Important European and American Art Collections
Author: American Art Galleries
Publisher:
Published: 1927
Total Pages: 48
ISBN-13:
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The Civil War and American Art
Author: Eleanor Jones Harvey
Publisher: Yale University Press
Published: 2012-12-03
Total Pages: 353
ISBN-13: 0300187335
DOWNLOAD EBOOKCollects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
The Smith College Museum of Art
Author: Smith College. Museum of Art
Publisher: Hudson Hills
Published: 2000
Total Pages: 252
ISBN-13: 9781555951948
DOWNLOAD EBOOKSmith College art professors Davis and Leshko showcase 100 paintings and sculptures from their institution's vaunted collection, encompassing Americans from Gilbert Stuart to Louise Nevelson and Europeans from Corot to Henry Moore. In the introduction, how and why Smith became steward of such a fine body of work is ascribed to the school's high-minded mission and its generous alumni donors. The rest of the book is divided into two sections, one American and the other European. Each individual full-color reproduction is accompanied by an informative one-page essay and a brief reading list. During several years of renovations at Smith, the items featured in this book are traveling to diverse sites, which should increase the book's appeal. 118 colour & 1 b/w illustrations
The Isabella Stewart Gardner Museum
Author: Boston, Mass. Isabella Stewart Gardner Museum
Publisher: Yale University Press
Published: 1995-01-01
Total Pages: 170
ISBN-13: 9780300063417
DOWNLOAD EBOOK"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
The Rise and Fall of American Art, 1940s–1980s
Author: Catherine Dossin
Publisher: Routledge
Published: 2016-03-03
Total Pages: 325
ISBN-13: 1317017684
DOWNLOAD EBOOKIn The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Glory of Venice
Author: Angelica Daneo
Publisher:
Published: 2016
Total Pages: 118
ISBN-13: 9780914738329
DOWNLOAD EBOOKA Concise History Of American Painting And Sculpture
Author: Matthew Baigell
Publisher: Taylor & Francis
Published: 2018-02-23
Total Pages: 462
ISBN-13: 0429971273
DOWNLOAD EBOOKThis clear, thorough, and reliable survey of American painting and sculpture from colonial times to the present day covers all the major artists and their works, outlines the social and cultural backgrounds of each period, and includes 409 illustrations integrated with the text. Although some determining factors in American art are considered, Matthew Baigell views the rich and diverse achievements of American art as the result of the efforts and talents of a pluralistic society rather than as fitting into a particular mold.This edition includes corrections and revisions to the text, an updated bibliography, and 13 new illustrations.
The Invention of the American Art Museum
Author: Kathleen Curran
Publisher: Getty Publications
Published: 2016-07-01
Total Pages: 260
ISBN-13: 1606064789
DOWNLOAD EBOOKAmerican art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Catalogue of the Art Collection
Author: Heber Reginald Bishop
Publisher:
Published: 1906
Total Pages: 500
ISBN-13:
DOWNLOAD EBOOKThe Rise and Fall of American Art, 1940s–1980s
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
Published: 2015-06-28
Total Pages: 329
ISBN-13: 1472471326
DOWNLOAD EBOOKIn The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
