Willem Drost (1633-1659)

Willem Drost (1633-1659)

Author: Jonathan Bikker

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 244

ISBN-13: 0300105819

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"The book draws on extensive research to revise what has been known about Drost's life, his stylistically diverse oeuvre, and his influences. The artist's training and his relationship to Rembrandt and other artists in the Rembrandt circle are examined, as is his Venetian period and the relation of his style to that of German-born painter Johann Carl Loth. Drost emerges as one of Rembrandt's most talented imitators and, despite his very short career, an artist with a variety of faces."--BOOK JACKET.


Illustrated Catalogue of 300 Paintings by Old Masters

Illustrated Catalogue of 300 Paintings by Old Masters

Author: UNKNOWN. AUTHOR

Publisher: Forgotten Books

Published: 2015-07-05

Total Pages: 374

ISBN-13: 9781330765869

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Excerpt from Illustrated Catalogue of 300 Paintings by Old Masters: Of the Dutch, Flemish, Italian, French, and English Schools Being Some of the Principal Pictures Which Have at Various Times Formed Part of the Sedelmeyer Gallery On a table covered with a green velvet cloth, fringed with gold, iii. A silver ewer, a basket on which is a plate containing a ham, a golden goblet, a Delft dish containing two oranges, an open watch, a plate with oysters, a half-pared lemon, a slice of salmon, grapes, etc. Signed with monogram. Canvas, 40 in. By 33 in. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.