When Harold Melman fails to get into the army because of his stupidity and clumsiness, he decides to serve his country by putting together his own group of heroes. Together they battle a yard full of gophers that turn out to be mole monsters from outer-space.
Originally written in Russian language, The Idiot is a unique masterpiece. Dostoevsky has depicted a good man, Prince Myshkin, who is trapped in the cruel and wild Petersburg society that is obsessed with avarice, power and manipulation. It is a story of conflicting emotions of love and hatred, friendship and hostility etc. Appealing!...
This book examines the concepts of subjectivity and selfhood developed in the oeuvre of Jean-Paul Sartre. Although Sartre is a prominent philosopher, the reception of his work is shrouded in misguided ideas concerning his alleged subjectivism. This book accurately positions Sartre in debates concerning the two themes which form a guiding thread throughout his work and remain immensely relevant in the philosophical landscape of today. Gusman expertly tracks and uncovers the nuances of the evolving notions of subjectivity and selfhood, paying particular attention to his claim that the Self is a ‘thing among things’ and to his views on narrative identity. Using as a framework the critical reception from thinkers in Sartre’s own tradition, the book also draws from the recent popularity of his thought in analytic philosophy of mind. Illuminating and impactful, this book provides an invaluable resource to scholars looking for a contemporary and up-to-date critical study of Sartre’s work.
Little Idiot, Volume 2 continues the memoir of J. Marc. Merrill from 1988 to 2014. This second volume includes the author's return to teaching college English. He was first hired to teach part-time at Mesa Community College in Mesa, Arizona, and then at Arizona State Prison in Florence, having been hired by Central Arizona College, the campus of which is near Coolidge, the author's hometown. This volume also reveals how the author came to write the two volumes of Books Written in Stone: Enoch the Seer, the Pyramids of Giza, and the Last Days, the two volumes of Building Bridges of Time, Places, and People: Tombs, Temples & Cities of Egypt, Israel, Greece & Italy. as well as Behold the Man: Christ in The Iliad, Classical Greek Drama, Plato, and Greek Literature from Herculaneum. These five books lead to even more discoveries of ancient secrets that are supported by numerous photos, photos that will shock, amuse and possibly outrage some readers. While the photos in this second volume will surely interest people who are associated with Coolidge, Arizona, they should be of interest to people around the world.
This volume deals with a number of topics that have not previously been specifically addressed before in a single text. A chapter on Sartre and religion talks about his thought in relation to Christianity, Judaism and Buddhism, while one on Sartre and children discusses his work in relation to the issues of freedom, pregnancy and autism. Beyond this, there are an additional seven chapters covering a wide variety of topics by leading scholars in the fields of philosophy, literature psychology, history and political thought. While prior publications on Sartre have generally divided his work into two periods, pre-and post-Marxist, this volume deliberately stresses a middle and final period as well. As representative of the middle period, there is an emphasis on Notebooks for an Ethics, while Sartre's last work, Hope Now, is also treated as being philosophically significant in its own right. This approach helps to cast a new light on what Sartre has to say about authenticity, childhood and consciousness as embodied, among other subjects. The volume also addresses many and diverse issues of current interest, including those of freedom, Marxism and Sartre's relation to ethics. There are sections of the book that deal with history and the historical situations that helped to shape Sartre’s thought, as well as articles that deal with Sartre as a specifically French thinker. A chapter deals with Sartre’s relation to women , and here the issues of maternity as problematic, plus authentic, adult relationships are discussed. Finally, in addition to authors in philosophy and literature, there are articles by a child psychiatrist and a clinical psychologist to help to provide new insights on Sartre's work. Even as an academic philosopher Sartre always remained an iconoclast and the aim of this book is, at least partially to capture and provide the reader with insight into this spirit.
This book traces the concept of idiocy as it has developed in fiction and film in the nineteenth and twentieth centuries. It focuses particularly on visual images of idiocy and argues that writers as diverse as Gustave Flaubert, Fyodor Dostoevsky, Joseph Conrad, John Steinbeck, Flannery O'Connor and Rohinton Mistry, and filmmakers such as Jean Renoir, Akira Kurosawa, Alfred Hitchcock, Werner Herzog and John Huston have all been attracted to idiot figures as a way of thinking through issues of language acquisition, intelligence, creativity, disability, religion and social identity. Martin Halliwell provides a lively and detailed discussion of the most significant literary and cinematic uses of idiocy, arguing that scientific conceptions of the term as a classifiable medical condition are much too narrow. With the explosion of interest in idiocy among American and European filmmakers in the 1990s and the growing interest in its often overlooked history, this book offers a timely reassessment of idiocy and its distinctive place at the intersection of science and culture.
In History 4° Celsius Ian Baucom continues his inquiries into the place of the Black Atlantic in the making of the modern and postmodern world. Putting black studies into conversation with climate change, Baucom outlines how the ongoing concerns of critical race, diaspora, and postcolonial studies are crucial to understanding the Anthropocene. He draws on materialist and postmaterialist thought, Sartre, and the science of climate change to trace the ways in which evolving political, cultural, and natural history converge to shape a globally destructive force. Identifying the quest for limitless financial gain as the primary driving force behind both the slave trade and the continuing increase in global greenhouse gas emissions, Baucom demonstrates that climate change and the conditions of the Black Atlantic, colonialism, and the postcolony are fundamentally entwined. In so doing, he argues for the necessity of establishing a method of critical exchange between climate science, black studies, and the surrounding theoretical inquiries of humanism and posthumanism.