In a series of poems, Diana writes about her life, both before and after her father loses his job and she and her family move far away to live with Grandpa Joe.
An award-winning sportswriter teams up with LA Dodgers manager and Hall of Famer Tommy Lasorda to reveal the secrets of his unlikely success. Tommy Lasorda is baseball's true immortal and one of its larger than life figures. A former pitcher who was overshadowed by Sandy Koufax, Lasorda went on to a Hall of Fame career as a manager with one of baseball's most storied franchises. His teams won two World Series, four National League pennants, and eight division titles. He was twice named National League manager of the year and he also led the United States baseball team to the gold medal at the 2000 Summer Olympics. In I Live for This! award-winning sportswriter Bill Plaschke shows us one of baseball's last living legends as we've never seen him before, revealing the man behind the myth, the secrets to his amazing, unlikely success, and his unvarnished opinions on the state of the game. Bravely and brilliantly, I Live for This! dissects the personality to give us the person. By the end we’re left with an indelible portrait of a legend that, if Tommy Lasorda has anything to say about it, we won’t ever forget.
Included on Bustle's list of the "27 Most Anticipated YA Contemporary Books Hitting Shelves in 2018"! “Fans of Jennifer Niven and Nicola Yoon will enjoy this realistic debut novel, which brings to light heavy topics of homelessness and abuse.” —School Library Journal “Where I Live is hard-hitting and real and filled with hope. It makes you want to find your voice, find your people, and tell your story.” —Jennifer Niven, New York Times bestselling author of All the Bright Places and Holding Up the Universe From debut author Brenda Rufener comes a heart-wrenching and evocative story perfect for fans of Thirteen Reasons Why, Girl in Pieces, and All the Bright Places. Linden Rose has a big secret—she is homeless and living in the halls of her small-town high school. Her position as school blog editor, her best friends, Ham and Seung, and the promise of a future far away are what keep Linden under the radar and moving forward. But when cool-girl Bea comes to school with a bloody lip, the damage hits too close to home. Linden begins looking at Bea’s life, and soon her investigation prompts people to pay more attention. And attention is the last thing she needs. Linden knows the only way to put a stop to the violence is to tell Bea’s story and come to terms with her own painful past. Even if that means breaking her rules for survival and jeopardizing the secrets she’s worked so hard to keep.
"A quietly brilliant book that warms slowly in the hands." —Dwight Garner, The New York Times I am not talking about surviving. I am not talking about becoming human, but about how I came to realize that I had always already been human. I am writing about all that I wanted to have, and how I got it. I am writing about what it cost, and how I was able to afford it. Jan Grue was diagnosed with spinal muscular atrophy at the age of three. Shifting between specific periods of his life—his youth with his parents and sister in Norway; his years of study in Berkeley, St. Petersburg, and Amsterdam; and his current life as a professor, husband, and father—he intersperses these histories with elegant, astonishingly wise reflections on the world, social structures, disability, loss, relationships, and the body: in short, on what it means to be human. Along the way, Grue moves effortlessly between his own story and those of others, incorporating reflections on philosophy, film, art, and the work of writers from Joan Didion to Michael Foucault. He revives the cold, clinical language of his childhood, drawing from a stack of medical records that first forced the boy who thought of himself as “just Jan” to perceive that his body, and therefore his self, was defined by its defects. I Live a Life Like Yours is a love story. It is rich with loss, sorrow, and joy, and with the details of one life: a girlfriend pushing Grue through the airport and forgetting him next to the baggage claim; schoolmates forming a chain behind his wheelchair on the ice one winter day; his parents writing desperate letters in search of proper treatment for their son; his own young son climbing into his lap as he sits in his wheelchair, only to leap down and run away too quickly to catch. It is a story about accepting one’s own body and limitations, and learning to love life as it is while remaining open to hope and discovery.
A major new collection of stories by one of the most exciting and creative voices in contemporary Chinese literature Can Xue’s stories observe no obvious conventions of plot or characterization. That is the only rule they follow. Instead, they tend to limn a disordered and poetic state given structure by philosophical wonder and emotional rigor. Combining elements of both Chinese materiality—the love of physical things—and Western abstract thinking, Can Xue invites her readers into an immersive landscape that blends empirical fact and illusion, mixes the physical and spiritual, and probes the space between consciousness and oblivion. She brings us to a place that is both readily familiar yet unmappable and can make us hyperaware of the inherent unreliability in our relationship to the world around us. Delightful, enchanting, and filled with secrets, Can Xue’s newest collection shines a light on the forces that give contours to the visible terrain we acknowledge as reality.
"Don't do this! Watch out for that!" Marco's mom thinks the whole world is a danger zone. She won't even let Marco play softball.But Marco just wants to have fun. So he sneaks off to a game. And that's when it happens. He gets hit in the head with a baseball bat.Now things are getting really fuzzy. Really scary. Because when Marco gets home he gets the strangest call. From someone who says he lives in Marco's basement...
In The House I Live In, award-winning historian Robert J. Norrell offers a truly masterful chronicle of American race relations over the last one hundred and fifty years. This scrupulously fair and insightful narrative--the most ambitious and wide-ranging history of its kind--sheds new light on the ideologies, from white supremacy to black nationalism, that have shaped race relations since the Civil War. Norrell argues that it is these ideologies, more than politics or economics, that have sculpted the landscape of race in America. Beginning with Reconstruction, he shows how the democratic values of liberty and equality were infused with new meaning by Abraham Lincoln, only to become meaningless for generations of African Americans as the white supremacy movement took shape. The heart of the book paints a vivid portrait of the long, often dangerous struggle of the Civil Rights movement to overcome decades of accepted inequality. Norrell offers fresh appraisals of key Civil Rights figures and dissects the ideas of racists. He offers striking new insights into black-white history, observing for instance that the Civil Rights movement really began as early as the 1930s, and that contrary to much recent writing, the Cold War was a setback rather than a boost to the quest for racial justice. He also breaks new ground on the role of popular culture and mass media in first promoting, but later helping defeat, notions of white supremacy. Though the struggle for equality is far from over, Norrell writes that today we are closer than ever to fulfilling the promise of our democratic values. The House I Live In gives readers the first full understanding of how far we have come.
How do the dark moments of suffering which we all encounter at some point in our lives connect with the divine? The words of Paul the Apostle offer an answer to this universal question in the vibrant figure and pattern of Jesus Christ, so eloquently expressed in the Philippians Christ Hymn. It is in moments of loss, moments of experience of creation and community, and moments of transformative unity with God that we discover our deep connectedness to God and one another. Laura Hogan weaves the truth of these three facets of divine-human relationship together with Paul's undivided trust in divine effectiveness; that is, that the paradox of the cross reveals that God, no matter how dire the circumstance, is supremely effective to accomplish his will. Paul's words encourage us to express the pattern of Jesus Christ in our words, actions, and very lives, a singular articulation of Christ in our time, place, identity, and circumstances. This daily living of the Christ pattern, which this book explores in lives past and present, gives rise to a true joy in God as we become increasingly aware of our relationship with the divine in all moments, from the darkest to the brightest.
In the 1940s outside Glenrock, Wyoming, Julie Bruns knew she would have to work hard if she expected to make her living on a homestead. At the end of a long, hard day, her tired muscles would ache, but Julie would perseverefor she was truly a pioneer. In her posthumous memoir, Bruns shares a fascinating description of day-to-day life in the wilds of Wyoming as she changed history forever and became one of the states few female homesteaders. Bruns tells how she overcame her initial fears and embarked on a new venture with a strong determination and an honest heart. After deciding to file a homestead, Bruns details how she selected a site along a tiny creek and began constructing a cabin out of green-cut, peeled logs. The days were filled with hard work, and the nights were frightening as owls hooted and coyotes yapped. But Bruns persistedbuilding much of her furniture, exploring the land around her house, and getting to know her neighbors. I Live in a Beautiful World shares the inspiring story of how Julie Bruns became a homesteader through resolve, courage, and, most importantly, the unyielding desire to make her dream come true.