This is the first English translation of Federico Garci· Lorc·'s Impressions and Landscapes published in 1918 in which the Spanish writer shows his early promise as a young artist. In this work he reveals the ideas and experimental stylistic features that characterize his later writings. The introduction provides historical, literary, and cultural background of Lorc·'s time, and the notes supply explanations about uncommon Spanish and foreign references in these essays.
Sketches of Spain is the first published work of one of the twentieth century's greatest writers, a collection of finely-honed meditations on the country's art and architecture, landscapes and history, infused with all the passion and excitement of a young writer finding his voice.
The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources.
Demonstrating the roles that memory and imagination can play in harnessing our creative potential, Kaaren Poole’s step-by-step instructions show how with a little time anyone can paint beautiful landscapes. Begin with an overview of basic color theory, and move on to learn how to represent individual landscape elements, from water and snow to shrubs and brambles. From drawing in perspective and brush technique to choosing and mixing paints, the eight delightful practice projects pull all of the lessons together. Try out the "Love of Lavender” composition with its marching rows of lavender on gently rolling hills, or the "Autumn Jewel,” complete with a nostalgic covered bridge.
"Studies in repetition and order, orchestrations of movement in the landscape, and elements placed in geometric conversation," is how author Mary Myers describes the twenty-five-year career of San Francisco-based landscape architect Andrea Cochran. Poetic language suits these functional and often lyrical works of art. They are sensuous, captivating oases that absorb the eye in a totality of spatial composition. Andrea Cochran: Landscapes presents eleven residential, commercial, and institutional landscape projects in detail, including Walden Studios in Alexander Valley, California; the sculpture garden for the Portland Art Museum in Portland, Oregon; and the award-winning Children's Garden in San Francisco. Andrea Cochran seeks to put her clients' individual narratives in conversation with the land. Her work is distinguished by its careful consideration of site, climate, and existing architecture. A stacked plane of planters, each housing a different variety of succulent, mimics the compression found in hills banked against each other in the distance. Drawing on an encyclopedic knowledge of plant species, Cochran uses vegetation to blur edges, and porous and permeable materials to create grade changes that enlighten and disappear. Materials such as COR-TEN steel allow her to draw boundaries on the land with ultrathin edges while also reflecting the earthy tones of the soil beneath. Cochran's landscapes are clean, but not cold. In her hands, polished black concrete becomes both a quiet reflection of the sky and an instrument to amplify the sound of falling rain; locally quarried stone walls reflect the border walls between valley farms; twisted forms of olive respond to the spreading California oaks dotting distant hills. A combination of harmony, wonder, and surprise awaits wherever her sharp geometry and vibrant plant life meet. Featuring stunning photography, drawings, plans, and an essay by San Francisco Museum of Modern Art curator Henry Urbach, Andrea Cochran: Landscapes celebrates the first twenty-five years of a highly intuitive and reflective creative process.
The Colorado Plateau, spanning across the borders of four states, is a region that boasts an amazing diversity of landforms. Over the past 40 years, master photographer Barnbaum has visited this region repeatedly. During these visits he has discovered an endless array of awe-inspiring subjects to photograph.
From the powdery peaks of Mount Ogden to the dramatic formations of Canyonlands and Arches National Parks, from the striking Red Mountains and the austere San Rafael Desert to the cool waters of Glen Canyon Recreation Area, photographers Mulligan and Trimble present beautifully the diverse landscapes and cityscapes of Utah in all seasons.
