Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
“Will inspire, inform, and delight those of any age who areengaged in—or by—the arts.” — The Horn Book Renowned children’s literature authority Leonard S. Marcus speaks with twenty-one of the world’s most celebrated illustrators of picture books, asking about their childhood, their inspiration, their creative choices, and more. Amplifying these richly entertaining and thought-provoking conversations are eighty-eight full- color plates revealing each illustrator’s artistic process in fascinating, behind- the-scenes detail. This inspiring collection confirms that picture books matter because they make a difference in our children’s lives.
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Now published in a revised second edition, The Matter of Images searches through the resonances of the term ‘representation’, analysing images in terms of why they matter, what they are made of, and the material realities they refer to. Richard Dyer’s analyses consider representations of ‘out’ groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from queers to straights, political correctness, representations of Empire and films including Gilda, Papillon and The Night of the Living Dead. Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the South in Birth of a Nation, and society’s fascination with serial killers. The Matter of Images is distinctive in its commitment to writing politically about contemporary culture, while insisting on the importance of understanding the formal qualities and complexity of the images it investigates.
Suitable for advanced undergraduates and graduate students of physics, this uniquely comprehensive overview provides a rigorous, integrated treatment of physical principles and techniques related to gases, liquids, solids, and their phase transitions. 1975 edition.
"In her foreword, author Susan Seligson states what all men and women already know: "Breasts are an inexplicably big deal." Whether hidden under layers of clothing, half-revealed in the service of fashion (and flirtation) or laid brazenly bare, breasts matter. They demand response, provoke moral questions and force confrontation with the very notion of taboo. Over a period of six years, Jordan Matter photographed over 100 women bare-breasted in New York City. They varied in terms of age, education and profession. Every one was a volunteer. Every subject faced reactions to her decision to defy convention, and many confronted feelings of shame and inadequacy. But after the shoots, the women were unexpectedly euphoric--and Matter wondered just what he had uncovered. Many of the women agreed to interviews or wrote their own texts for this collection, revealing their journeys toward self-acceptance. The result is a remarkable chorus of shared experience, secret fears, optimism and wisdom. Uncovered celebrates the controversial female body. But it also honors the individual women who were willing to confront their culture and themselves. These are their images and their stories, in their own words." -- Publisher's description
What is matter? Anything that takes up space is matter. Matter can be a water, liquid, or gas. These are the states of matter. Learn about matter with this science reader that features easy-to-read text. Nonfiction text features include a glossary, index, and detailed images to facilitate close reading and help students connect back to the text. Aligned to state and national standards, the book also includes a fun and engaging science experiment to develop critical thinking and help students practice what they have learned.
Edmund Teske (1911-1996) was one of the alchemists of twentieth-century American photography. Over a sixty-year period, he created a diverse body of work that explored the expressive and emotional potentials of the medium. His drive to experiment with sophisticated techniques, such as solarization and composite printing, liberated a younger generation of American photographers; at the same time, his subject matter-sometimes abstract, often homoerotic, and always lyrical and poetic-opened up new areas for photographers to explore. Spirit into Matter is published to coincide with the first major retrospective of Teske's work, to be held at the Getty Museum from June 15 to September 19, 2004. Julian Cox provides an introduction and extensive biocritical essay on Teske that traces his long and varied career, from Chicago in the 1930s to Los Angeles, where the photographer took up residence in 1943. Cox investigates Teske's early associations with such influential figures as Frank Lloyd Wright and Paul Strand and his later associations with iconic figures including filmmaker Kenneth Anger and musicians Ramblin' Jack Elliott and the Doors. The first major study of this fascinating and influential artist, Spirit into Matter will be a dynamic source of information for students of photography, collectors, and all those with an interest in the life and culture of Southern California, where Teske worked for more than fifty years.
