the Actor
To the Actor

Author: Michael Chekhov

Publisher: Ravenio Books

Published:

Total Pages: 226

ISBN-13:

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In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen.

The Michael Chekhov Handbook
The Michael Chekhov Handbook

Author: Lenard Petit

Publisher: Routledge

Published: 2009-09-10

Total Pages: 193

ISBN-13: 1135277362

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'Petit's words go right to the heart of Chekhov's technique ... Anyone looking for a key to understanding more about Michael Chekhov's technique will devour it.' – Jessica Cerullo, Michael Chekhov Association, NYC The Michael Chekhov technique is today seen as one of the most influential and inspiring methods of actor training in existence. In The Michael Chekhov Handbook, Lenard Petit draws on twenty years of teaching experience to unlock and illuminate this often complex technique. Petit uses four sections to guide those studying, working with or encountering Chekhov's approach for the first time: the aims of the technique – outlining the real aims of the actor the principles – acting with energy, imagination and creative power the tools – the actor’s use of the body and sensation the application – bringing the technique into practice The Michael Chekhov Handbook’s explanations and exercises will provide readers with the essential tools they need to put the rewarding principles of this technique into use. Lenard Petit is the Artistic Director of The Michael Chekhov Acting Studio in New York City. He teaches Chekhov Technique in the MFA and BFA Acting programs at Rutgers University. He was a contributor and co-creator of the DVD, Master Classes in The Michael Chekhov Technique, published by Routledge.

Body Voice Imagination
Body Voice Imagination

Author: David Zinder

Publisher: Routledge

Published: 2013-10-15

Total Pages: 332

ISBN-13: 1134043295

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David Zinder’s Body Voice Imagination is written by one of the master teachers of the Michael Chekhov technique of acting training. This book is a comprehensive course of exercises devoted to the development of actors’ creative expressivity, comprising both pre-Chekhov ImageWork Training and seminal exercises of the Chekhov technique. It also details the way in which these techniques can be applied to performance through a discovery of the profound connections between the actor’s body, imagination and voice.

Michael Chekhov Technique in the Twenty-First Century
Michael Chekhov Technique in the Twenty-First Century

Author: Cass Fleming

Publisher: Bloomsbury Publishing

Published: 2020-10-15

Total Pages: 225

ISBN-13: 1474273203

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The culmination of an innovative practice research project, Michael Chekhov in the Twenty-First Century: New Pathways draws on historical writings and archival materials to investigate how Chekhov's technique can be used across the disciplines of contemporary performance and applied practice. In contrast to the narrow, actor training-only analysis that dominated 20th-century explorations of the technique, authors Cass Fleming and Tom Cornford, along with contributors Caoimhe McAvinchey, Roanna Mitchell, Daron Oram and Sinéad Rushe, focus on devising, directing and collective creation, dramaturgy and collaborative playwriting, scenography, voice, movement and dance, as well as socially-engaged and therapeutic practices, all of which are at the forefront of international theatre-making. The book collectively offers a thorough and fascinating investigation into new uses of Michael Chekhov's technique, providing practical strategies and principles alongside theoretical discussion.

Lessons for the Professional Actor
Lessons for the Professional Actor

Author: Michael Chekhov

Publisher: New York : Performing Arts Journal Publications

Published: 1985

Total Pages: 0

ISBN-13: 9780933826809

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Extraordinary lectures, including exercises.--Call Board

Michael Chekhov’s Acting Technique
Michael Chekhov’s Acting Technique

Author: Sinéad Rushe

Publisher: Bloomsbury Publishing

Published: 2019-01-24

Total Pages: 357

ISBN-13: 1472503465

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Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Sinéad Rushe's book provides a complete overview of the whole method, and includes illuminating explanations of its principles, as well as a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of the ideas that underpin the work, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both orient an actor's training routine and be applied directly to the development of a role. Part Three focuses on more specific and elaborate methods of scene work, characterisation and the art of transformation. Drawing on the full range of Chekhov's writing in English and French, this book also examines unpublished material from the Dartington Hall archives and features interviews with actors who have worked with the technique, including Simon Callow and Joanna Merlin. It illustrates Chekhov's approach by referring to Rushe's own productions of Nikolai Gogol's short story Diary of a Madman and Shakespeare's Othello, as well as characters and scenes in Sarah Kane's Blasted and the contemporary American television series Breaking Bad. Michael Chekhov's Acting Technique is an accessible, comprehensive and contemporary point of reference for those already trained in the method, as well as an initiation and toolkit for practitioners who are just beginning to discover it.

Michael Chekhov’s Acting Technique
Michael Chekhov’s Acting Technique

Author: Sinéad Rushe

Publisher: Bloomsbury Publishing

Published: 2019-01-24

Total Pages: 208

ISBN-13: 1472503473

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Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Sinéad Rushe's book provides a complete overview of the whole method, and includes illuminating explanations of its principles, as well as a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of the ideas that underpin the work, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both orient an actor's training routine and be applied directly to the development of a role. Part Three focuses on more specific and elaborate methods of scene work, characterisation and the art of transformation. Drawing on the full range of Chekhov's writing in English and French, this book also examines unpublished material from the Dartington Hall archives and features interviews with actors who have worked with the technique, including Simon Callow and Joanna Merlin. It illustrates Chekhov's approach by referring to Rushe's own productions of Nikolai Gogol's short story Diary of a Madman and Shakespeare's Othello, as well as characters and scenes in Sarah Kane's Blasted and the contemporary American television series Breaking Bad. Michael Chekhov's Acting Technique is an accessible, comprehensive and contemporary point of reference for those already trained in the method, as well as an initiation and toolkit for practitioners who are just beginning to discover it.

The Routledge Companion to Michael Chekhov
The Routledge Companion to Michael Chekhov

Author: Marie Christine Autant Mathieu

Publisher: Routledge

Published: 2015-05-15

Total Pages: 564

ISBN-13: 1317506855

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The Routledge Companion to Michael Chekhov brings together Chekhov specialists from around the world - theatre practitioners, theorists, historians and archivists – to provide an astonishingly comprehensive assessment of his life, work and legacy. This volume aims to connect East and West; theatre theory and practice. It reconsiders the history of Chekhov’s acting method, directing and pedagogy, using the archival documents found across the globe: in Russia, England, America, Germany, Lithuania and Switzerland. It presents Chekhov’s legacy and ideas in the framework of interdisciplinary theatre practices and theories, as well as at the crossroads of cultures, in the context of his forays into such areas as Western mime and Asian cosmology. This remarkable Companion, thoughtfully edited by two leading Chekhov scholars, will prove invaluable to students and scholars of theatre, theatre practitioners and theoreticians, and specialists in Slavic and transcultural studies. Marie-Christine Autant-Mathieu is Director of Research at the National Center For Scientific Research, and Assistant-Director of Sorbonne-CNRS Institute EUR’ORBEM. She is an historian of theatre and specialist in Russian and Soviet theatre. Yana Meerzon is Associate Professor in the Department of Theatre, University of Ottawa. Her book publications include Adapting Chekhov: The Text and Its Mutations, co-edited with Professor J. Douglas Clayton, University of Ottawa (Routlegde, 2012).