When auto restorer Dan Gallagher offers a tipsy Stephanie Mercer a ride home, he has no idea he'll be drawn into a mystery that will challenge his brain, his nerve, and his heart. Stephanie's husband is in a coma following a car crash, which she insists was no accident. After Dan examines the wrecked Cadillac, he has to agree. Ten years have passed since Dan's wife died, and he never expected to fall for Stephanie. He's determined to help her find out what happened to her husband, but when Dan discovers evidence that points to Stephanie's guilt, he wonders if she knows more than she's admitting. The closer Dan comes to the truth, the more he risks not only his life, but that of the woman he's come to love.
Why do some individuals pursue crime as a lifestyle? After years of incarceration, why do these offenders habitually repeat criminal behavior? In "The criminal lifestyle", Walters approaches the question of crime by examining how various biologic, sociologic, and psychologic factors interact to bring about criminal behavior. He extends the criminal career concept to include those persons who approach crime, not as an isolated incident, but as a lifelong commitment. Organized in the same manner as the study was conducted, this riveting book reviews and evaluates research, theoretical issues and practical considerations concerning crime, and develops a model of lifestyle criminality.--Jacket
The fast and easy way to pin down the sport of wrestling Wrestling is a fast-paced sport with many technicalities, rules, and ways to score points—making it difficult for spectators to follow the score and understand whistles and restarts. In Wrestling For Dummies, author and 2008 Olympic Gold medalist Henry Cejudo explains the scoring system and unique rules of wrestling to new competitors, confused parents, and fans of this ancient and captivating sport. Wrestling For Dummies also explains the rich history of the sport and covers the six styles of competitive wrestling and their distinction from the modern entertainment-based "pro wrestling." Covers Greco-Roman and freestyle wrestling Plain-English explanations of wrestling rules Details the history of wrestling Whether you're just getting started as a wrestler or enjoy it as a spectator sport, Wresting For Dummies makes this sport accessible and easy to understand.
Although the academic study of development is well established, as is also its policy implementation, less considered are the broader, more popular understandings of development that often shape agendas and priorities, particularly in representative democracies. Through its accessible and provocative chapters, Popular Representations of Development introduces the idea that while the issue of ‘development’ – defined broadly as problems of poverty and social deprivation, and the various agencies and processes seeking to address these – is normally one that is discussed by social scientists and policy makers, it also has a wider ‘popular’ dimension. Development is something that can be understood through studying literature, films, and other non-conventional forms of representation. It is also a public issue, one that has historically been associated with musical movements such as Live Aid and increasingly features in newer media such as blogs and social networking. The book connects the effort to build a more holistic understanding of development issues with an exploration of the diverse public sphere in which popular engagement with development takes place. This book gives students of development studies, media studies and geography as well as students in the humanities engaging with global development issues a variety of perspectives from different disciplines to open up this new field for discussion.
Originally published in 1993. The purpose of this volume is to lay out documents which give an estimate of Mark Twain as a humourist in both historical scope and in the analysis of modern scholars. The emphasis in this collection is on how Twain developed from a contemporary humourist among many others of his generation into a major comic writer and American spokesman and, in several more recent essays by younger Twain scholars, the outcomes of that development late in his career. The essays determine how the humor takes on meaning and importance and how the humor works in a number of ways in the literary canon and even in the persona of Mark Twain.
Colby James can't seem to escape the world of stock-car racing, her father's first love. She wanted out and at the first opportunity, left it all behind. She needed to put as much distance as possible between that life and the pain it caused. But, after years of running, her father needs her. It was time to come home and well past time to lay old ghosts to rest. Billionaire businessman Liam Lockwood does not like the unknown and usually has two or three plans for everything. He also hates being out of his element, which is where he found himself after being thrust into the chaotic world of stock-car racing. Events place Liam and Colby on a surefire collision course. Find out what happens in this sexy, high-octane romance-Full Throttle.
"Sprawling, uncoordinated, uneven, noisy, and appealing," wrote one reviewer of the first edition of this book, published on 1 January 1980. "The language is in rude health," wrote another. Exactly a decade later, here is the book anew, with the same editors but with fifty fresh contributors writing essays and poems that engage our language today. Imaginative attention is bestowed on the changes of recent years, changes not only in the language but in how language is understood. In the forefront are the relations between British English, American English, and those other Englishes with which they compete or cooperate. The nervous negotiations of gender and feminism. The darkness of AIDS. The bright flicker of the computer. The old smolderings of "standard English" and correctness. The "bad language" that has lately done so well in our society. How all this has been politicized—or is it rather that its inevitably political nature has only now been recognized? Here these and many other facets of the language catch the various light. What has changed is understood in relation to what has not changed, and what has been gained in relation to what has been lost. There is sweep as well as detail, telescope as well as microscope, in this contemplation of the world of our language as it enters the world of the 1990s. The State of the Language has been prepared in cooperation with the English-Speaking Union of San Francisco. Some titles of essays in the book: Whose English? by Sidney Greenbaum Look, Ma, I'm Talking by Sandra Gilbert Fighting Talk by Marina Warner No Opera Please—We're British by Michael Bawtree Changing What We Sing by Margaret Doody On Not Being Milton: Nigger Talk in England Today by David Dabydeen Talking Black by Henry Louis Gates, Jr. Subway Graffiti by Walter J. Ong Doublespeak by William Lutz It's a Myth, Innit? Politeness and the English Tag Question by John Algeo This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.
