A New York Times Best Illustrated Children's Book of 2011! A picture-book delight by a rising talent tells a cumulative tale with a mischievous twist. Features an audio read-along! The bear’s hat is gone, and he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor-- and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke.
Daryl loves the dinosaur book he checked out from the library; it takes him on roaring, stomping dinosaur adventures! But when Daryl has to return it, he'll do anything to get his favorite book back. Selected to Bank Street College of Education's list of Best Children's Books of the Year! "Emotions run high in this volume about a child's deep attachment giving way to sharing... Elbee's take on the emotional attachment that readers form with books feels apt, and a final portrait of Daryl discovering that books can be shared pays ample tribute to libraries." -- Publishers Weekly Daryl loves to play with his favorite library book about dinosaurs. His imagination takes him to prehistoric places, and he pretends to be a triceratops, microraptor, and even a T. rex! But Daryl does not want to share his book, so when he has to return it to the library, Daryl goes wild. Using all of his dinosaur skills, Daryl tries his best to get his book back! But when a clever librarian notices Daryl's passion, she encourages him to share his favorite book and make some new friends along the way. This playful, silly, funny, tale about reading, books, and sharing is sure to be a hit with any child. "A splendid story about the satisfaction that comes from sharing joy (and dinosaurs) with others."--Booklist "The book's fun illustrations emphasize Daryl's big and scary emotions, including distress, grumpiness, rage, and despair; solace is to be found only somewhere unexpected: in sharing."--Foreward Reviews
This book is full of wonderful WORDS and beautiful PICTURES! And it's EXCITING! And it's FUNNY! It might be the BEST BOOK EVER—if we could decide whose book it is. Redd and Bloo explore the way a book is made and accidentally build a friendship, too, in this tale told only in dialogue. Travis Foster and Ethan Long offer a hilarious story about the joy of reading, which brings people together in unexpected ways, proving that each book truly belongs to . . . the people who love it. Plus, this is the fixed format version, which looks almost identical to the print edition.
A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR). Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).
One is too many. A thousand is never enough.' 'Andrea arrived in rehab at the same time as me. We were in admissions together. I can't remember how many times she'd tried to get clean, but it was my eleventh institution and I was dying. For two days I listened to her withdrawal in a room just down the passage from mine. The screaming, the swearing, the crying - and the hideous, desperate ka-klung! of the bars on the side of the bed as she wrestled with the restraints that kept her tied to it. I don't know what damage they thought she could have done really. Andrea had had all the tips of her fingers amputated. She'd got gangrene from shooting up under her nails too many times ...' At the age of fifteen I already had a criminal record, busted by the drug squad for possession of an illegal substance. You'd think I'd have learnt a lesson, wouldn't you, but I'm still learning, even though I'm clean of street drugs now - well, just for today - and have a lot of clean time behind me. The hardest lesson of all for an addict is that the nightmare is never over and the powerful seduction of just one more high never ever goes away. The story in these pages is not a comfortable one. It doesn't have an ending and I'm not even sure if it has a true beginning. Some of the time it may read like a bad dream. It isn't. It's my life you're holding in your hands. Don't let it be yours.
*Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly). In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).
When the snow begins to fall and your giraffe takes to the slopes, a rollicking adventure ensues! Your giraffe wants to learn how to ski—but but not on the bunny hill. She wants to go down the big scary slope! Enjoy this riotous journey as the narrator tries to reign their giraffe in—and learns something about courage along the way.
Have you sold your book to a publisher, but years later it's not selling the way you want? Are you frustrated with the lack of marketing for your novel and low royalty payments?It's time to take back your book. This short guide will give you the confidence and knowledge you need to ask for rights reversion and take control over that book again. In 'Take Back Your Book: An Author's Guide to Rights Reversion and Publishing on Your Terms' you'll find:?The basics of rights reversion?How to ask for your book rights back ?What happens when you do, or don't get those rights back?What to do after your rights are reverted?How to self-publish your novel?Long-term considerations for your author business and backlistThis book features interviews with authors who successfully acquired their book rights after publication and their continued successes. You will always be your book's biggest champion. Don't condemn it to years of neglect at someone else's hands. Take back your rights and put it to work for years to come.
If you're a stay-at-home mom considering going back to work, these are some of the questions that have likely come to mind. Returning to the workforce can be a daunting prospect. It requires reigniting old contacts (including those with coworkers once your junior), marketing yourself strategically, and building confidence-whether you've been out of the workforce for two, six, or fifteen years. Carol Fishman Cohen and Vivian Steir Rabin understand, because they've been there. As Harvard MBAs who successfully relaunched their own careers after staying home full-time with their children, they know it can be done-with careful planning, strategizing, and creativity. Now, in BACK ON THE CAREER TRACK, they offer a prescriptive, seven-step program that includes: · Assessing career options and updating job skills · Networking and preparing for interviews · Getting the family on board. Packed with expert advice from career counselors and recruiters, and insightful stories from others who have been through the process, this book also offers an inside look at what employers and universities are doing to help relaunchers today-including how many businesses are recognizing them as valuable assets. As frequent speakers to women's groups, professional schools, and corporations, Cohen and Rabin provide a thorough, unique program from two experts on the topic of career reentry. BACK ON THE CAREER TRACK is sure to become the classic guide in the field.
