The distinguished psychologist Gustav Jahoda advances the provocative thesis that racism and the perpetual alientation of a racialized "other" are central legacy of the Western tradition.
From the New York Times bestselling author of The Cartel, The Force, and The Border A New York Times, Entertainment Weekly, and Chicago Sun-Times Favorite Book of the Year “A revelation…This is Butch Cassidy and the Sundance Kid on autoload.” —Stephen King, Entertainment Weekly “Startling…Stylish…Mega-cool.” —Janet Maslin, The New York Times Ben, Chon, and O are twentysomething best friends living the dream in Southern California. Together they have made a small fortune producing premium grade marijuana, a product so potent that the Mexican Baja Cartel demands a cut. When Ben and Chon refuse to back down, the cartel kidnaps O, igniting a dizzying array of high-octane negotiations and stunning plot twists as they risk everything to free her. The result is a provocative, sexy, and darkly engrossing thrill ride, an ultracontemporary love story that will leave you breathless.
The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture. Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film's production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points. Instructors considering this book for use in a course may request an examination copy here.
This is a firsthand account of a small band of Amazonian warriors and their battle to preserve their way of life from the scourge of civilization. Joe Kane, author of Running the Amazon, returns to the river to search for the Huaorani, a nation of 1300 nomadic warriors so remote that their language is unrelated to any other on Earth. For millenia all comers have been turned away from their land, a territory in the middle of the Ecuadorian Amazon the size of Massachusetts, USA.
“Red Dawn meets Escape from New York and The Hunger Games” (Booklist) in an action-packed dystopian fantasy filled with “prose [that] is gorgeous and brilliant” and “tells a satisfyingly dark tale through alternating the two sisters’ points of view” (VOYA, starred review). It’s been nearly two decades since the Red Allies first attacked New York, and Manhattan is now a prisoner-of-war camp, ruled by Rolladin and her brutal, impulsive warlords. For Skyler Miller, Manhattan is a cage that keeps her from the world beyond the city’s borders. But for Sky’s younger sister, Phee, the POW camp is a dangerous playground of possibility, and the only home she’d ever want. When Sky and Phee discover their mom’s hidden journal from the war’s outbreak, they both realize there’s more to Manhattan—and their mother—than either of them had ever imagined. And after a group of strangers arrives at the annual POW census, the girls begin to uncover the island’s long-kept secrets. The strangers hail from England, a country supposedly destroyed by the Red Allies, and Rolladin’s lies about Manhattan’s captivity begin to unravel. Hungry for the truth, the sisters set a series of events in motion that end in the death of one of Rolladin’s guards. Now they’re outlaws, forced to join the strange Englishmen on an escape mission through Manhattan. Their flight takes them into subways haunted by cannibals, into the arms of a sadistic cult in the city’s Meatpacking District and, through the pages of their mom’s old journal, into the island’s dark and shocking past.
"I had been found feral, and despite their beautiful home... they were the same. Savages. Feral Savages. So I would treat them accordingly. I would live accordingly. I would kill accordingly." I have a secret. Okay, probably more than one. I live a delicate balance, living with the evil I know than the one I don't. I accepted that. Until they showed up. Until they brought my secret and past into the light. Until I had no choice but to accept my true fate.Sh*t. This is why you punch first and ask questions later.*Fantasy RH* Our bad*ss heroine and guardians swear a lot. As well, please be advised that the book contains darker themes including assault, PTSD, and violence. Additionally, sexual themes are suitable for mature audiences +18.
The author of Coyote Warrior demolishes myths about America’s westward expansion and uncovers the federal Indian policy that shaped the republic. What really happened in the early days of our nation? How was it possible for white settlers to march across the entire continent, inexorably claiming Native American lands for themselves? Who made it happen, and why? This gripping book tells America’s story from a new perspective, chronicling the adventures of our forefathers and showing how a legacy of repeated betrayals became the bedrock on which the republic was built. Paul VanDevelder takes as his focal point the epic federal treaty ratified in 1851 at Horse Creek, formally recognizing perpetual ownership by a dozen Native American tribes of 1.1 million square miles of the American West. The astonishing and shameful story of this broken treaty—one of 371 Indian treaties signed during the eighteenth and nineteenth centuries—reveals a pattern of fraudulent government behavior that again and again displaced Native Americans from their lands. VanDevelder describes the path that led to the genocide of the American Indian; those who participated in it, from cowboys and common folk to aristocrats and presidents; and how the history of the immoral treatment of Indians through the twentieth century has profound social, economic, and political implications for America even today. “[A] refreshingly new intellectual and legalistic approach to the complex relations between European Americans and Native Americans…. This superlative work deserves close attention…. Highly recommended.”—M. L. Tate, Choice “The haunting story stays with you well after you have turned the last page.”—Greg Grandin, author of Fordlandia
"First published in 1981 as Savages and Scientists, this book recounts the emergence of American anthropology in the nineteenth century, largely under the direction of the Smithsonian Institution. From its founding in 1846 until the emergence of university departments after the turn of the century, the Smithsonian committed the "new science" of anthropology to recording the linguistics, archaeology, and ethnology of North American Indians. As Curtis Hinsley reveals, the early anthropologists recruited by John Wesley Powell to work for the Bureau of Ethnology saw their work as a moral enterprise, an effort to measure the status of native peoples in the face of Victorian civilization. The search for scholarly rigor and respectability in this endeavor unfolds in a combined biographical, institutional, and intellectual history"--Back cover.
People often see nonhuman agents as human-like. Through the processes of anthropomorphism and humanization, people attribute human characteristics, including personalities, free will, and agency to pets, cars, gods, nature, and the like. Similarly, there are some people who often see human agents as less than human, or more object-like. In this manner, objectification describes the treatment of a human being as a thing, disregarding the person's personality and/or sentience. For example, women, medical patients, racial minorities, and people with disabilities, are often seen as animal-like or less than human through dehumanization and objectification. These two opposing forces may be a considered a continuum with anthropomorphism and humanization on one end and dehumanization and objectification on the other end. Although researchers have identified some of the antecedents and consequences of these processes, a systematic investigation of the motivations that underlie this continuum is lacking. Considerations of this continuum may have considerable implications for such areas as everyday human functioning, interactions with people, animals, and objects, violence, discrimination, relationship development, mental health, or psychopathology. The edited volume will integrate multiple theoretical and empirical approaches on this issue.