If you dog were a human, what whould he be like? Would he drive a car or perfer a bike. Imagining all the possibilities for dogs participating in a variety of human activities.
I am human I am a work in progress Striving to be the best version of ME From the picture book dream team behind I Am Yoga and I Am Peace comes the third book in their wellness series: I Am Human. A hopeful meditation on all the great (and challenging) parts of being human, I Am Human shows that it’s okay to make mistakes while also emphasizing the power of good choices by offering a kind word or smile or by saying “I’m sorry.” At its heart, this picture book is a celebration of empathy and compassion that lifts up the flawed fullness of humanity and encourages children to see themselves as part of one big imperfect family—millions strong.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
If I Were King explores the story of a real-life poet, Francois Villon, who shows impressive character development when given a chance to win his love and save France. The story starts when Villon gets himself in trouble by giving his negative opinions of the king too freely. Unfortunately, King Louis was present in the tavern in disguise, and Villon got arrested. He is made Grand Constable of France for a week as a challenge to do a better job running the kingdom. However, he would be executed after a week of service unless he succeeds in an impossible task. McCarthy maintains suspense till the end of the story keeping the readers curious about Villon and his ability to escape execution and win the woman he loves. As the main character of this historical romance is based on the real-life poet François Villon, it acts as a window to 15th century France under the rule of Louis XI during a time of tension and turmoil between King Louis and the Duke of Burgundy. The Shakespearean undertones used to present the love story of the vagabond poet makes this work a remarkable romance.
NATIONAL BESTSELLER • Discover the game-changing theory of the cycles of history and what past generations can teach us about living through times of upheaval—with deep insights into the roles that Boomers, Generation X, and Millennials have to play—now with a new preface by Neil Howe. First comes a High, a period of confident expansion. Next comes an Awakening, a time of spiritual exploration and rebellion. Then comes an Unraveling, in which individualism triumphs over crumbling institutions. Last comes a Crisis—the Fourth Turning—when society passes through a great and perilous gate in history. William Strauss and Neil Howe will change the way you see the world—and your place in it. With blazing originality, The Fourth Turning illuminates the past, explains the present, and reimagines the future. Most remarkably, it offers an utterly persuasive prophecy about how America’s past will predict what comes next. Strauss and Howe base this vision on a provocative theory of American history. The authors look back five hundred years and uncover a distinct pattern: Modern history moves in cycles, each one lasting about the length of a long human life, each composed of four twenty-year eras—or “turnings”—that comprise history’s seasonal rhythm of growth, maturation, entropy, and rebirth. Illustrating this cycle through a brilliant analysis of the post–World War II period, The Fourth Turning offers bold predictions about how all of us can prepare, individually and collectively, for this rendezvous with destiny.
This 2009 (VII) special issue of Human Architecture: Journal of the Sociology of Self-Knowledge entitled “‘If I touch the depths of your heart’: The Human Promise of Poetry in Memories of Mahmoud Darwish,” is a commemorative issue on the life and poetry of the late Palestinian poet, Mahmoud Darwish, co-edited by a group of UMass Boston faculty and alumni. Other than keynote opening statements, the special issue is comprised of a selected series of longer and shorter poems by Mahmoud Darwish, followed by commemorative poetry and essays/articles that directly or indirectly engage with Mahmoud Darwish’s work and/or the subject matter of his passion and love, Palestine and human rights and dignity. Contributions include: Selections from the poetry of the late Mahmoud Darwish in two recently published collections: If I Were Another: Poems (Farrar, Straus and Giroux, 2009) translated by Fady Joudah, and another, A River Dies of Thirst: Journals (Archipelago, 2009), translated by Catherine Cobham; keynote contribution by UMass Boston Provost Winston Langley, keynote contribution of a poem by Martha Collins; and commemorative poetry or prose by the Palestinian-American poet, writer, and scholar Lisa Suhair Majaj, Amy Tighe, Dorothy Shubow Nelson, Robert Lipton, Joyce Peseroff, Shaari Neretin, and Jack Hirschman; included are also essays/articles by Leila Farsakh, Rajini Srikanth, Erica Mena, Kyleen Aldrich, Nadia Alahmed, and Patrick Sylvain. Co-editors of the special issue were (alphabetically) Anna D. Beckwith, Elora Chowdhury, Leila Farsakh, Askold Melnyczuk, Erica Mena, Dorothy Shubow Nelson, Joyce Peseroff, Rajini Srikanth, and Mohammad H. Tamdgidi (journal editor-in-chief). This “Class-Book” was a student/instructor self-publishing experiment in a course offered at Binghamton University (SUNY) taught by Mohammad H. Tamdgidi in Spring 1997 when he was a graduate student enrolled in BU’s doctoral program in Sociology. The course was freshly designed and titled, “Soc 280Z: Sociology of Knowledge: Mysticism, Science, and Utopia.” The class-book was designed and printed in less than two weeks by the instructor in order to make it available to students as soon a possible after the class. The “fake” publisher name proposed by a contributing student author (Ingrid Heller) and adopted by the contributors was the “Crumbling Façades Press.” The class-book experiment was one that eventually inspired and contributed to the launching of Human Architecture: Journal of the Sociology of Self-Knowledge (ISSN: 1540-5699, 2002-). It was dedicated to the living memory of the late Professor Terence K. Hopkins (d. 1997), the founding Director of the Graduate Studies program of the Department of Sociology at SUNY-Binghamton. Contributors to the volume include: Shannon Martin, Ian Hinonangan, Nicholas Jezarian, Jeff Alexander: Tears of a Clown, Meghan Murphy, Heather Mealey, Daniel B. Kaplan, Ingrid Heller, Martin Magnusson, Arturo Pacheco, Keira Kaercher, and Mohammad H. Tamdgidi.
I’m Vicky Eaton, a bondless Kindred. Meaning, I don’t have a Blood Bond mate--the only human you can drink from according to the Kindred law. I’ve done my best to stick to the rule, until I realized that my new boss just smells too darn delicious for me to resist and fits every criteria to be my mate. However, I have made a vow long ago to stay bondless for eternity. ** As he spoke, he licked my ear. My heart began to race again. The aroma of his Blood Perfume mixed with his natural body fragrance, stimulated my every nerve. He kissed my neck. I groaned against his touch as he removed my clothing for the third time in under 12 hours. "Whatever you do…” I said breathlessly, “Don’t stop.” My words hit him hard and his moves intensified. Suddenly, he broke apart and turned his neck to me, revealing his glorious skin. I froze. Should I stay true to my past, or do I take a leap of faith and fall into the world of the Blood Bond?
Through eight humorous essays, Keturah Kendrick chronicles her journey to freedom. She shares the stories of other women who have freed themselves from the narrow definition of what makes a “proper woman.” Spotlighting the cultural bullying that dictates women must become mothers to the expectation that one’s spiritual path follow the traditions of previous generations, Kendrick imagines a world where black women make life choices that center on their needs and desires. She also examines the rising trend of women choosing to remain single and explores how such a choice is the antithesis to the trope of the sorrowful black woman who cannot find a man to grant her the prize of legal partnership. A mixture of memoir and cultural critique, No Thanks uses wit and insight to paint a picture of the twenty-first-century black woman who has unchained herself from what she is supposed to be. A black woman who has given herself permission to be whomever she wants to be.
Winner of the Lord Ruthven Award for Best Vampire Novel of the Year: The first horror novel from the author of Star Trek’s “The Trouble with Tribbles” script. Includes the bonus short story “Jacob in Manhattan.” With a writing legacy that includes Star Trek, Land of the Lost, and the Hugo and Nebula Award–winning novella The Martian Child, David Gerrold knows what it’s like to be an author. Writing about vampires should be easy for him, right? But real vampires are far more sinister in real life than they are in fiction. Jacob is the story of an author’s encounters with the undead creature who gives him success, forbidden knowledge, and ultimately, a choice. Jacob is a cunning survivor. Orphaned in Seattle in the mid-nineteenth century, he could have been someone’s convenient meal. Instead, he becomes the “daykeeper” for a man he knows only as Monsieur. Then he discovers the hidden community of nightsiders—men who live in secrecy and darkness—the true apex predators. To be a nightsider is to experience heightened senses, bursts of super-strength, and frequent hallucinogenic episodes. Nightsiders also need to lie dormant to recover from their excesses. The daykeeper must be a protector against the daylight. But Jacob wanted more than that; he craved the promise of immortality. And so a century later, Jacob tells his story, this time to an ambitious young writer. It’s a different kind of interview. Is it a seduction? Or is he just playing with his food? And who will write the final chapter? Praise for The Man Who Folded Himself “Most impressive.” —The Times Literary Supplement “Wildly imaginative and mindbending.” —Publishers Weekly