Art Information and the Internet
Art Information and the Internet

Author: Lois Swan Jones

Publisher: Routledge

Published: 2013-12-16

Total Pages: 298

ISBN-13: 1135933383

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In the first book of its kind, art information expert Lois Swan Jones discusses how to locate visual and textual information on the Internet and how to evaluate and supplement that information with material from other formats--print sources, CD-ROMS, documentary videos, and microfiche sets--to produce excellent research results. The book is divided into three sections: Basic Information Formats; Types of Websites and How to Find Them; and How to Use Web Information. Jones discusses the strengths and limitations of Websites; scholarly and basic information resources are noted; and search strategies for finding pertinent Websites are included. Art Information and the Internet also discusses research methodology for studying art-historical styles, artists working in various media, individual works of art, and non-Western cultures--as well as art education, writing about art, problems of copyright, and issues concerning the buying and selling of art. This title will be periodically updated.

Guide to the Literature of Art History 2
Guide to the Literature of Art History 2

Author: Max Marmor

Publisher: ALA Editions

Published: 2005

Total Pages: 928

ISBN-13:

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"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.

Iconclass Indexes
Iconclass Indexes

Author: Roelof van Straten

Publisher:

Published: 1995

Total Pages: 200

ISBN-13:

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Foleor Publishers is pleased to announce the publication of a new series of iconographic reference works. After his series of Iconclass indexes on Italian prints, Roelof van Straten is now preparing a ten-volume iconographic catalogue: the Iconclass Indexes: Dutch Prints. The first three volumes published (volumes 4, 7 and 8 in the series) cover the Dutch prints catalogued by Bartsch in the first five volumes of "Le Peintre-Graveur". The indices on Dutch prints are of special importance to those institutes and museums that have a copy of The Illustrated Bartsch at their disposal, because the volumes will refer to all the Dutch prints reproduced therein. Dutch prints, with their enormous spread and influence on the visual arts, will finally be accessible according to subject. "The Iconclass Indexes: Dutch Prints" will soon become an indispensable reference tool for all those who are interested in Netherlandish art and culture of the16th and 17th centuries.