In 'I Guess I'm a Poet Now,' embark on a captivating journey through the evocative verses of an emerging young poet's first creation. This anthology delves into the raw emotions of life's highs and lows, offering a refuge from the chaotic dance of existence. From heartfelt musings on love, life, and self-discovery to reflections on solitude amidst the pandemic, these poems paint a tapestry of raw emotions, each verse reminding us that in the embrace of poetry, one can find solace, meaning, and the beauty of being human. Join the poet on this introspective voyage, and let the words resonate in your heart long after the final page is turned.
Collects translations of poems from throughout the author's career, including several new translations, including her entire final collection in English for the first time.
NEW YORK TIMES BESTSELLER • The highly acclaimed, provocative essay on feminism and sexual politics—from the award-winning author of Americanah In this personal, eloquently-argued essay—adapted from the much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
"The soul remembers all of this. How I swept the floor / with my golden hair. How I fed it watermelon and wine / from a porcelain dish. How I called it teacher and it called me teacher's pet." Metaphysical in concern and hypermodern in tone, Bridget Lowe returns in this appropriately titled, much-anticipated second collection, determined as ever to make meaning from the perversity of suffering. My Second Work is rare in its ability to be both completely idiosyncratic and widely resonant, as Lowe transforms experiences of shame, disgust, and bewilderment into a kind of mutant hope. Poems in this collection have appeared in the New Yorker and Poetry and were honored by the Poetry Society of America.
Blackfire: The Girl with the Diamond Key (Volume III of the trilogy) concludes the story of four unlikely teenagers who are summoned by a mysterious stranger to save another world being destroyed by evil. Elli Adams and her friends Beatriz, Jamie, and Alex must overcome challenges of blindness, self-confidence, and Down syndrome as they struggle together to fulfill their mysterious calling as Bairnmoor's last prophetic hope. Join them as they adventure through singing forests and stardust valleys full of mystical, glorious, and ferocious creatures, all of which test their resolve in the face of overwhelming adversity. Eckblad's novel wrestles with the age-old questions of Good and Evil and the nature of the heroic life, even as it provides a fresh perspective on how we can have faith in the Good against every indication that Evil is prevailing―and how each of us can be immensely more than we seem to be.
