Theodore Von Neuhoff, King of Corsica
Theodore Von Neuhoff, King of Corsica

Author: Julia Gasper

Publisher: Rowman & Littlefield

Published: 2013

Total Pages: 313

ISBN-13: 1611494400

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"A visionary and a madman" was how one British statesman, Lord Carteret, described Theodore von Neuhoff. This exciting biography, Theodore von Neuhoff, King of Corsica: The Man behind the Legend by Julia Gasper, traces the unlikely career of the German baron who in 1736 had himself crowned the King of Corsica. Theodore von Neuhoff's career spanned the entire European continent and his role in the Corsican rebellion against Genoa was as bold and unconventional as everything else in his life. Mixing with royalty, rogues and rabble, he was successively a soldier, secret agent, Jacobite, speculator, alchemist, cabbalist, Rosicrucian, astrologer, fraudster, and spy. He had changed his name several times, abducted a nun and seen the inside of several prisons before turning his hand to revolution. Neuhoff had daring far-sighted ideas about religious tolerance and the abolition of slavery that turned the Corsican rebellion into a significant political event with repercussions way beyond the shores of one small island. Denounced as an arch-criminal, traitor and seditious heretic, he survived pursuit by the agents of the Genoese Republic for twenty years with a price on his head, dodging assassination attempts while meeting countless famous and fascinating people. Valuable to the British as a political tool against the French, he spent his old age in relative comfort in an English debtors' prison. Theodore von Neuhoff, King of Corsica argues that despite all his eccentricity Neuhoff was still a significant Enlightenment figure.

Venice and the Cultural Imagination
Venice and the Cultural Imagination

Author: Michael O'Neill

Publisher: Routledge

Published: 2015-10-06

Total Pages: 236

ISBN-13: 1317322592

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In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice’s appeal has affected Western culture since 1800.

The Italian Opera Singers in Mozart's Vienna
The Italian Opera Singers in Mozart's Vienna

Author: Dorothea Link

Publisher: University of Illinois Press

Published: 2022-11-22

Total Pages: 459

ISBN-13: 0252053656

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Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.

Empress Marie Therese and Music at the Viennese Court, 1792-1807
Empress Marie Therese and Music at the Viennese Court, 1792-1807

Author: John A. Rice

Publisher: Cambridge University Press

Published: 2003-07-24

Total Pages: 416

ISBN-13: 9780521825122

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This is a study of the musical activities of Empress Marie Therese, one of the most important patrons in the Vienna of Haydn and Beethoven. Building on extensive archival research, including many documents published here for the first time, John A. Rice describes Marie Therese's activities as commissioner, collector and performer of music, and explores the rich and diverse musical culture that she fostered at court. This book, which will be of interest to musicologists, historians of artistic patronage and taste, and practitioners of women's studies, elucidates this remarkable woman's relations with a host of professional musicians, including Haydn, and argues that she played a significant and hitherto unsuspected role in the inception of one of the era's greatest masterpieces, Beethoven's Fidelio. Other composers discussed include Domenico Cimarosa, Joseph Eybler, Michael Haydn, Johann Simon Mayr, Ferdinando Paer, Antonio Salieri, Joseph Weigl and Paul Wranitzky.

Mozart in Vienna
Mozart in Vienna

Author: Simon P. Keefe

Publisher: Cambridge University Press

Published: 2017-09-21

Total Pages: 719

ISBN-13: 1108394108

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Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.

History Through the Opera Glass
History Through the Opera Glass

Author: George Jellinek

Publisher: Hal Leonard Corporation

Published: 2000

Total Pages: 428

ISBN-13: 9780879102845

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(Limelight). This first-of-its-kind, highly entertaining, and carefully researched account reveals how nearly 200 operas by leading composers and librettists have portrayed the major events and personalities of more than 2000 years of history. In a continuous and absorbing narrative, the book sweeps from Roman times to 1820, with a cast of characters that includes Julius Caesar, Antony and Cleopatra, Attila, Charlemagne, Henry VIII, Elizabeth I, Catherine the Great, Napoleon and hundreds more. All are seen as the figures historians generally perceive them to have been and as their on-stage counterparts, created and re-imagined by some of opera's greatest artists.