Catalog for the exhibition if I can't dance to it, it's not my revolution curated by Natalie Musteata for the Cantor Fitzgerald Gallery at Haverford College, March 21-May 2, 2014.
As we play, we step away from stark reality to conjure up new possibilities for the present and our common future. Today, a new cohort of social activists are using it to create social change and reinvent democratic social relations. In contrast to work or routine, play must be free. To the extent that it is, it infuses a high-octane burst of innovation into any number of organizational practices and contexts, and invites social actors to participate in a low-threshold, highly democratic process of collaboration, based on pleasure and convivial social relations. Despite the contention that such activities are counterproductive, movements continue to put the right to party on the table as a part of a larger process of social change, as humor and pleasure disrupt monotony, while disarming systems of power. Through this book, Shepard explores notions of play as a social movement activity, considering some of the meanings, applications and history of the concept in relation to social movement groups ranging from Dada and Surrealism to Situationism, the Yippies to the Young Lords, ACT UP to the Global Justice, anti-gentrification, community and anti-war movements of recent years.
Our language is full of hundreds of quotations that are often cited but seldom confirmed. Ralph Keyes's The Quote Verifier considers not only classic misquotes such as "Nice guys finish last," and "Play it again, Sam," but more surprising ones such as "Ain't I a woman?" and "Golf is a good walk spoiled," as well as the origins of popular sayings such as "The opera ain't over till the fat lady sings," "No one washes a rented car," and "Make my day." Keyes's in-depth research routinely confounds widespread assumptions about who said what, where, and when. Organized in easy-to-access dictionary form, The Quote Verifier also contains special sections highlighting commonly misquoted people and genres, such as Yogi Berra and Oscar Wilde, famous last words, and misremembered movie lines. An invaluable resource for not just those with a professional need to quote accurately, but anyone at all who is interested in the roots of words and phrases, The Quote Verifier is not only a fascinating piece of literary sleuthing, but also a great read.
Who Says Elephants Can't Dance? sums up Lou Gerstner's historic business achievement, bringing IBM back from the brink of insolvency to lead the computer business once again.Offering a unique case study drawn from decades of experience at some of America's top companies -- McKinsey, American Express, RJR Nabisco -- Gerstner's insights into management and leadership are applicable to any business, at any level. Ranging from strategy to public relations, from finance to organization, Gerstner reveals the lessons of a lifetime running highly successful companies.
A Girl Called Rumi, Ari Honarvar’s debut novel, weaves a captivating tale of survival, redemption, and the power of storytelling. Kimia, a successful spiritual advisor whose Iranian childhood continues to haunt her, collides with a mysterious giant bird in her mother’s California garage. She begins reliving her experience as a nine-year-old girl in war-torn Iran, including her friendship with a mystical storyteller who led her through the mythic Seven Valleys of Love. Grappling with her unresolved past, Kimia agrees to accompany her ailing mother back to Iran, only to arrive in the midst of the Green Uprising in the streets. Against the backdrop of the election protests, Kimia begins to unravel the secrets of the night that broke her mother and produced a dangerous enemy. As past and present collide, she must choose between running away again or completing her unfinished journey through the Valley of Death to save her brother.
What it was like and how it felt to be an Egyptian woman revolutionary during the eighteen days that changed Egypt forever Mona Prince’s humorous and insightful memoir tells of one woman’s journey as a hesitant revolutionary through the eighteen days of the Egyptian uprising that toppled Hosni Mubarak in 2011. Alongside the brutal violence of the security forces, the daily battles of resistance, and the author’s own abduction and beating at the hands of the police, this is a story of exceptional solidarity, perseverance, and humanity. Juggling humor and horror, hope and fear, certitude and anxiety, Prince immerses us in the details of each unpredictable and fateful day. She mixes the political and the personal, the public and the private to expose and confront divisions within her family, as well as her own social prejudices, which she discovers through encounters with diverse sectors of society, from police conscripts to street children. Revolution Is My Name is a testimony not only of women’s participation in the Egyptian uprising and their courage in confronting constrictive gender divides at home and on the street, but equally of their important contribution as chroniclers of the momentous events of January and February 2011.
What can we hope for at the end of the world? What can we trust in when community has broken our hearts? What would it mean to pursue justice without violence? How can we love in the absence of faith? In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author’s characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as adrienne maree brown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.