Icy Battleground is the first comprehensive account of the forty-year political controversy over the seal hunt. With a foreword by the Honourable John C. Crosbie, it traces the rise of the anti-sealing protests, the emergence of the Inte ational Fund for Animal Welfare, its vigorous and unrelenting campaign to end commercial sealing, and its strategies in mobilising pressure in Canada and abroad. It also assesses the Canadian gove ment's counter-strategies to continue the hunt as well as the challenges that emotionally targeted campaigns like the seal hunt pose for gove ment decision-makers.
A Military History of India since 1972 is a definitive work of military history that gives the Indian military its rightful place as a key contributor to Indian democracy. Arjun Subramaniam offers an engaging narrative that combines superb storytelling with the academic rigor of deep research and analysis. It is a comprehensive account of India’s resolute, responsible, and restrained use of force as an instrument of statecraft and how the military has played an essential role in securing the country’s democratic tradition along with its rise as an economic and demographic power. This book is also about how the Indian nation-state and its armed forces have coped with the changing contours of modern conflict in the decades since 1972. These include the 2016 “surgical” or cross-border strikes by the Indian Army’s Special Forces across the line of control with Pakistan, the face-off with the Chinese at Doklam in 2017 and in Ladakh in 2020, the preemptive punitive strikes by the Indian Air Force against terrorist camps in Pakistan in 2019, and the large-scale aerial engagement between the Indian Air Force and the Pakistan Air Force the following day. These conflicts also include the long-running insurgencies in the northeast, terrorism and proxy war in Jammu and Kashmir, separatist violence in Punjab, and the Indian Peacekeeping Force’s intervention in Sri Lanka. The author also includes a chapter on the development of India’s nuclear capabilities. Arjun Subramaniam enlivens the narrative with a practitioner’s insights amplified by interviews and conversations with almost a hundred serving and retired officers, including former chiefs from all three armed forces, for an in-depth exploration of land, air, and naval operations. The structure of the book offers readers a choice of either embarking on a comprehensive and chronological examination of war and conflict in contemporary India or a selective reading based on specific time lines or campaigns.
The world of Runeterra, in all its diverse splendor, was a land where magic and mystery intertwined with the fabric of reality, where the supernatural coexisted with the mundane. From the majestic floating cities of Piltover to the golden sands of Shurima, from the icy plains of the Freljord to the towering fortress of Noxus, Runeterra was a world of breathtaking beauty and endless wonders. However, beneath the surface of this tranquil and awe-inspiring world, the seeds of conflict were slowly but surely germinating. As the sun painted the sky with hues of gold and crimson, Twisted Fate, the Card Master, sat at the bustling port city of Bilgewater, a haven for all kinds of folk – from pirates and smugglers to explorers and thrill-seekers. A myriad of tales echoed within its lively taverns, filling the salty sea air with stories of adventure, danger, and fortune. While shuffling his deck of mystical cards, Twisted Fate felt an unusual tug at his intuition, a whisper of impending chaos. He drew a card, and its ominous image sent a shiver down his spine – The Harbinger. This was no ordinary hand of fate; it was a prophecy, a forewarning of a calamity that could engulf the entirety of Runeterra.
In The Seal Hunt: Cultures, Economies and Legal Regimes, Nikolas Sellheim offers a deep analysis of the seal hunt worldwide. He engages on a journey from the northern to the southern hemisphere and explores how the seal hunt has shaped cultures all over the world up to this day. By analysing the different national and international regimes dealing with the seal hunt, Sellheim shows how the perception of the seal and the seal hunt has changed over time and space. Focusing on the European Union and the World Trade Organization, the volume offers an account on how opposition towards the seal hunt has found its way onto the international spheres of governance and trade.
Achieving socio-political cohesion in a community with significant ethnic, cultural, and religious diversity is a difficult challenge in contemporary liberal democracies. In the quest for neutrality, public policies and institutions shaped by the needs of the majority can inadvertently marginalize minority interests. Minority groups must therefore translate their desire for cultural recognition into terms that, ironically, often minimize cultural difference. Intercultural Deliberation and the Politics of Minority Rights examines the relationship between this minority rights paradox and cultural difference, building a compelling case for an inclusive approach to navigating minority rights claims. R.E. Lowe-Walker’s intercultural deliberation is designed to mitigate the injustices imposed by majority norms. Instead of asking what the liberal state can tolerate, she asks how our understanding of difference affects our interpretation of minority claims, shifting the focus from how to limit difference toward inclusive deliberations. This important work thus serves as a measure of social justice and a vehicle for social change.
Film is Like a Battleground: Sam Fuller's War Movies is the first book to focus on the genre that best defined the American director's career: the war film. It draws on previously unexplored archival materials, such as Fuller's Federal Bureau of Investigation files and WWII-era 16mm films, to explore the director's lifelong interest in making challenging, thought-provoking, and often politically dangerous movies about war. After establishing the roots of Fuller's cinematographic schooling in the trenches during World War II, including careful consideration of his 16mm footage of a Nazi camp at the end of that war, Film is Like a Battleground explores Fuller's first forays into hot war representation in Hollywood with the pioneering Korean conflict films The Steel Helmet (1951) and Fixed Bayonets (1951). This pair of films introduced Fuller to his first run-ins with the American political machine when they triggered both FBI and Department of Defense investigations into his political sympathies and affiliations. Fuller's cold war films Pickup on South Street (1953) and, though it veers into hot war territory, Hell and High Water (1954) are Fuller's responses to the political pressures he had now personally experienced and resented. A chapter on Fuller's representation of pre-American-invasion Vietnam in China Gate (1957) alongside his unrealized Vietnam war screenplay, The Rifle (ca. late 1960s), illustrates the degree to which Fuller's representation of war and nation shifted even as he continued to probe war's impossible contradictions. Film is Like a Battleground would be incomplete without a thorough exploration of the films depicting the war Fuller personally experienced and spent a lifetime contemplating, WWII. Verboten! (1959), Merrill's Marauder's (1962), and The Big Red One (1980) demonstrate Fuller's representation of a morally justifiable war. Fuller's 1959 CBS television pilot--Dogface--offers a glimpse at one of Fuller's failed attempts to bring his WWII story into American living rooms. The book concludes with a chapter about a documentary film made late in the director's life that returns Fuller to the actual site of the Nazi's Falkenau camp, at which he discusses his experiences there and that powerful, unforgettable footage he shot in the spring of 1945.
DigiCat Publishing presents to you this special edition of "Pilots of the Purple Twilight" by Philip Henry Godsell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The emergence of Greenpeace in the late 1960s from a loose-knit group of anti-nuclear and anti-whaling activists fundamentally changed the nature of environmentalism--its purpose, philosophy, and tactics--around the world. And yet there has been no comprehensive objective history of Greenpeace's origins-until now. Make It a Green Peace! draws upon meeting minutes, internal correspondence, manifestos, philosophical writings, and interviews with former members to offer the first full account of the origins of what has become the most recognizable environmental non-governmental organization in the world. Situating Greenpeace within the peace movement and counterculture of the 1960s, Frank Zelko provides a much deeper treatment of the group's groundbreaking brand of radical, media-savvy, direct-action environmentalism than has been previously attempted. Zelko traces the complex intellectual and cultural roots of Greenpeace to the various protest movements of the 1950s and 1960s, highlighting the influence of Quakerism--with its practice of bearing witness--Native American spirituality, and the non-violent resistance of Gandhi. Unlike the more strait-laced, less confrontational Sierra Club and Audubon Society, early Greenpeacers smoked dope, dropped acid, wore their hair long, and put their bodies on the line--interposing themselves between the harpoons of whalers and the clubs of seal-hunters--to save the animals and achieve what they hoped would be a lasting transformation in the way humans regarded the natural world. And while it may not have achieved its most revolutionary goals, Greenpeace inarguably created a heightened awareness of environmental issues that endures to this day. Narrating the key campaigns and arguments among the group's early members, Make It a Green Peace! vividly captures all the drama, pathos, and occasional moments of absurd comic relief of Greenpeace's tumultuous first decade.
When Robin begins to investigate the strange events surrounding her great-grandfather and vanishes without a trace, her closest friend Trista will have to pick up the pieces of the puzzle. Before long, Trista finds herself trapped in another world. A place that has been kept secret since the earliest civilizations began. This knowledge was hidden and passed down by the knights templar, the freemasons, and world leaders including the U.S. Presidents. In a world rich with mythical creatures and new found friends, Trista will have to fight with her newly acquired powers and follow the guidance of many of history's greatest influences including George Washington, Benjamin Franklin, Thomas Jefferson, and others not so friendly such as Blackbeard the pirate. In a world with eternal life for outsiders, only Trista can reverse the evil that was accidentally established by her forefather. She must overcome many trials in order to restore peace to the land. The Lorian Legend is history and fantasy at its best.
About 12,500 years ago, an apocalyptic event struck Earth. A nearby supergiant planet, bigger than our sun, exploded with a catastrophic, supernova outburst. One of the huge fragments rampaged through the Earth’s celestial ramparts and, in due course, the blazing rock exploded over the thick ice sheet in the Pacific, shearing off this vast land that eventually submerged. The unprecedented high-intensity seismic waves shook the entire planet, leading to the terrible Global Deluge. This is a story where mainstream scientific observations and ancient religious texts and myths harmonize! The Siblings From The Sun is a thoroughly unique and gripping novel—based on science but filled with romance, adventure, and the horrors of nuclear war—as a small group of intrepid young adventurers fled from their moribund world, and seek a new habitable world…
