T. Obinkaram Echewa is one of the premier talents to emerge from the recent brilliant outpouring of fiction from Africa. Now this remarkable writer has produced his most impressive work to date in a revelatory novel of grief and joy, conflict and love in a Nigerian village.
“Blazes a new trail in Africana literary criticism by providing an insight into the soul and spirit of Africana womanhood.” --Anthonia Kalu, The Ohio State University, author of Women, Literature, and Development in Africa This is the revised and expanded edition of Teresa N. Washington's groundbreaking book Our Mothers, Our Powers, Our Texts: Manifestations of Aje in Africana Literature. In Yoruba language and culture, Aje signifies both a phenomenal spiritual power and the human beings who exercise that power. Aje is the birthright of Africana women who are revered as the Gods of Society. While Africana men can have Aje, its owners and controllers are Africana women. Because it is an African female power, and due to its invisibility, ubiquity, and profundity, Aje is often maligned as witchcraft. However, as Teresa N. Washington reveals in Our Mothers, Our Powers, Our Texts, Aje is central to the Yoruba ethos, worldview, and cosmology. Not only is it essential to human creation and artistic creativity, but as a force of justice and retribution, Aje is vital to social harmony and balance. Washington analyzes forms, figures, and forces of Aje in the Yoruba world, in the Caribbean Islands, in Latin America, and in African America. Washington's research reveals that with the exile and enslavement of millions of Africans, Aje became a global force and an essential ally in organizing insurrections, soothing shattered souls, and reminding the dispossessed of their inherent divinity. From her in-depth exploration of Aje in Pan-African history and orature, Washington guides readers through rich analyses of the symbolic, methodological, and spiritual manifestations of Aje that are central to important works by Africana writers but are rarely elucidated by Western criticism. Our Mothers, Our Powers, Our Texts includes innovative readings of works by many Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This revised and expanded edition of Our Mothers, Our Powers, Our Texts will appeal to scholars of Africana literature, African religion and philosophy, gender studies, and comparative literature. Devotees of Africana spiritual systems will find this book to be indispensable.
Take control of your life by becoming financially bulletproof with this no-holds-barred guide to money management. A tragic accident in 2002 nearly took Doug Nelson’s life. Caught in a horrendous gas explosion, he spent six weeks in a coma and nine months rehabilitating from his injuries. But Doug was blessed—he knew that money would not be an issue during that difficult time. He had spent several years prior to the tragedy working toward, and achieving, financial freedom. In Catch Fire, Doug shares his amazing story and provides the simple tools and knowledge that can help you to achieve the same financial peace of mind. Doug debunks numerous money myths and explains how to make money work for rather than against you. His Financial Playbook provides the offensive and defensive strategies necessary to securing your economic future and pursuing your life’s true purpose. “Financial freedom is a goal many chase after, but you won't have to chase any longer after reading this book. You will be equipped and on fire to make some serious changes in your financial life.” —T. Harv Eker, bestselling author of Secrets of the Millionaire Mind
Essays and interviews explode the myth of apolitical motherhood by showing how 20th century women have politicized their role as mothers in a wide range of social contexts.
Fundamentally concerned with the means by which translation ensures the afterlife of literary and cultural texts, this book examines multiple processes of translation, temporal and spatial, through acts of intercultural exchange and intergenerational transmission.
The “propulsive and mesmerizing” (The New York Times) story collection by the International Booker–shortlisted author of The Dangers of Smoking in Bed and Our Share of Night—now with a new short story. The short stories of Mariana Enriquez are: “The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro “Violent and cool, told in voices so lucid they feel spoken.”—The Boston Globe (Best Books of the Year) Electric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves and regrets, there is also friendship, compassion, and humor. Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories ask the biggest questions of life and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.
Many teachers of African studies have found novels to be effective assignments in courses. In this guide, teachers describe their favourite African novels - drawn from all over the continent - and share their experiences of using them in the classroom.
The situation around the Sanders' farm is bleak, and likely to remain that way. A region trying to right itself after an incredible disaster is now hit once again. This time, it may well be a knock-out blow for many. The farm is still running, still surviving and still trying to get things restarted. Isolation has been the only preventative for the plague, however, and this leaves them with little to no news of anything happening in the wider world, go or bad. That is about to change, because there are large changes coming for them, just as fast as they can go. The Fires of America seem to have truly burned out, leaving nothing more than a few Embers. But Embers can still burn?.About the SeriesClayton Sanders left home the minute he had his high school diploma in hand. He waited that long only because the Army wouldn't accept him without one. Now, ten years later, he's home. Home with no warning, no advance notice, no anything after being gone ten years with almost no contact with his family. Home carrying a secret that is burning him up from the inside. A secret that has pushed him to the brink, forcing him to become a criminal in order to be where his family needs him to be, even though they don't realize it yet. Because Clayton knows something they don't. Something that hasn't happened, but will. Something that will burn everything it touches. And change the face of the world forever.
"When African scholars lament over the near destruction of African cultures, they do not reflect the reality of African women's historical traditions of empowerment and inclusion in pre-colonial/pre-Christian African societies, which were also lost in the same process of Western Christian cultural imperialism. Similarly, most male Church theologians writing or speaking about inculturation do not address the deeper cultural issues, which impact heavily on African women. ..... [from back cover]
Part of the first generation to be conceived in deep space, fifteen-year-old Waverly is expected to marry young and have children to populate a new planet, but a violent betrayal by the dogmatic leader of their sister ship could have devastating consequences.