Here is the straight-up dope on how to make your own clothing. With or without patterns, machines, or fancy materials?anyone can do it! Got some old clothes that you love and that fit well? Use them as patterns for new ones. Want something new and spectacular, something that fits right along where your head is moving? Cut up, remodel, add on, and let your old stuff evolve! Readers will embrace the step-by-step illustrations, clear and encouraging prose, and timeless collection of clothes?from skirts and pants to dresses, a waistcoat, and even a teeny-weeny bikini. The Illustrated Hassle-Free Make Your Own Clothes Book promises to be both an indispensable resource and a much-noticed collectible on every hipster?s bookshelf.
A hidden book discovered in a battered sea chest sweeps Lucas into the saga of a young woman traveling the Silk Road to the land of the Kazakh. Orphaned in England with few prospects, Verity is employed as a governess by the British ambassador to that fierce country. While Verity writes of her destined encounter with the powerful Khan, Lucas grapples with his brother and their lifelong rivalry as he manages their grandmother's legacy. Verity's fabled red hair draws the king's notice with fateful consequences through generations. Once a vagabond musician, Lucas now faces the same timeless questions Verity poses: questions of passion, magic, chance, and the truth of the heart.On Pandora's wedding day Zeus, the king of the gods, gave her a gift. It was a golden box decorated with jewels and precious pearls, but Zeus told Pandora she must never open the box, never. One day, unable to resist the temptation, Pandora sat down with the golden box and opened the lid just a crack. Out of the box flew all the troubles of the human world---hunger and fear, sickness and death. Pandora slammed the lid shut again, but all human grief and trouble already escaped into the world. Only one thing remained the box and didn't escape: Hope.Unfolding in alternating chapters, the lives and voices of Verity and Lucas are interwoven across time.
Sew a complete wardrobe without the hassle of pricey paper patterns! Learn to properly measure, cut, and sew for a fabulous fit every time. From a maxi skirt to a shirred blouse and even a raincoat, these projects are ideal for beginning sewists and women and girls of all sizes. Customize looks with a variety of pockets, belts, and hem bands. This entire collection costs less than a few tissue-paper patterns!
A source book for American culture in the 1960s and 1970s: “suggested reading” from the Last Whole Earth Catalog, from Thoreau to James Baldwin. The Whole Earth Catalog was a cultural touchstone of the 1960s and 1970s. The iconic cover image of the Earth viewed from space made it one of the most recognizable books on bookstore shelves. Between 1968 and 1971, almost two million copies of its various editions were sold, and not just to commune-dwellers and hippies. Millions of mainstream readers turned to the Whole Earth Catalog for practical advice and intellectual stimulation, finding everything from a review of Buckminster Fuller to recommendations for juicers. This book offers selections from eighty texts from the nearly 1,000 items of “suggested reading” in the Last Whole Earth Catalog. After an introduction that provides background information on the catalog and its founder, Stewart Brand (interesting fact: Brand got his organizational skills from a stint in the Army), the book presents the texts arranged in nine sections that echo the sections of the Whole Earth Catalog itself. Enlightening juxtapositions abound. For example, “Understanding Whole Systems” maps the holistic terrain with writings by authors from Aldo Leopold to Herbert Simon; “Land Use” features selections from Thoreau's Walden and a report from the United Nations on new energy sources; “Craft” offers excerpts from The Book of Tea and The Illustrated Hassle-Free Make Your Own Clothes Book; “Community” includes Margaret Mead and James Baldwin's odd-couple collaboration, A Rap on Race. Together, these texts offer a sourcebook for the Whole Earth culture of the 1960s and 1970s in all its infinite variety.
25 fabulous, wearable garments from only 8 simple patterns! Make a closetful of comfortable and easy go-to garments without needing tons of patterns. You need just the eight included basic templates which show you how to fold and cut for each of the 25 unique designs. The patterns are easy and adaptable with no-fuss sizing, so it's simple to sew clothes that are perfect for you. If you're a beginner sewer you'll love the basic shapes and stylish results. Once you've mastered the patterns you can get creative and make each piece your own by using a variety of fabrics, or by adding fashionable embellishments like a print lining or contrast-stitching. Fill your wardrobe in no time with these easy to make and wear garments.
Lilly loves everything about school, especially her cool teacher, Mr. Slinger. But when Lilly brings her purple plastic purse and its treasures to school and can't wait until sharing time, Mr. Slinger confiscates her prized possessions. Lilly's fury leads to revenge and then to remorse and she sets out to make amends. Lilly, the star of Chester's Way and Julius, the Baby of the World, is back. And this time she has her name in the title - something she's wanted all along. If you thought Lilly was funny before, you are in for a treat. So hurry up and start reading. Lilly can't wait for you to find out more about her.
Create a fantasy! Susan Khalje guides readers through the principles and techniques of designing, constructing, and embellishing wedding gowns and evening wear. Ideal for the bride-to-be or seamstress. Learn how to choose the right fabric, work with lace, and problem solve tricky construction issues.
Containing 2,729 entries, Kevin L. Seligman’s bibliography concentrates on books, manuals, journals, and catalogs covering a wide range of sartorial approaches over nearly five hundred years. After a historical overview, Seligman approaches his subject chronologically, listing items by century through 1799, then by decade. In this section, he deals with works on flat patterning, draping, grading, and tailoring techniques as well as on such related topics as accessories, armor, civil costumes, clerical costumes, dressmakers’ systems, fur, gloves, leather, military uniforms, and undergarments. Seligman then devotes a section to those American and English journals published for the professional tailor and dressmaker. Here, too, he includes the related areas of fur and undergarments. A section devoted to journal articles features selected articles from costume- and noncostumerelated professional journals and periodicals. The author breaks these articles down into three categories: American, English, and other. Seligman then devotes separate sections to other related areas, providing alphabetical listings of books and professional journals for costume and dance, dolls, folk and national dress, footwear, millinery, and wigmaking and hair. A section devoted to commercial pattern companies, periodicals, and catalogs is followed by an appendix covering pattern companies, publishers, and publications. In addition to full bibliographic notation, Seligman provides a library call number and library location if that information is available. The majority of the listings are annotated. Each listing is coded for identification and cross-referencing. An author index, a title index, a subject index, and a chronological index will guide readers to the material they want. Seligman’s historical review of the development of publications on the sartorial arts, professional journals, and the commercial paper pattern industry puts the bibliographical material into context. An appendix provides a cross-reference guide for research on American and English pattern companies, publishers, and publications. Given the size and scope of the bibliography, there is no other reference work even remotely like it.
Dressing Up shows why clothes made history and history can be about clothes. It imagines the Renaissance afresh by considering people's appearances: what they wore, how this made them move, what images they created, and how all this made people feel about themselves. Using an astonishing array of sources, Ulinka Rublack argues that an appreciation of people's relationship to appearances and images is essential to an understanding of what it meant to live at this time - and ever since. We read about the head accountant of a sixteenth-century merchant firm who commissioned 136 images of himself elaborately dressed across a lifetime; students arguing with their mother about which clothes they could have; or Nuremberg women wearing false braids dyed red or green. This brilliantly illustrated book draws on a range of insights across the disciplines and allows us to see an entire period in new ways. In integrating its findings into larger arguments about consumption, visual culture, the Reformation, German history, and the relationship of European and global history, it promises to re-shape the field.
