Impressionist Subjects

Impressionist Subjects

Author: Tamar Katz

Publisher: University of Illinois Press

Published: 2023-02-13

Total Pages: 264

ISBN-13: 0252054261

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Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Book chapters feature discussion of modernists including Walter Pater, George Egerton, Sarah Grand, Henry James, Joseph Conrad, Ford Madox Ford, Dorothy Richardson, and Virginia Woolf. Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.


Impressionism

Impressionism

Author: John I. Clancy

Publisher: Nova Publishers

Published: 2003

Total Pages: 242

ISBN-13: 9781590335451

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Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.


The Neo-Impressionist Portrait, 1886?1904

The Neo-Impressionist Portrait, 1886?1904

Author: Jane Block

Publisher: Yale University Press

Published: 2014-03-25

Total Pages: 257

ISBN-13: 0300190840

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"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."


Impressionism

Impressionism

Author: Robert L. Herbert

Publisher: Yale University Press

Published: 1988-01-01

Total Pages: 348

ISBN-13: 0300050836

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Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings


American Impressionism & Realism

American Impressionism & Realism

Author: Helene Barbara Weinberg

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 341

ISBN-13: 1876509996

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An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York


Childe Hassam, American Impressionist

Childe Hassam, American Impressionist

Author: Helene Barbara Weinberg

Publisher: Metropolitan Museum of Art

Published: 2004

Total Pages: 441

ISBN-13: 1588391191

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"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.


Literary Impressionism

Literary Impressionism

Author: Rebecca Bowler

Publisher: Bloomsbury Publishing

Published: 2016-09-22

Total Pages: 257

ISBN-13: 1474269060

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With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation. Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.


Impressionism

Impressionism

Author: Anne Distel

Publisher: Metropolitan Museum of Art

Published: 1974

Total Pages: 221

ISBN-13: 0870990977

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Impressionists

Impressionists

Author: Jeremy Wallis

Publisher: Heinemann-Raintree Library

Published: 2002-07-01

Total Pages: 68

ISBN-13: 9781588106421

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Discusses the characteristics of the Impressionism movement which began in the 1860s and presents biographies of fourteen Impressionist artists.


Conversations with Elmer Bischoff

Conversations with Elmer Bischoff

Author: E. Bischoff

Publisher: Рипол Классик

Published: 1991

Total Pages: 165

ISBN-13: 5874899316

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In the first interview, Bischoff discusses the UC Berkeley Dept. of Art, 1960s, 1970s; Hans Hofmann influence; thoughts on the Breakfast Group and studio critiques; "Figure with Tree," 1972; thoughts on problems and pitfalls in painting. The second interview was conducted in 1977 by Paul J. Karlstrom of the Archives of American Art, Smithsonian Institution.